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1932 Germany pov of a germen life
1932 Germany pov of a germen life
[LOGLINE] A poignant exploration of daily life in 1932 Germany, capturing the struggles and resilience of a German family as they navigate the socio-political turmoil of the era. [SUBJECT & ACTION] The scene focuses on a German mother and her two children as they gather around a modest kitchen table, sharing a meager meal while discussing the rising tensions in their community and the uncertainty of the future. [ENVIRONMENT] The kitchen is dimly lit, with worn wooden furniture, peeling wallpaper, and a small window that allows a glimpse of a gray, overcast sky, hinting at the oppressive atmosphere outside. [CAMERA & MOVEMENT] Slow zoom-in on the family at the table, followed by a gentle pan to a close-up of the mother’s worried expression, then back to a medium shot of the children as they exchange anxious glances. [BEAT FLOW — 10s] • 0–3.3s: Slow zoom on the family gathered at the table, revealing their worn faces and the sparse meal. • 3.3–6.6s: Pan to the mother's worried expression as she speaks softly, her hands trembling slightly. • 6.6–10s: Cut to the children’s anxious reactions, eyes wide with fear, as the mother's voice fades, leaving only the sound of a distant siren. [LIGHTING & COLOR] Soft, diffused lighting to create a somber mood; muted color palette with browns and grays to emphasize the bleakness of their situation. [VFX & CLEANUP] Subtle grain to evoke a historical feel; stable edges to maintain focus on the characters' expressions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
Anne Frank looking out the window scared with gestapo outside
Anne Frank looking out the window scared with gestapo outside
[LOGLINE] Anne Frank gazes out the window, her expression filled with fear as the Gestapo patrols outside her hiding place. [SUBJECT & ACTION] Anne Frank, a young Jewish girl, stands at a window, her face pale and anxious as she watches the intimidating figures of the Gestapo moving outside, their presence a constant threat to her safety. [ENVIRONMENT] The scene is set in a dimly lit attic room, filled with shadows, where the window frames a gloomy, overcast day, emphasizing the tension of the moment. [CAMERA & MOVEMENT] Slow zoom in on Anne's face, transitioning to a handheld shot that captures her shaking hands as she grips the window frame tightly. [BEAT FLOW — 10s] • 0–3.3s: Close-up on Anne's face, eyes wide with fear, as she peers out the window. • 3.3–6.6s: Cut to a wide shot of the street, showing the Gestapo officers patrolling, creating an atmosphere of dread. • 6.6–10s: Return to Anne's face, a single tear rolling down her cheek, capturing her internal struggle as the scene fades to black. [LIGHTING & COLOR] Soft, muted lighting to create a somber mood, with cool tones dominating the color palette to enhance the feeling of fear and isolation. [VFX & CLEANUP] Subtle grain for a historical feel; maintain clean edges around characters and objects, ensuring a cohesive visual presentation. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
Hitler and Anne frank in a ufc fight
Hitler and Anne frank in a ufc fight
[LOGLINE] A surreal and provocative UFC fight pits Adolf Hitler against Anne Frank, showcasing their contrasting ideologies through an intense, symbolic battle in a modern arena. [SUBJECT & ACTION] Adolf Hitler, exuding arrogance, stands confidently in the octagon, flexing his muscles, while Anne Frank, embodying resilience and hope, prepares herself with a determined expression, ready to defend her beliefs against tyranny. [ENVIRONMENT] The fight takes place in a packed UFC arena, filled with a diverse crowd roaring with anticipation, surrounded by bright lights and large screens displaying the combatants' names. [CAMERA & MOVEMENT] Dynamic tracking shots follow the fighters as they engage in combat; close-ups capture their facial expressions, with a handheld style adding intensity during exchanges. [BEAT FLOW — 10s] • 0–3.3s: The camera sweeps over the cheering crowd, then moves to focus on Hitler’s smug grin. • 3.3–6.6s: The camera shifts to Anne, capturing her fierce determination as she readies for the fight. • 6.6–10s: The two clash in the center of the octagon, fists flying, and the final shot freezes on Anne’s resolute face as the crowd erupts. [LIGHTING & COLOR] High-contrast lighting creates dramatic shadows on the fighters, with vibrant colors illuminating the arena, emphasizing the clash of dark and light thematic elements. [VFX & CLEANUP] Subtle slow-motion effects during key moments of impact; clean transitions between shots to maintain focus on the action without distraction. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
Guts from berserk
Guts from berserk
