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3个超重的奥运选手在参加10米高的跳水比赛,一个一个的跳,总共三组镜头,因为太胖导致水花四溅,
3个超重的奥运选手在参加10米高的跳水比赛,一个一个的跳,总共三组镜头,因为太胖导致水花四溅,
[LOGLINE] Three extremely overweight Olympic divers participate in a 10-meter high diving competition, each taking their turn to jump, creating massive splashes due to their weight. [SUBJECT & ACTION] The first diver, a jovial athlete, prepares at the edge of the diving board, takes a deep breath, and leaps off. Following him, the second diver, grinning, runs and jumps, followed by the third, who comically struggles to position himself before making a dramatic dive. [ENVIRONMENT] The setting is a bright outdoor Olympic diving pool, with clear blue water and a lively crowd cheering in the background. [CAMERA & MOVEMENT] Steady wide shot of the diving platform, then a quick handheld zoom-in on each diver as they prepare to jump, followed by a smooth tracking shot that follows their descent into the water. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the diving platform with the first diver stepping forward, crowd noise swelling. • 3.3–6.6s: Close-up on the first diver leaping off, followed by a splash slow-motion shot as they hit the water. • 6.6–10s: Transition to the second diver preparing, then jumping, with a massive splash, ending with a wide shot of the pool. [LIGHTING & COLOR] Bright daylight illuminating the scene, vibrant colors of the diving pool and divers' swimwear, with splashes creating white foam against the blue water. [VFX & CLEANUP] Dynamic water splash effects; enhance splashes with a slight ripple effect; maintain stable edges around the divers. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
## **Script:** "So this little vial here is kind of like rocket fuel for your
## **Script:** "So this little vial here is kind of like rocket fuel for your cells. It's actually pharmaceutical-grade NAD+ that goes directly into your bloodstream." **Visual Prompt:** *Cinematic close-up of a glass vial filled with clear liquid, glowing with soft golden light, floating in a dark space with subtle particle effects suggesting cellular energy, slow rotation, depth of field, premium pharmaceutical aesthetic*
[LOGLINE] A cinematic close-up reveals a glass vial filled with clear liquid, described as pharmaceutical-grade NAD+, that glows with soft golden light as it floats in a dark space, suggesting cellular energy. [SUBJECT & ACTION] The vial rotates slowly, showcasing its premium pharmaceutical aesthetic while emphasizing its role as a powerful substance for rejuvenating cells. [ENVIRONMENT] The setting is a dark, ethereal space filled with subtle particle effects that evoke the feeling of energy at a cellular level. [CAMERA & MOVEMENT] Handheld push-in on the vial, slow rotation to emphasize the glow, and slight tilt to capture the depth of field. [BEAT FLOW — 10s] • 0–3.3s: Start with a wide shot of the dark space, then push in towards the vial. • 3.3–6.6s: Focus on the vial as it slowly rotates, revealing the glowing liquid. • 6.6–10s: Close-up on the vial as it continues to float, with a subtle zoom to enhance the sense of depth, ending with a lingering shot on the glowing liquid. [LIGHTING & COLOR] Soft, warm golden light emanates from the vial, contrasting against the dark background, creating an inviting yet mysterious atmosphere. [VFX & CLEANUP] Subtle particle effects around the vial suggesting cellular energy; ensure stable edges and smooth transitions throughout the scene. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
一个特别超重的胖子在表演杂技,钻火圈,上下抛飞刀,骑独轮车,走钢丝,多组镜头,在马戏团
一个特别超重的胖子在表演杂技,钻火圈,上下抛飞刀,骑独轮车,走钢丝,多组镜头,在马戏团
[LOGLINE] 一个特别超重的胖子在马戏团表演杂技,钻火圈、上下抛飞刀、骑独轮车和走钢丝,展现出令人惊叹的技巧与幽默感。 [SUBJECT & ACTION] 一个体型庞大的胖子,穿着华丽的表演服装,勇敢地在马戏团的舞台上表演。他既要钻过燃烧的火圈,又要在高空中抛飞刀,骑着独轮车穿梭于观众之间,同时在钢丝上走动,充分展现出他的勇气与技巧。 [ENVIRONMENT] 马戏团的舞台布满五彩斑斓的灯光,背景是巨大的彩色帐篷,观众们兴奋地围绕着表演区域,气氛热烈而欢快。 [CAMERA & MOVEMENT] 从观众的视角推入,紧随胖子的动作,快速切换到不同的角度,捕捉他钻火圈、抛飞刀、骑独轮车和走钢丝的每一个瞬间,最后从上方俯视全场,展示观众的欢呼。 [BEAT FLOW — 10s] • 0–3.3s: 胖子勇敢地钻入火圈,火焰闪烁,观众惊呼。 • 3.3–6.6s: 胖子在空中抛飞刀,刀片在灯光下闪烁,观众屏息以待。 • 6.6–10s: 胖子骑着独轮车,走上钢丝,观众齐声欢呼,画面定格在他微笑的脸庞。 [LIGHTING & COLOR] 使用明亮的舞台灯光,突出胖子的表演,背景色彩鲜艳,营造出快乐和兴奋的氛围。 [VFX & CLEANUP] 使用细微的运动模糊,确保边缘稳定,强调动作的流畅性。 [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
a lady reading a bible then switching over to her app and looking into the verse
a lady reading a bible then switching over to her app and looking into the verse context for deeper meaning, in a coffee shop
[LOGLINE] A woman sits in a cozy coffee shop, deeply engaged in reading her Bible, then transitions to her smartphone app to explore the verse's context for deeper understanding. [SUBJECT & ACTION] The lady, focused and contemplative, reads her Bible before seamlessly switching to her app, scrolling through the screen to uncover the deeper meanings of the verses she has just read. [ENVIRONMENT] The scene is set in a warm, inviting coffee shop filled with soft ambient sounds of brewing coffee and quiet chatter, with wooden tables and cozy seating. [CAMERA & MOVEMENT] Start with a steady close-up on the woman's face, then a smooth pan down to her Bible, followed by a quick cut to her phone screen as she scrolls through the app. [BEAT FLOW — 10s] • 0–3.3s: Close-up of the woman’s focused expression as she reads the Bible, a soft smile appearing on her lips. • 3.3–6.6s: Camera smoothly pans down to the open Bible on the table, highlighting the highlighted verses. • 6.6–10s: Quick cut to her phone screen showing the app interface, her fingers scrolling through verses, ending with a thoughtful look as she contemplates the deeper meanings. [LIGHTING & COLOR] Warm, natural light filters through the coffee shop windows, creating a cozy atmosphere with soft shadows; colors are rich and inviting, emphasizing the warmth of the setting. [VFX & CLEANUP] Subtle depth of field to keep the focus on the woman and her actions; ensure clean edges around the subjects for clarity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
@nion01 walking around the house with a gallon of milk
@nion01 walking around the house with a gallon of milk
[LOGLINE] @nion01 meanders through the house, carrying a gallon of milk, capturing the mundane yet oddly amusing moments of their day. [SUBJECT & ACTION] @nion01 strolls from room to room, occasionally pausing to inspect items on shelves or glance out windows, all while balancing the heavy gallon of milk in one hand. [ENVIRONMENT] The interior of a cozy home, filled with personal touches like family photos, house plants, and soft lighting that creates a warm atmosphere. [CAMERA & MOVEMENT] Smooth tracking shot following @nion01 as they walk; occasional close-ups on the milk gallon as it sways with their movements. [BEAT FLOW — 10s] • 0–3.3s: @nion01 enters the frame from the left, holding the milk with a casual grip, a playful smile on their face. • 3.3–6.6s: A close-up on the milk gallon as it wobbles slightly while @nion01 glances at a family photo on a nearby shelf. • 6.6–10s: @nion01 turns and continues walking, their laughter echoing softly, as the camera pans out to capture the cozy living room setting. [LIGHTING & COLOR] Soft, warm lighting to enhance the inviting feel of the home; a natural color palette with soft pastels and earthy tones. [VFX & CLEANUP] Subtle motion blur to convey a smooth walking motion; stable edges to maintain clarity of the scene. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
The black man sitting at a desk Trading the stock market on a phone making profi
The black man sitting at a desk Trading the stock market on a phone making profits on a long position
[LOGLINE] A focused black man sits at a desk, trading the stock market on his phone, successfully making profits on a long position. [SUBJECT & ACTION] The man, deeply engaged, swipes and taps on his smartphone, analyzing stock trends and reacting to market fluctuations with an air of confidence and anticipation. [ENVIRONMENT] The setting is a modern home office, equipped with a sleek desk, dual monitors displaying stock charts, and a large window letting in natural light. [CAMERA & MOVEMENT] Smooth dolly-in towards the man’s face to capture his concentration, then a quick pan to the phone screen showing rising stock prices. [BEAT FLOW — 10s] • 0–3.3s: The camera starts wide, showing the man at his desk, then dolly-in to focus on his face. • 3.3–6.6s: A pan to his phone as he taps the screen, with a close-up of the rising stock chart. • 6.6–10s: Return to a medium shot of the man smiling as he sees the profits, with the office background slightly blurred. [LIGHTING & COLOR] Utilize bright, natural lighting from the window, highlighting the man's features and the glow of the phone screen; warm tones create an inviting atmosphere. [VFX & CLEANUP] Subtle motion blur on the phone screen interactions; ensure stable edges around the man and desk. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
Video of Alan watts saying How would you really enjoy spending your life? Wha
Video of Alan watts saying How would you really enjoy spending your life? What do you want to do? you do that and forget the money, because, if you say that getting the money is the most important thing, you will spend your life completely wasting your time.