[LOGLINE] Guts, the formidable warrior from a dark, medieval world, battles against a horde of grotesque demons in a desolate landscape, showcasing his raw strength and determination. [SUBJECT & ACTION] Guts wields his massive sword with ferocity, slicing through the demonic creatures while exhibiting intense focus and unwavering resolve. He grits his teeth, displaying a mix of rage and despair as he fights for survival. [ENVIRONMENT] The scene unfolds in a bleak and barren wasteland, littered with the remnants of a once-thriving civilization, under a stormy, ominous sky that crackles with dark energy. [CAMERA & MOVEMENT] Handheld tracking shots follow Guts as he moves through the battlefield, interspersed with dramatic close-ups of his face showing grit and determination, and wide shots capturing the scale of the demonic horde. [BEAT FLOW — 10s] • 0–3.3s: Start with a wide shot of the desolate landscape, then quickly zoom in on Guts as he charges forward, sword raised. • 3.3–6.6s: Switch to a close-up of Guts’ face, sweat and blood glistening, as he swings his sword with brutal efficiency, cutting down demons. • 6.6–10s: Transition to a wide shot again, showing the chaos of the battle, Guts standing tall amidst falling foes, the storm brewing above adding tension to the scene. [LIGHTING & COLOR] Use dark, moody lighting with high contrasts to emphasize the grim atmosphere; harsh shadows cast by the stormy sky create a sense of impending doom. [VFX & CLEANUP] Incorporate subtle blood splatter effects with a focus on realism; maintain stable edges and avoid any disorienting motion blur during action sequences. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
a ugc video that sell an AI Clarity pack which is basically all the repeated/ove
a ugc video that sell an AI Clarity pack which is basically all the repeated/overused words used by ai
[LOGLINE] A UGC video promoting an AI Clarity pack that highlights and sells all the repeated and overused words commonly used by AI. [SUBJECT & ACTION] The video features a charismatic presenter enthusiastically showcasing the AI Clarity pack, emphasizing the importance of clarity in communication while demonstrating the overused AI phrases with animated graphics. [ENVIRONMENT] Set in a bright, modern office space, filled with tech gadgets and motivational posters, creating an engaging and professional atmosphere. [CAMERA & MOVEMENT] Smooth dolly-in towards the presenter as they speak, with quick cuts to animated graphics illustrating the repeated words, transitioning back to a medium shot of the presenter. [BEAT FLOW — 10s] • 0–3.3s: Presenter opens with a welcoming smile, introducing the concept of the AI Clarity pack. • 3.3–6.6s: Quick cuts to animated graphics of overused words, with the presenter pointing them out and providing witty commentary. • 6.6–10s: The presenter wraps up with a strong call to action, encouraging viewers to purchase the pack, with the final shot focusing on the pack’s logo. [LIGHTING & COLOR] Bright, natural lighting with a warm color palette, highlighting the presenter’s face and creating an inviting atmosphere, while the animated graphics use bold colors to grab attention. [VFX & CLEANUP] Subtle motion graphics for word animations; clean transitions between shots to maintain flow… [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
I want to create a video of a centipede emerging slowly from a banana breaking t
I want to create a video of a centipede emerging slowly from a banana breaking through the banana skin, but I want to look real and not hokey
[LOGLINE] A realistic video captures a centipede emerging slowly from a banana, breaking through the banana skin in a detailed and unsettling manner. [SUBJECT & ACTION] The focus is on a centipede as it gradually pushes its way out from within a banana, the skin splitting apart to reveal the creature in a slow, deliberate motion. [ENVIRONMENT] The setting is a close-up shot of a ripe, yellow banana resting on a simple, textured surface that contrasts with the smoothness of the fruit. [CAMERA & MOVEMENT] Handheld camera slowly zooms in on the banana; subtle tilting as the centipede emerges to emphasize its movement. [BEAT FLOW — 10s] • 0–3.3s: The camera focuses tightly on the banana, capturing its vibrant yellow skin and slight imperfections. • 3.3–6.6s: The skin of the banana begins to crack, revealing a hint of movement as the centipede starts to push through. • 6.6–10s: The centipede fully emerges from the banana, the skin parting with a visceral detail, concluding with a close-up of the centipede as it settles outside the fruit. [LIGHTING & COLOR] Soft, natural lighting highlights the banana’s texture and the centipede’s intricate details; warm tones dominate with shadows adding depth. [VFX & CLEANUP] Subtle motion blur to enhance the centipede's movement; ensure stable edges around the banana and centipede for realism. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
ne jeune femme business Qui s'adresse directement à la personne qui observe l'im
ne jeune femme business Qui s'adresse directement à la personne qui observe l'image Mais dans un environnement pro elle souhaite le convaincre d'utiliser les agents IA dialogue en français format 9/16. prompt en anglais