[LOGLINE] A contemplative video featuring Alan Watts, as he poses thought-provoking questions about the true value of life and the importance of pursuing passion over monetary gain. [SUBJECT & ACTION] Alan Watts passionately delivers a monologue, asking, "How would you really enjoy spending your life?" He continues with, "What do you want to do? You do that and forget the money..." emphasizing the futility of prioritizing wealth. [ENVIRONMENT] The scene is set in a serene, natural environment, perhaps a tranquil garden or a peaceful forest glade, with dappled sunlight filtering through the leaves, evoking a sense of calm and introspection. [CAMERA & MOVEMENT] Smooth dolly shot towards Alan as he speaks, transitioning to a slight pan to capture his expressive gestures. Close-ups on his face to capture emotional nuances, then wide shots to include the surrounding nature. [BEAT FLOW — 10s] • 0–3.3s: Alan begins with the question, "How would you really enjoy spending your life?" with a calm demeanor. • 3.3–6.6s: He continues, "What do you want to do? You do that and forget the money," emphasizing the importance of passion. • 6.6–10s: Alan concludes with, "because, if you say that getting the money is the most important thing, you will spend your life completely wasting your time," as the camera slowly zooms out to reveal the peaceful surroundings. [LIGHTING & COLOR] Soft, natural lighting to enhance the serene atmosphere; warm tones to evoke comfort and contemplation, with gentle shadows to add depth. [VFX & CLEANUP] Subtle motion blur to create a dreamy effect; stable edges to maintain clarity on Alan's expressions and surrounding nature. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
Man ride civic turbo from mountain
Man ride civic turbo from mountain
[LOGLINE] A man rides his Civic Turbo down from a mountain road, feeling the rush of adrenaline and freedom. [SUBJECT & ACTION] The man, exhilarated by the speed, grips the steering wheel tightly as he navigates the winding mountain road in his Civic Turbo, the engine roaring powerfully beneath him. [ENVIRONMENT] The scene is set on a scenic mountain road, surrounded by lush greenery and steep cliffs, with the sun shining brightly overhead. [CAMERA & MOVEMENT] Smooth aerial drone shot starts high above the mountain, then transitions to a close-up of the man's focused face as he accelerates, followed by a sweeping side shot of the Civic Turbo gliding along the road. [BEAT FLOW — 10s] • 0–3.3s: Aerial shot showing the majestic mountain landscape and the Civic Turbo starting its descent. • 3.3–6.6s: Close-up of the man’s excited expression, focusing on his intense concentration as he shifts gears. • 6.6–10s: Wide shot of the Civic Turbo speeding along the road, dust kicking up behind it, as the scene resolves with the sun setting behind the mountains. [LIGHTING & COLOR] Bright, natural daylight illuminating the scene, with vibrant greens of the foliage contrasting against the sleek metallic finish of the Civic Turbo. [VFX & CLEANUP] Subtle motion blur to emphasize speed; stable edges to maintain clarity of the car and environment. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
Сделай трейлер 8 сезона про Гамбола и Дарвина, то что они попали в мир джунглей
Сделай трейлер 8 сезона про Гамбола и Дарвина, то что они попали в мир джунглей и там выжила, на английском
[LOGLINE] In the eighth season trailer, Gumball and Darwin are thrust into a vibrant jungle world where they must navigate treacherous terrain and outsmart various wild creatures to survive. [SUBJECT & ACTION] Gumball, with his characteristic wide-eyed determination, leads Darwin through dense foliage, while Darwin expresses both excitement and fear as they encounter exotic animals and obstacles that test their friendship and resourcefulness. [ENVIRONMENT] The jungle is a lush, colorful expanse filled with towering trees, vibrant plants, and the sounds of wildlife, creating an atmosphere of adventure and danger. [CAMERA & MOVEMENT] Dynamic tracking shots follow Gumball and Darwin as they dash through the underbrush, with occasional slow-motion moments to emphasize their reactions to surprising encounters. [BEAT FLOW — 10s] • 0–3.3s: Gumball and Darwin burst through the jungle canopy, wide-eyed and exhilarated, with the camera zooming in on their faces. • 3.3–6.6s: A sudden rustling in the bushes catches their attention, and they freeze, exchanging nervous glances while the camera pans around them. • 6.6–10s: A majestic but intimidating jungle creature appears, and Gumball shouts a clever quip, leading to a quick escape; the scene fades to black as their laughter echoes. [LIGHTING & COLOR] Bright, saturated colors highlight the jungle's vibrancy, with dappled sunlight filtering through the leaves, casting playful shadows on Gumball and Darwin. [VFX & CLEANUP] Smooth transitions between scenes; subtle enhancements for environmental effects like rustling leaves or splashes of water when they interact with their surroundings. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
Ah sarılar vah sarışınlar
Ah sarılar vah sarışınlar