[LOGLINE] A young businesswoman directly addresses the viewer in a professional environment, aiming to convince them to utilize AI dialogue agents in French. [SUBJECT & ACTION] The confident young woman, dressed in a sleek business outfit, engages the viewer with persuasive gestures and expressions, emphasizing the benefits of AI dialogue agents. [ENVIRONMENT] The setting is a modern office with glass walls, sleek furniture, and digital displays showcasing AI technology, creating a high-tech atmosphere. [CAMERA & MOVEMENT] Smooth dolly-in towards the businesswoman as she speaks, with occasional over-the-shoulder shots of the viewer to create a sense of direct engagement. [BEAT FLOW — 10s] • 0–3.3s: The camera dolly-in as the woman smiles confidently, initiating eye contact with the viewer. • 3.3–6.6s: She gestures towards the digital displays, illustrating her points about AI dialogue agents, her expressions becoming more animated. • 6.6–10s: The camera holds on her as she delivers a final compelling statement, creating a moment of connection, before fading out without any new dialogue. [LIGHTING & COLOR] Bright, natural lighting floods the office, highlighting the woman's features, with a cool color palette that reflects the professionalism of the environment. [VFX & CLEANUP] Subtle motion blur for a polished look; stable edges to maintain a clean visual presentation. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
discussions entre 2 journalistes lou et théo et un plan se concentrant uniqueme
discussions entre 2 journalistes lou et théo et un plan se concentrant uniquement sur leur discussion . Il discute au sujet d'une actualité lié à un livre. le plan de début et de fin doit être exactement le même sans aucun mouvement des personnage entre la premièer et dernière scène et il n'y a aucun changement de lumière prompt en anglais
[LOGLINE] A focused discussion between two journalists, Lou and Théo, revolves around current news related to a book, framed with a static opening and closing shot that captures their conversation without any movement. [SUBJECT & ACTION] Lou and Théo engage in a deep conversation, sharing insights and opinions about the book's impact on society. Their expressions reveal the weight of the topic as they passionately discuss its themes and relevance. [ENVIRONMENT] The setting is a cozy, well-lit café with bookshelves in the background, creating an intellectual ambiance that complements their discussion. [CAMERA & MOVEMENT] Static shot holding the frame throughout the conversation, with a slow zoom-in to emphasize their expressions during key moments. [BEAT FLOW — 10s] • 0–3.3s: Lou begins speaking, animatedly gesturing as he introduces the topic of the book. • 3.3–6.6s: Théo responds thoughtfully, leaning in slightly as he counters Lou's points, showcasing his engagement. • 6.6–10s: Lou wraps up his argument, and Théo nods in agreement, both maintaining eye contact, creating a moment of silent understanding before the shot holds. [LIGHTING & COLOR] Warm, soft lighting to create an inviting atmosphere, with consistent brightness throughout the scene to ensure no changes in light. [VFX & CLEANUP] Minimal enhancements; ensure clean edges and a natural look to the scene without distracting effects. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
discussions entre 2 journalistes lou et théo et un plan se concentrant uniqueme
discussions entre 2 journalistes lou et théo et un plan se concentrant uniquement sur les tasses fumantes . Il discute au sujet d'une actualité lié à un livre. le plan de début et de fin doit être exactement le même sans aucun mouvement des personnage entre la premièer et dernière scène et il n'y a aucun changement de lumière prompt en anglais
[LOGLINE] A conversation unfolds between two journalists, Lou and Théo, as they discuss a current event related to a book, focusing intently on their steaming mugs of coffee. [SUBJECT & ACTION] Lou and Théo engage in a thoughtful dialogue, their expressions reflecting the seriousness of the topic at hand, while the camera emphasizes the steam rising from their cups. [ENVIRONMENT] The scene is set in a cozy café, with wooden tables and soft ambient lighting that creates an inviting atmosphere. [CAMERA & MOVEMENT] Static close-up on the steaming mugs, then a slow push-in to capture Lou and Théo’s expressions during their discussion, returning to the initial close-up to conclude. [BEAT FLOW — 10s] • 0–3.3s: Close-up on the steaming mugs, capturing the rising steam and reflections. • 3.3–6.6s: Transition to a medium shot of Lou and Théo, showcasing their animated discussion and the intensity of their expressions. • 6.6–10s: Return to the initial close-up of the mugs, maintaining the same composition as the opening shot. [LIGHTING & COLOR] Warm, soft lighting that remains consistent throughout the scene, highlighting the steam and creating a cozy ambiance without any changes. [VFX & CLEANUP] Gentle depth of field to blur the background slightly; ensure clear focus on the mugs and subjects without distortion. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
discussions entre 2 journalistes lou et théo et un plan se concentrant uniqueme
discussions entre 2 journalistes lou et théo et un plan se concentrant uniquement sur les tasses fumantes . Il discute au sujet d'une actualité lié à un livre. Sans aucun changement de lumière prompt en anglais
[LOGLINE] Lou and Théo, two journalists, engage in a deep discussion about a recent book-related news story while the camera focuses solely on their steaming cups. [SUBJECT & ACTION] Lou and Théo exchange insights and opinions on the implications of the book, their expressions reflecting both curiosity and intensity as they sip from their steaming cups. [ENVIRONMENT] The setting is a cozy café with wooden tables, soft ambient sounds, and a warm, inviting atmosphere. [CAMERA & MOVEMENT] Static close-up on the cups, with occasional slow pans to capture Lou and Théo’s expressions. [BEAT FLOW — 10s] • 0–3.3s: Close-up of the steaming cups, vapor rising, creating a warm, intimate atmosphere. • 3.3–6.6s: Slow pan to Lou, who raises an eyebrow, thoughtfully engaging in the conversation. • 6.6–10s: Pan to Théo, who nods in agreement, then back to the cups, highlighting the steam as the conversation wraps up. [LIGHTING & COLOR] Consistent warm lighting throughout, enhancing the cozy feel; rich browns and soft yellows dominate the color palette. [VFX & CLEANUP] Subtle motion blur on the steam; stable edges on all subjects for clarity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
scène entrante d'une discussion entre 2 journalistes lou et théo . Il discute
scène entrante d'une discussion entre 2 journalistes lou et théo . Il discute au sujet d'une actualité lié à un livre. Sans aucun changement de lumière prompt en anglais
[LOGLINE] An engaging scene unfolds as journalists Lou and Théo discuss a recent news story related to a book, capturing their dynamic exchange of ideas. [SUBJECT & ACTION] Lou and Théo sit across from each other at a small table, animatedly exchanging thoughts about the implications of the book's content. Their expressions reflect a mix of curiosity and urgency as they delve deeper into the topic. [ENVIRONMENT] The setting is a cozy café, filled with the ambient sounds of soft chatter and clinking cups, providing an intimate backdrop for their conversation. [CAMERA & MOVEMENT] Slow zoom-in on Lou as she speaks, then a gentle pan to Théo as he responds, creating a fluid back-and-forth dynamic. A subtle dolly-out to capture both characters in the frame as the discussion escalates. [BEAT FLOW — 10s] • 0–3.3s: Close-up on Lou as she passionately begins discussing the book's themes. • 3.3–6.6s: Cut to Théo, leaning forward, engaging with her points, his expression shifting to one of contemplation. • 6.6–10s: Wide shot of both as they reach a climax in their discussion, allowing the viewer to feel the energy before fading out. [LIGHTING & COLOR] Maintain consistent, warm café lighting that highlights their faces, emphasizing the friendly yet intense atmosphere of the conversation. Rich, earthy tones to enhance the intimate setting. [VFX & CLEANUP] Subtle motion blur during camera movements; stable edges to maintain clarity on the characters’ expressions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
discussions entre 2 journalistes lou et théo et un plan se concentrant uniqueme
discussions entre 2 journalistes lou et théo et un plan se concentrant uniquement sur le livre . Il discute au sujet d'une actualité lié à un livre. Sans aucun changement de lumière prompt en anglais
[LOGLINE] Lou and Théo, two journalists, engage in a deep discussion about current events related to a specific book, with a focus on the text itself. [SUBJECT & ACTION] Lou and Théo sit across from each other, deeply engrossed in a conversation. Their dialogue revolves around the implications of the book's themes and how they relate to recent news, creating an atmosphere of intellectual engagement. [ENVIRONMENT] The setting is a cozy café, filled with bookshelves in the background and soft chatter from other patrons, providing an intimate yet lively backdrop for their discussion. [CAMERA & MOVEMENT] Static close-up on the book, then a slow pan to capture the journalists’ expressions as they speak, alternating between them to emphasize their points. [BEAT FLOW — 10s] • 0–3.3s: The camera focuses tightly on the book, highlighting the title and some highlighted passages as Lou begins to speak. • 3.3–6.6s: The camera pans to Lou's face, capturing her passionate expression as she makes a point, then shifts to Théo nodding thoughtfully. • 6.6–10s: The camera returns to a medium shot of both journalists, showing their animated conversation, with the last second filled with a moment of silence as they reflect on the discussion. [LIGHTING & COLOR] Natural ambient light fills the café, maintaining the cozy atmosphere without any dramatic changes in illumination. [VFX & CLEANUP] Subtle focus shifts between the book and the journalists; ensure stable edges without distracting motion effects. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
discussions entre 2 journalistes lou et théo et un plan se concentrant sur le l