[LOGLINE] Ah sarılar vah sarışınlar, a vibrant clash of personalities unfolds as two groups of friends gather at a lively café, igniting a spirited debate about their contrasting preferences in fashion and lifestyle. [SUBJECT & ACTION] The scene centers around a table where a group of friends, dressed in strikingly colorful outfits, animatedly discuss their favorite styles while sipping drinks. Emotions run high as they playfully tease each other about their choices, showcasing their unique personalities and the warmth of their friendship. [ENVIRONMENT] The café is bustling with energy, adorned with bright murals and eclectic decorations, with sunlight streaming in through large windows, creating a cheerful and inviting atmosphere. [CAMERA & MOVEMENT] Handheld tracking shot moving around the table, capturing each character's expressions; quick cuts to close-ups of drinks and hands gesturing animatedly; gradual pull back to reveal the café ambiance. [BEAT FLOW — 10s] • 0–3.3s: The camera begins with a wide shot of the café, focusing on the lively table of friends, laughter ringing out. • 3.3–6.6s: Quick close-ups of characters as they passionately defend their fashion choices, intercut with shots of their drinks being raised. • 6.6–10s: A final shot of the group erupting into laughter, the camera pulling back to capture the harmonious chaos, with no new dialogue. [LIGHTING & COLOR] Bright, natural light flooding the café, enhancing the vivid colors of the characters' outfits; warm tones to emphasize the friendly vibe. [VFX & CLEANUP] Subtle motion blur during quick cuts; stable edges to maintain clarity of characters; ensure clean transitions between shots. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
A dog is skiing in the high mountains (bodycam with head visible) with a lot of
A dog is skiing in the high mountains (bodycam with head visible) with a lot of snow when suddenly an avalanche is triggered and catches up with the dog.
[LOGLINE] A dog with a bodycam attached to its harness is skiing joyfully in the high mountains, surrounded by deep snow, when an avalanche is suddenly triggered, racing towards the pup. [SUBJECT & ACTION] The dog, with its fur glistening in the sunlight, skillfully navigates the slopes, showcasing its excitement and agility as it skis. The moment of joy quickly turns to panic as the avalanche crashes down the mountain, threatening to engulf the dog. [ENVIRONMENT] The high mountain environment is filled with pristine, powdery snow, towering peaks, and a bright blue sky, creating a stark contrast to the impending danger of the avalanche. [CAMERA & MOVEMENT] Bodycam perspective captures the dog's movements; quick pans to show the surrounding landscape; a dramatic tilt-up to reveal the avalanche cascading down the slope. [BEAT FLOW — 10s] • 0–3.3s: The dog skis confidently, tail wagging, as snow sprays around; joyful barks echo. • 3.3–6.6s: The camera tilts up to reveal a rumbling sound; the avalanche starts to form, and the dog's expression shifts to alarm. • 6.6–10s: The avalanche surges towards the dog; the camera captures the frantic movement as the dog attempts to escape, ending with a close-up of its determined face. [LIGHTING & COLOR] Bright, natural daylight illuminating the snow, creating sparkling reflections; the colors are vibrant, with the white snow contrasting against the dog's fur and the blue sky. [VFX & CLEANUP] Subtle snow particles flying around; dynamic motion blur to emphasize speed during the avalanche scene; stable edges around the dog throughout the action. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
A dog is climbing a mountain with all the gear (bodycam with head visible) when
A dog is climbing a mountain with all the gear (bodycam with head visible) when suddenly a large rock falls from above.
[LOGLINE] A daring dog equipped with climbing gear ascends a treacherous mountain, showcasing its determination and bravery, when a large rock unexpectedly tumbles down from above, threatening its ascent. [SUBJECT & ACTION] A determined dog climbs a steep mountain trail, wearing a bodycam that captures its head and expressions clearly. As it navigates the rocky terrain, a large rock suddenly breaks loose from the cliff above, creating a moment of peril. [ENVIRONMENT] The rugged mountain landscape is characterized by steep cliffs, scattered rocks, and a backdrop of a clear blue sky, emphasizing the raw beauty and danger of the environment. [CAMERA & MOVEMENT] Start with a steady handheld shot following the dog from a low angle, then transition to a close-up of the dog’s face as it looks up. A sudden tilt up to the cliff reveals the falling rock, followed by a quick pan to the side as the dog reacts in alarm. [BEAT FLOW — 10s] • 0–3.3s: The camera follows the climbing dog from a low angle, capturing its gear and determination. • 3.3–6.6s: Close-up on the dog’s face, showcasing its focused expression, then a sudden tilt up to reveal a large rock dislodging. • 6.6–10s: Quick pan to the side as the dog leaps to avoid the falling rock, with a wide shot capturing the rock tumbling down and the dog’s evasive action. [LIGHTING & COLOR] Natural daylight illuminates the scene, casting crisp shadows that highlight the dog’s fur and the rugged mountain textures. Colors are vibrant, showcasing the blue sky and earthy tones of the rocks. [VFX & CLEANUP] Subtle motion blur on the falling rock; stable edges throughout the scene to maintain clarity and focus on the dog’s actions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
A dog is downhill mountain biking (with a head-mounted bodycam) on a very techni
A dog is downhill mountain biking (with a head-mounted bodycam) on a very technical track when suddenly it does an endo, gets ejected, and falls to the ground.