discussions entre 2 journalistes lou et théo et un plan se concentrant sur le livre . Il discute au sujet d'une actualité lié à un livre. Sans aucun changement de lumière prompt en anglais
[LOGLINE] A discussion unfolds between two journalists, Lou and Théo, centered around a current event related to a book, with a close-up focus on the book itself. [SUBJECT & ACTION] Lou and Théo engage in a lively conversation, exchanging insights and opinions about the book’s relevance to recent news. The camera emphasizes the physical book as they reference its contents. [ENVIRONMENT] The setting is a cozy, well-lit newsroom filled with bookshelves, papers, and a large window allowing natural light to filter in. [CAMERA & MOVEMENT] Start with a medium shot of Lou and Théo, then shift to a close-up of the book as they discuss it. The camera can subtly pan back and forth between their faces and the book, capturing their expressions and gestures. [BEAT FLOW — 10s] • 0–3.3s: Medium shot of Lou and Théo as they begin discussing the book, focusing on their animated expressions. • 3.3–6.6s: Close-up of the book, highlighting its cover and relevant passages as they reference it. • 6.6–10s: Return to the medium shot of Lou and Théo wrapping up their discussion, with a final glance at the book in the foreground. [LIGHTING & COLOR] Maintain consistent lighting throughout with soft, warm tones that create an inviting atmosphere. The color palette should emphasize earthy tones, reflecting the warmth of the discussion. [VFX & CLEANUP] Subtle motion blur on the book during close-ups; ensure stable edges throughout the scene. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
View of the clear any Avocado the clouds, Zoom into an AirPlay with @ctrlf sitti
View of the clear any Avocado the clouds, Zoom into an AirPlay with @ctrlf sitting in first class nipping on champagne on his flight to Thailand. A stewardesss asks him if everything is alright and if he needs anything in English with a Thai accent
[LOGLINE] A luxurious first-class flight to Thailand reveals @ctrlf savoring champagne while a stewardess checks on him, highlighting the serene atmosphere and cultural nuances of air travel. [SUBJECT & ACTION] @ctrlf lounges comfortably in first class, sipping champagne with a relaxed smile, as a stewardess approaches to inquire if he needs anything, her voice carrying a gentle Thai accent. [ENVIRONMENT] The cabin is spacious and elegantly designed, with warm lighting that creates an inviting atmosphere, and a view of clear skies through the airplane windows. [CAMERA & MOVEMENT] Smooth aerial pull-back from the clouds to the plane, followed by a steady dolly-in towards @ctrlf as he enjoys his drink; then a gentle pan to the stewardess as she approaches. [BEAT FLOW — 10s] • 0–3.3s: A stunning aerial view of fluffy clouds with the airplane gliding smoothly through, revealing a bright blue sky. • 3.3–6.6s: The camera zooms into the airplane cabin, focusing on @ctrlf relaxing in his seat, champagne glass in hand, enjoying the moment. • 6.6–10s: The stewardess arrives at his side, her warm smile and inquiry punctuating the scene, as the soft background sounds of the airplane hum gently. [LIGHTING & COLOR] Soft, warm lighting casts a golden hue over the cabin, enhancing the luxurious feel; colors are vibrant yet calming, with a focus on the elegant décor and the bubbly champagne. [VFX & CLEANUP] Subtle depth of field for emphasis on characters; ensure clean edges and seamless transitions with no distractions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
@ctrlf close up shot, in Front of a street audience, singing emotional love song
@ctrlf close up shot, in Front of a street audience, singing emotional love songs in English
[LOGLINE] A close-up shot captures a performer singing emotional love songs in English, drawing in a street audience captivated by the heartfelt performance. [SUBJECT & ACTION] The singer, with an expressive face, pours their heart into the lyrics, while the audience reacts with visible emotion, swaying and nodding to the music. [ENVIRONMENT] The scene is set on a bustling city street, with passersby pausing to listen, surrounded by urban elements like brick walls and streetlights. [CAMERA & MOVEMENT] Handheld close-up on the singer's face, slowly panning to capture audience reactions, then tilting up to include the surrounding environment. [BEAT FLOW — 10s] • 0–3.3s: Close-up on the singer’s face, eyes closed, deeply immersed in the song. • 3.3–6.6s: Pan to the audience, showing their emotional reactions—some with tears, others smiling, swaying gently with the music. • 6.6–10s: Tilt up to show the street environment, capturing the vibrant atmosphere, ending with a soft focus as the song concludes. [LIGHTING & COLOR] Soft, warm lighting to create an intimate, inviting atmosphere; slight golden hues to enhance the emotional tone of the performance. [VFX & CLEANUP] Subtle motion blur on the audience to convey movement; stable edges around the singer to maintain focus on their expression. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
stationary phone angle, person winds up for spin then turns into an alpha wolf a
stationary phone angle, person winds up for spin then turns into an alpha wolf and continues the spin for a little then stops and dances like michael jackson
[LOGLINE] A person winds up for a spin and transforms into an alpha wolf, continuing the spin before stopping to perform a dance reminiscent of Michael Jackson. [SUBJECT & ACTION] A person stands in a stationary position, preparing to spin, then morphs into an imposing alpha wolf mid-spin, showcasing agility and power, before abruptly halting and breaking into a Michael Jackson-style dance. [ENVIRONMENT] The scene takes place in an open, dimly-lit space that emphasizes the magical transformation and allows for dynamic movement. [CAMERA & MOVEMENT] Static shot captures the entire action; slight zoom during the spin to highlight the transformation, then a smooth pan to follow the dance moves. [BEAT FLOW — 10s] • 0–3.3s: The person winds up, body tense, preparing for the spin. • 3.3–6.6s: The transformation into the alpha wolf occurs mid-spin, showcasing a powerful and fluid motion. • 6.6–10s: The wolf completes the spin and transitions seamlessly into a dance, mimicking Michael Jackson’s iconic style. [LIGHTING & COLOR] Low-key lighting enhances the drama of the transformation, with a spotlight effect during the dance to emphasize the movement; colors are muted with a slight blue tint for a mystical feel. [VFX & CLEANUP] Apply subtle motion blur during the spin for a dynamic effect; ensure stable edges around the wolf form and dancer to maintain clarity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
Kangaroos jumping off a trampoline In day time
Kangaroos jumping off a trampoline In day time
[LOGLINE] A lively scene of kangaroos joyfully jumping off a trampoline during the bright daylight, showcasing their energy and playful nature. [SUBJECT & ACTION] Kangaroos energetically leap off a colorful trampoline, soaring through the air with enthusiasm and grace, landing with soft thuds on a grassy surface below. [ENVIRONMENT] The setting is a sunlit backyard, filled with lush green grass, a clear blue sky, and a few scattered trees providing a cheerful atmosphere. [CAMERA & MOVEMENT] Smooth dolly-in towards the trampoline, then a quick pan to follow the kangaroos as they jump, capturing their mid-air moments. [BEAT FLOW — 10s] • 0–3.3s: The camera zooms in on the trampoline, where a few kangaroos bounce energetically. • 3.3–6.6s: A kangaroo leaps high into the air, with the camera following its ascent, capturing the joy in its movement. • 6.6–10s: The camera pans down to show the kangaroo landing softly on the grass, followed by another kangaroo taking off. [LIGHTING & COLOR] Bright, natural daylight with vibrant colors; the sun casts soft shadows on the trampoline and grass, enhancing the cheerful atmosphere. [VFX & CLEANUP] Subtle motion blur during jumps; stable edges to maintain focus on the kangaroos and trampoline. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
@amallak pitching @mcuban on shark tank set this product in the image as the anc
@amallak pitching @mcuban on shark tank set this product in the image as the ancestors answer to a modern day problem, skin breaks and dryness will become history
[LOGLINE] @amallak pitches a revolutionary skin care product on the Shark Tank set, claiming it is the ancestors' answer to modern-day skin problems, promising that skin breaks and dryness will become history. [SUBJECT & ACTION] @amallak stands confidently in front of @mcuban and the other Sharks, passionately demonstrating the effectiveness of the product while addressing the audience's skepticism. [ENVIRONMENT] The iconic Shark Tank set is brightly lit, featuring the familiar dark backdrop and sleek, modern furniture, creating a professional yet dramatic atmosphere. [CAMERA & MOVEMENT] Slow zoom-in on @amallak during the pitch; quick cuts to @mcuban’s reactions; medium shots of the product being demonstrated; handheld follow as @amallak moves to showcase different angles of the product. [BEAT FLOW — 10s] • 0–3.3s: Close-up on @amallak as they begin the pitch, building anticipation. • 3.3–6.6s: Cut to @mcuban, intrigued, leaning forward as @amallak demonstrates the product. • 6.6–10s: Wide shot of the entire set, capturing the reactions of the other Sharks and the audience, highlighting the tension. [LIGHTING & COLOR] Bright, even lighting to ensure clarity on faces and product; warm tones to evoke a welcoming atmosphere; soft shadows to add depth. [VFX & CLEANUP] Subtle highlights on the product showcasing its texture; smooth transitions between shots; no distractions in the background to maintain focus on the pitch. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
@mcuban in shark tank reviewing @amallak product the one in the image and statin
@mcuban in shark tank reviewing @amallak product the one in the image and stating how impressed he’s, offering to jump on the opportunity and invest right now.