[LOGLINE] A dog with a head-mounted bodycam is downhill mountain biking on a very technical track when it suddenly experiences an endo, gets ejected, and falls to the ground. [SUBJECT & ACTION] The dog, equipped with a camera strapped to its head, skillfully navigates the challenging terrain on its mountain bike before an unexpected endo causes it to flip forward and crash onto the ground. [ENVIRONMENT] The setting features a rugged, steep mountain biking trail filled with sharp rocks, roots, and steep drops, surrounded by lush greenery and tall trees. [CAMERA & MOVEMENT] Begin with a stabilized overhead shot following the dog down the track, then switch to a first-person perspective from the bodycam as it navigates the terrain. As the endo occurs, cut to a slow-motion close-up of the dog mid-air, then a quick pan down to the ground as it lands. [BEAT FLOW — 10s] • 0–3.3s: Stabilized overhead shot of the dog confidently biking downhill, weaving through obstacles. • 3.3–6.6s: Switch to bodycam perspective as the dog approaches a steep drop, showcasing the dog's focus and speed. • 6.6–10s: Slow-motion close-up of the dog performing the endo, followed by a pan down to the ground as the dog hits the dirt, with a brief moment of stillness before the scene fades. [LIGHTING & COLOR] Bright, natural daylight illuminating the scene with vibrant greens from the foliage and earthy tones of the trail, creating a lively and dynamic atmosphere. [VFX & CLEANUP] Subtle slow-motion effects during the endo; stable edges to maintain clarity; minor dust particles to enhance the crash impact. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
un chien fait du VTT de descente (bodycam avec tête visible) dans une piste très
un chien fait du VTT de descente (bodycam avec tête visible) dans une piste très technique quand soudain il fait un soleil, se fait éjecter et tombe par terre
[LOGLINE] Un chien fait du VTT de descente sur une piste très technique, mais soudain, il fait un soleil, se fait éjecter et tombe par terre. [SUBJECT & ACTION] Un chien énergique, portant une caméra de type bodycam fixée à son harnais, descend une piste de VTT technique avec des virages serrés et des sauts. À un moment critique, le chien effectue un soleil, s'éjecte de son vélo et tombe au sol, exprimant à la fois surprise et confusion. [ENVIRONMENT] Une piste de VTT très technique, entourée d'arbres denses et de rochers, avec des éléments de terrain variés comme des sauts et des dénivelés. [CAMERA & MOVEMENT] Handheld tracking shot following the dog's perspective; dynamic shifts as the dog performs tricks; quick tilt downwards as he flips over. [BEAT FLOW — 10s] • 0–3.3s: Le chien commence à descendre la piste, la caméra montre son excitation, les paysages flous défilent. • 3.3–6.6s: Le chien effectue des manœuvres techniques, la caméra se penche avec lui, capturant les moments de vol. • 6.6–10s: Lorsqu'il fait un soleil, la caméra se retourne rapidement, montrant la chute, puis se stabilise sur le sol, le chien au sol, pantelant. [LIGHTING & COLOR] Éclairage naturel, avec des rayons de soleil filtrant à travers les arbres, créant des reflets dorés sur la piste; couleurs vives et saturées pour accentuer l'énergie de la scène. [VFX & CLEANUP] Subtle motion blur during fast movements; stable edges to maintain focus on the dog; smooth transitions as the scene shifts from excitement to fall. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
A woman in her 80s walking along the great wall of china
A woman in her 80s walking along the great wall of china
[LOGLINE] An 80-year-old woman walks along the Great Wall of China, reflecting on her life with a mix of nostalgia and determination. [SUBJECT & ACTION] The elderly woman, dressed in a colorful shawl, moves slowly but purposefully, her fingers brushing against the ancient stones as she navigates the winding path of the Great Wall, her expression a blend of awe and introspection. [ENVIRONMENT] The majestic Great Wall stretches across mountainous terrain, with lush greenery in the background and a clear blue sky overhead, creating a serene yet monumental backdrop. [CAMERA & MOVEMENT] Steady dolly shot following the woman from behind, transitioning to a side angle as she pauses to take in the view, then a close-up of her face capturing her emotions. [BEAT FLOW — 10s] • 0–3.3s: The camera follows the woman from behind, showcasing her silhouette against the vast Wall. • 3.3–6.6s: The shot shifts to a side view as she stops, taking a deep breath and looking out over the landscape, her face illuminated by soft sunlight. • 6.6–10s: Close-up of her face, eyes reflecting memories, with a gentle smile appearing as she resumes her walk; no new dialogue is introduced. [LIGHTING & COLOR] Soft, natural sunlight bathes the scene, casting gentle shadows; warm tones dominate, evoking feelings of warmth and nostalgia. [VFX & CLEANUP] Subtle depth-of-field blur to enhance focus on the woman; maintain stable edges to emphasize the clarity of the Great Wall and her figure. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
Mustafa Kemal Attaturk in car fleeinf away from the police.