[LOGLINE] Mark Cuban reviews Amalla's product on Shark Tank, expressing his admiration and eagerness to invest immediately. [SUBJECT & ACTION] Mark Cuban sits at the Shark Tank table, leaning forward with a look of genuine excitement as he praises Amalla's product. He gestures enthusiastically, offering to jump on the opportunity to invest right now. [ENVIRONMENT] The iconic Shark Tank set with bright lights, a large tank-like structure behind the judges, and the audience visible in the background, creating an atmosphere of anticipation. [CAMERA & MOVEMENT] Static wide shot of the Shark Tank set, then a slow zoom in on Mark Cuban's face as he speaks, followed by a medium shot of Amalla reacting to his offer, capturing her surprise and excitement. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the Shark Tank set, focusing on the interaction between Mark and Amalla. • 3.3–6.6s: Slow zoom in on Mark Cuban's enthusiastic expression as he praises the product. • 6.6–10s: Medium shot of Amalla, showing her reaction as Mark offers to invest. [LIGHTING & COLOR] Bright, vibrant lighting highlighting Mark and Amalla, with a warm color palette to evoke a positive and engaging atmosphere. The background remains slightly dimmer to keep focus on the main subjects. [VFX & CLEANUP] Subtle focus shift to emphasize emotional expressions; ensure clean edges with no distractions in the background. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
@amallak playing the flute for the king black cubras and getting dangerously clo
@amallak playing the flute for the king black cubras and getting dangerously close to them almost got bitten by in a day time setting in Marrakech square
[LOGLINE] @amallak plays the flute for the king black cubras, getting dangerously close to them, almost getting bitten in a daytime setting in Marrakech square. [SUBJECT & ACTION] @amallak, dressed in vibrant traditional attire, skillfully plays a haunting melody on the flute, captivating the majestic king black cubras that slither dangerously close, their tongues flicking as they assess the musician. [ENVIRONMENT] The bustling Marrakech square is alive with color, surrounded by intricate tile work, lively market stalls, and a backdrop of sunlit ancient architecture. [CAMERA & MOVEMENT] Slow dolly-in towards @amallak as they play; smooth pan to the cubras approaching; slight handheld shake to emphasize tension as the cubras near. [BEAT FLOW — 10s] • 0–3.3s: Close-up of @amallak's focused expression as they lift the flute to their lips. • 3.3–6.6s: Wide shot reveals the king black cubras slithering forward, the crowd in awe. • 6.6–10s: Cut to a close-up of a cubra's eye as it flicks its tongue, then back to @amallak, who leans closer, tension rising. [LIGHTING & COLOR] Bright, natural daylight enhances the vivid colors of the square; warm tones highlight @amallak's attire and the intricate patterns of the cubras' scales. [VFX & CLEANUP] Subtle depth of field to isolate @amallak from the background; smooth transitions between shots to maintain fluidity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
Create a video of chameleons on hang around jungle trees like monkey but with to
Create a video of chameleons on hang around jungle trees like monkey but with tongues hopping from a branch to another
[LOGLINE] A vibrant video showcasing chameleons swinging playfully between jungle trees, using their long, agile tongues to leap from branch to branch like monkeys. [SUBJECT & ACTION] Chameleons with dynamic coloring and expressive faces maneuver through the jungle, skillfully using their tongues to propel themselves from one branch to another, displaying their agility and playful nature. [ENVIRONMENT] A lush, dense jungle filled with towering trees, rich green foliage, and dappled sunlight filtering through the leaves, creating a lively and colorful setting. [CAMERA & MOVEMENT] Smooth dolly shots following the chameleons as they leap, with occasional close-ups on their tongues extending and retracting, and wide shots capturing the expansive jungle canopy. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the jungle with chameleons visible among the trees, establishing the vibrant environment. • 3.3–6.6s: Close-up of a chameleon preparing to leap, its tongue extending with precision. • 6.6–10s: Action shot as the chameleon jumps to another branch, tongue reaching out, followed by a quick pan to another chameleon mimicking the action. [LIGHTING & COLOR] Bright, natural sunlight enhances the vivid greens of the jungle and the colorful chameleons, with soft shadows to add depth and a sense of realism. [VFX & CLEANUP] Subtle motion blur during jumps for a sense of speed; clean edges on the chameleons to maintain clarity amidst the vibrant background. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
a pretty woman mid 30s, lying on her pillow, out of breath, chaotic hair, a bit