Mustafa Kemal Attaturk in car fleeinf away from the police.
[LOGLINE] Mustafa Kemal Atatürk is in a car, urgently fleeing away from pursuing police, embodying a sense of determination and urgency as he navigates through a tense escape. [SUBJECT & ACTION] Mustafa Kemal Atatürk, dressed in a sharp suit, grips the steering wheel with a focused expression while glancing in the rearview mirror at the flashing lights of the police cars behind him. The sound of sirens fills the air as he accelerates, swerving through the streets to evade capture. [ENVIRONMENT] The scene unfolds in a bustling city, with narrow streets and historical architecture, illuminated by the headlights of the car and the flashing lights of the police vehicles. [CAMERA & MOVEMENT] Steady tracking shot following the car from behind, then shifts to a close-up of Atatürk’s intense face, before cutting to a side angle highlighting the police cars in pursuit. [BEAT FLOW — 10s] • 0–3.3s: The car speeds through the city streets, police sirens blaring in the background. • 3.3–6.6s: Close-up on Atatürk's determined expression as he navigates sharp turns, sweat glistening on his forehead. • 6.6–10s: The camera pulls back to show the car disappearing around a corner, with police cars trailing behind, creating a sense of tension and urgency. [LIGHTING & COLOR] Dramatic lighting contrasts between the warm glow of streetlights and the cold blue of police lights, creating a tense and urgent atmosphere. [VFX & CLEANUP] Subtle motion blur to convey speed; stable edges to maintain clarity on Atatürk’s focused expression and the surrounding environment. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
Donald Trump dancing at night club.
Donald Trump dancing at night club.
[LOGLINE] Donald Trump energetically dances at a vibrant nightclub, surrounded by flashing lights and an enthusiastic crowd. [SUBJECT & ACTION] Donald Trump, dressed in a stylish suit, showcases his unique dance moves, exuding confidence and charisma as he interacts with the jubilant partygoers around him. [ENVIRONMENT] The nightclub is filled with colorful strobe lights, pulsating electronic music, and an energetic atmosphere, with people dancing and cheering in the background. [CAMERA & MOVEMENT] Handheld tracking shot moving through the crowd, capturing close-ups of Trump's dance moves and reactions from the audience, followed by a slow zoom-out to reveal the entire scene. [BEAT FLOW — 10s] • 0–3.3s: Close-up of Donald Trump dancing, a big smile on his face as he moves to the beat. • 3.3–6.6s: Quick cuts to excited clubgoers cheering and joining in, creating a lively atmosphere. • 6.6–10s: Zoom-out revealing the full dance floor, with Trump taking center stage, the music crescendoing, and the lights flashing in sync with the beat. [LIGHTING & COLOR] Dynamic and colorful lighting, with rapid shifts between neon hues; the overall tone is bright and energetic, reflecting the nightclub vibe. [VFX & CLEANUP] Subtle sparkles and light flares to accentuate the dancing; stable edges throughout to maintain clarity in movement. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
Video di central cee e lisa mentre fanno la spesa
Video di central cee e lisa mentre fanno la spesa
[LOGLINE] A lively video featuring Central Cee and Lisa as they navigate through a bustling supermarket, showcasing their humorous interactions and the chaos of grocery shopping. [SUBJECT & ACTION] Central Cee and Lisa are playfully bickering while selecting items from the shelves, with Central Cee joking about Lisa’s choice of snacks and Lisa teasing him about his cart filled with unnecessary items. [ENVIRONMENT] The setting is a vibrant supermarket filled with colorful product displays, shoppers moving about, and the sounds of carts and chatter in the background. [CAMERA & MOVEMENT] Handheld tracking shot following Central Cee and Lisa as they move through the aisles, with occasional close-ups on their expressions and the items they pick up. [BEAT FLOW — 10s] • 0–3.3s: Central Cee grabs a bag of chips, laughing as he makes a face at Lisa’s snack choice. • 3.3–6.6s: Lisa playfully shoves him, pointing at an absurd item in his cart while Central Cee retorts with a grin. • 6.6–10s: They both burst into laughter, moving towards the checkout together, with the camera capturing their camaraderie. [LIGHTING & COLOR] Bright, natural lighting with vibrant colors highlighting the products and their playful mood; warm tones to emphasize the friendly atmosphere. [VFX & CLEANUP] Subtle motion blur during quick movements; ensure edges are stable and clear for a polished look. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
اعلان حماسي لمشاهدة مباراة اليوم بين الامارات والعراق في المباراه الفاصله والمؤ
اعلان حماسي لمشاهدة مباراة اليوم بين الامارات والعراق في المباراه الفاصله والمؤهله لكأس العالم وسيتم بث المباراه علي شاشة Universe Iptv
[LOGLINE] إعلان حماسي لمشاهدة مباراة اليوم بين الإمارات والعراق في المباراة الفاصلة والمؤهلة لكأس العالم، ستُبث المباراة على شاشة Universe Iptv. [SUBJECT & ACTION] يتجمع حشد من المشجعين في ملعب مزين بأعلام الإمارات والعراق، بينما يهتفون بحماس ويعبرون عن حماسهم للمباراة. تتضمن اللقطات مشاهد للمشجعين وهم يرتدون قمصان فرقهم، ويشجعون بحماس. [ENVIRONMENT] الملعب مليء بالأضواء الملونة مع أجواء احتفالية، حيث يُظهر الشاشة الكبيرة في المنتصف العد التنازلي لبداية المباراة. [CAMERA & MOVEMENT] تتبع الكاميرا حركة المشجعين من زوايا متعددة، بدءًا من لقطة واسعة للحشد ثم الانتقال إلى لقطات قريبة من الوجوه المتحمسة، مع تحريك الكاميرا بشكل انسيابي لمتابعة الهتافات. [BEAT FLOW — 10s] • 0–3.3s: لقطة واسعة للملعب مع الجمهور يهتف، الأعلام تتمايل في الهواء. • 3.3–6.6s: لقطة قريبة لمشجعين يرفعون لافتات وشعارات، مع تعبيرات حماسية على وجوههم. • 6.6–10s: لقطة للوحة الكبيرة تُظهر العد التنازلي، مع انتهاء المشهد بعبارة "شاهدوا المباراة على Universe Iptv". [LIGHTING & COLOR] إضاءة ساطعة ومبهجة، مع استخدام ألوان زاهية تعكس ألوان الفرق، مثل الأخضر والأحمر والأبيض، لإنشاء جو مفعم بالحيوية. [VFX & CLEANUP] تأثيرات بصرية خفيفة مثل التألق حول الأعلام، مع الحفاظ على حواف مستقرة ونظيفة. [NEGATIVE DIRECTIVES] لا نصوص فوقية، لا علامات مائية، لا أطراف مكررة، تجنب الهز/الاهتزاز، لا آثار عائمة، لا انزلاق في حركة الشفاه.
First person pov of a pilot crashing into a building while yelling Allahu akbar
First person pov of a pilot crashing into a building while yelling Allahu akbar
[LOGLINE] First-person point of view of a pilot crashing into a building while yelling "Allahu akbar," capturing the intense emotions and chaos of the moment. [SUBJECT & ACTION] The pilot, gripping the control yoke tightly, experiences a rush of adrenaline as they prepare for the imminent crash, shouting "Allahu akbar" in a mix of fear and resolve. [ENVIRONMENT] The scene takes place in a bustling urban area, with skyscrapers surrounding the pilot as they approach the target building at high speed. [CAMERA & MOVEMENT] First-person perspective, rapid forward thrust as the camera dives towards the building; quick shifts to the cockpit for emotional close-ups of the pilot's face. [BEAT FLOW — 10s] • 0–3.3s: The camera zooms in on the pilot's determined expression, hands gripping the control yoke, the cityscape rushing past. • 3.3–6.6s: The pilot yells "Allahu akbar," the sound echoing in the cockpit as the building looms closer, the ground rushing up. • 6.6–10s: The camera locks onto the building, the pilot's voice fading as the impact approaches, ending with a sudden blackout. [LIGHTING & COLOR] Harsh, dramatic lighting with high contrast; a mix of warm tones from the cockpit and cooler tones of the city, emphasizing the tension and chaos. [VFX & CLEANUP] Subtle motion blur during the dive; stable edges to maintain focus on the pilot's face and the building; ensure a seamless transition during the impact. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
Cholos fighting for a johnnys burrito outside of desert valley high school in Br
Cholos fighting for a johnnys burrito outside of desert valley high school in Brawley California
[LOGLINE] Cholos engage in an intense showdown over a coveted Johnny's Burrito outside Desert Valley High School in Brawley, California. [SUBJECT & ACTION] Two rival cholos, dressed in classic baggy attire and sporting tattoos, shout and gesture aggressively as they compete for the last burrito. The air is thick with tension as onlookers gather to witness the escalating confrontation. [ENVIRONMENT] The scene is set on a sun-baked sidewalk outside Desert Valley High School, with the school’s distinctive architecture in the background and a food truck displaying the iconic Johnny's Burrito logo. [CAMERA & MOVEMENT] Handheld tracking shot moves between the cholos, capturing their animated expressions and movements while circling around them to heighten the drama. Quick cuts to the audience's reactions enhance the intensity of the moment. [BEAT FLOW — 10s] • 0–3.3s: Close-up of the cholos' fierce faces as they exchange heated words, with the burrito prominently in view on the table. • 3.3–6.6s: Wide shot reveals the gathering crowd, showing excitement and anticipation as they cheer and jeer, with the sun glaring brightly overhead. • 6.6–10s: The cholos lunge towards each other, fists raised, while the crowd erupts in shouts; as they clash, the camera pulls back to capture the full scene without new dialogue. [LIGHTING & COLOR] Harsh midday sunlight casts strong shadows, creating a stark contrast between light and shadow, enhancing the vibrant colors of the cholos' clothing and the food truck. [VFX & CLEANUP] Subtle motion blur during fast movements; sharp edges for clear character outlines and the burrito logo. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