a pretty woman mid 30s, lying on her pillow, out of breath, chaotic hair, a bit sweaty. happy, smiling and fulfilled. after a few breaths she says: "sooo good that you've been doing all those Beducated courses" camera from above, intense eye contact with camera
[LOGLINE] A pretty woman in her mid-30s lies on her pillow, out of breath with chaotic hair and a hint of sweat, radiating happiness and fulfillment as she reflects on her recent experiences. [SUBJECT & ACTION] The woman smiles brightly, taking a few deep breaths before joyfully exclaiming, "sooo good that you've been doing all those Beducated courses," creating an intimate moment of connection with the viewer. [ENVIRONMENT] The scene is set in a cozy, softly lit bedroom, with a plush pillow and gentle linens that enhance the intimate atmosphere. [CAMERA & MOVEMENT] Camera hovers above, slowly pushing in towards her face to emphasize her intense eye contact with the lens. [BEAT FLOW — 10s] • 0–3.3s: Camera starts positioned above, capturing her chaotic hair and relaxed posture. • 3.3–6.6s: The camera begins a slow push-in, focusing on her joyful expression and the subtle movement of her breath. • 6.6–10s: Close-up on her face as she smiles and delivers her line, maintaining strong eye contact with the camera. [LIGHTING & COLOR] Soft, warm lighting fills the room, creating a cozy ambiance; natural skin tones are highlighted, with gentle shadows enhancing her facial features. [VFX & CLEANUP] Subtle motion blur during the push-in for a smooth transition; ensure stable edges around her figure for a polished look. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
pov of a door camera recoding the moment a fictional mp comes up asking somethin
pov of a door camera recoding the moment a fictional mp comes up asking something about politics as they do in campaigning but then a mans voice from the app screaming at the map saying things like "phuck off!!" and more things to then when this guys rant is finished the mp just looks in shock but turns around and walks away
[LOGLINE] A door camera captures the surreal moment a fictional Member of Parliament approaches to discuss politics, only to be interrupted by a man's furious rant from the app, leading to the MP's shocked reaction and abrupt departure. [SUBJECT & ACTION] The fictional MP stands at the door, smiling and gesturing as if campaigning, while a man's voice erupts from the app, angrily shouting phrases like "phuck off!!" and other exclamations, causing the MP to freeze in disbelief before turning away. [ENVIRONMENT] The scene is set at a residential front door, with a typical suburban background, showcasing a well-kept lawn and the subtle presence of a mailbox nearby. [CAMERA & MOVEMENT] Static shot from the door camera, capturing the MP's full frame as they approach, then a slight zoom in on the MP’s expression during the rant, followed by a slow pull back as the MP turns to leave. [BEAT FLOW — 10s] • 0–3.3s: The MP approaches the door, smiling and raising a hand in greeting. • 3.3–6.6s: The app suddenly blares with the man's angry voice, disrupting the scene, as the MP's smile fades. • 6.6–10s: The MP stands frozen in shock, then shakes their head and turns away, walking off-screen. [LIGHTING & COLOR] Natural daylight illuminates the scene, casting soft shadows; colors are vibrant and inviting but shift to a slightly muted tone during the rant to reflect tension. [VFX & CLEANUP] Subtle audio distortion during the man's rant; ensure stable edges without any distractions in the background. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.
in turkish news channel , a baby cat tries to steal cigarette
in turkish news channel , a baby cat tries to steal cigarette
[LOGLINE] A baby cat sneaks around a Turkish news channel set, attempting to steal a cigarette, creating a humorous and chaotic scene. [SUBJECT & ACTION] The baby cat, with its fluffy fur and curious eyes, stealthily approaches a table cluttered with news reports and coffee cups, pawing at a cigarette with determination. [ENVIRONMENT] The setting is a bustling Turkish news channel studio, filled with bright lights, multiple screens displaying news tickers, and a backdrop of reporters preparing for a live broadcast. [CAMERA & MOVEMENT] Handheld zoom-in on the baby cat; smooth pan to the cluttered table; quick cut to the news anchors reacting; slow-motion as the cat makes its move. [BEAT FLOW — 10s] • 0–3.3s: Close-up of the baby cat peeking around a monitor, eyes wide with mischief. • 3.3–6.6s: The camera follows as the cat stealthily creeps towards the table, weaving between cables. • 6.6–10s: Cut to the anchors laughing, then back to the cat as it successfully swipes the cigarette, looking proud. [LIGHTING & COLOR] Bright, cheerful lighting to convey a lively atmosphere; warm tones contrast with the cooler blues of the screens; slight vignette around the edges to draw focus. [VFX & CLEANUP] Subtle motion blur during the cat's swift movements; stable edges to maintain clarity; gentle highlights on the cigarette to enhance its prominence. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.