Jumping beans with sombreros and maracas dancing to Mexican music
Jumping beans with sombreros and maracas dancing to Mexican music
[LOGLINE] Jumping beans adorned with vibrant sombreros and shaking maracas dance joyfully to lively Mexican music. [SUBJECT & ACTION] The animated jumping beans bounce energetically, their sombreros tilting playfully as they sway in rhythm, while the maracas in their tiny hands create a festive sound. [ENVIRONMENT] A colorful Mexican fiesta backdrop filled with papel picado banners and a bright sun illuminating the scene. [CAMERA & MOVEMENT] Wide shot capturing the jumping beans, followed by a close-up of a bean as it bounces, then a dynamic pan to follow the rhythm of the dance. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the jumping beans beginning to dance, sombreros bouncing slightly. • 3.3–6.6s: Close-up of a single jumping bean shaking its maracas, with a vibrant smile. • 6.6–10s: Pan across the group of beans dancing together, ending on a wide shot with all beans in sync, music crescendoing. [LIGHTING & COLOR] Bright and festive lighting with warm tones, emphasizing the colorful sombreros and maracas, creating a cheerful atmosphere. [VFX & CLEANUP] Subtle movement effects to convey the bouncing motion; ensure clean edges around the beans and props. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
Drifting car
Drifting car
[LOGLINE] A skilled street racer drifts a modified car through a neon-lit cityscape, showcasing both the thrill of speed and the fear of getting caught. [SUBJECT & ACTION] The main character, a determined street racer with a fierce look in their eyes, expertly maneuvers their sleek, modified car around tight corners, tires screeching and smoke billowing as they push the vehicle to its limits. [ENVIRONMENT] The scene takes place in a vibrant, neon-lit city at night, with towering skyscrapers and bustling streets illuminated by colorful lights that reflect off the wet asphalt after a recent rain. [CAMERA & MOVEMENT] Tracking shot following the car as it drifts around corners; quick cuts to close-ups of the car's tires and the driver's focused expression; a wide shot capturing the entire city skyline in the background. [BEAT FLOW — 10s] • 0–3.3s: The car accelerates down a city street, tires kicking up water, neon lights flashing. • 3.3–6.6s: The driver shifts gears, expertly drifting around a sharp corner with smoke trailing behind. • 6.6–10s: A wide shot of the car speeding away into the distance, city lights shimmering, with the sound of the engine fading. [LIGHTING & COLOR] High contrast lighting with vibrant neon colors (pinks, blues, greens) reflecting off surfaces; dramatic shadows accentuating the car's curves and the driver's intense focus. [VFX & CLEANUP] Subtle motion blur during the drift; clear focus on the car and driver; stable edges with a smooth transition between shots. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
Kanye west saying Bobby is my favorite fan
Kanye west saying Bobby is my favorite fan
[LOGLINE] Kanye West expresses his appreciation for his number one supporter, Bobby, in an intimate and lively moment. [SUBJECT & ACTION] Kanye West stands on stage, microphone in hand, smiling broadly as he announces, "Bobby is my favorite fan!" to the cheering crowd, creating an electrifying atmosphere. [ENVIRONMENT] The setting is a vibrant concert stage filled with colorful lights, loud music, and an enthusiastic audience, all captured in a dynamic and celebratory mood. [CAMERA & MOVEMENT] Handheld close-up on Kanye as he speaks, then pull back to a wide shot of the crowd reacting with excitement, followed by a quick zoom on Bobby in the audience. [BEAT FLOW — 10s] • 0–3.3s: Close-up on Kanye, excitedly holding the microphone, with the crowd in the background. • 3.3–6.6s: Kanye declares, "Bobby is my favorite fan!" as the audience erupts in cheers. • 6.6–10s: Pull back to show Bobby's joyful reaction, with the crowd celebrating around him, ending with Kanye smiling broadly. [LIGHTING & COLOR] Bright, colorful stage lights creating a lively atmosphere; warm tones highlighting Kanye and cool tones in the crowd for contrast. [VFX & CLEANUP] Subtle motion blur during crowd reaction shots; stable edges for clarity and focus on the characters. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.