Explore Public Sora Prompts

des chiens et des chats (bodycam avec tête visible) se lancent beaucoup de tomates dans une rue espagnole pour la fête de la "La Tomatina". Il y a des tomates partout au sol et énormément de chats et de chiens debouts en train de lancer des tomates

[LOGLINE] Des chiens et des chats participent à une bataille de tomates dans une rue espagnole, célébrant la fête de "La Tomatina", avec des tomates éclatant partout autour d'eux. [SUBJECT & ACTION] Des chiens et des chats, aux expressions joyeuses et espiègles, se lancent des tomates les uns aux autres, créant une ambiance festive et chaotique. Les animaux sont debout, en mouvement constant, alors qu'ils saisissent et jettent des tomates avec enthousiasme. [ENVIRONMENT] La scène se déroule dans une rue espagnole animée, pleine de tomates éclatées sur le sol, avec des bâtiments colorés en arrière-plan et une atmosphère de fête palpable. [CAMERA & MOVEMENT] Effectuer un mouvement de caméra en bodycam qui suit un chien en train de courir et de lancer une tomate, avec des angles dynamiques qui capturent l'action des chats et des chiens dans leur lancée. [BEAT FLOW — 10s] • 0–3.3s: La caméra se déplace rapidement derrière un chien qui court vers un groupe de chats. • 3.3–6.6s: Gros plan sur les animaux lançant des tomates, éclaboussures de jus de tomate au ralenti. • 6.6–10s: La caméra tourne autour de la scène, montrant les rires et les aboiements de joie alors que les animaux continuent à jouer. [LIGHTING & COLOR] L'éclairage est vif et ensoleillé, mettant en valeur les couleurs éclatantes des tomates et la fourrure des animaux. Des ombres douces qui ajoutent de la profondeur à la scène. [VFX & CLEANUP] Ajout de flous de mouvement subtils lors des lancers de tomates; bords stables pour éviter toute distorsion. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

des chiens et des chats (bodycam avec tête visible) se battent avec des tomates dans une rue espagnole pour la fête de la "La Tomatina". Il y a des tomates partout au sol et énormément de chats et de chiens

[LOGLINE] Des chiens et des chats se battent avec des tomates dans une rue espagnole, célébrant la fête de "La Tomatina", avec des tomates éclatées partout au sol. [SUBJECT & ACTION] Des chiens aux couleurs vives et des chats agiles, chacun avec une expression de détermination et d'amusement, lancent des tomates les uns sur les autres, créant une scène chaotique et ludique. [ENVIRONMENT] La scène se déroule dans une rue espagnole typique, bordée de bâtiments colorés, avec des tomates jonchant le sol et une ambiance festive. [CAMERA & MOVEMENT] Handheld push-in to capture the action closely, then quick pan to follow the flying tomatoes, finishing with a tilt-up to show the chaos above. [BEAT FLOW — 10s] • 0–3.3s: Close-up of a dog grabbing a tomato, eyes wide with excitement. • 3.3–6.6s: A cat jumps into the frame, swiping at the tomato, followed by a slow-motion shot of tomatoes flying. • 6.6–10s: Wide shot of the street filled with dogs and cats in mid-battle, laughter and meows blending into a lively atmosphere, ending with a freeze-frame as tomatoes explode mid-air. [LIGHTING & COLOR] Bright, vibrant lighting to emphasize the festive atmosphere, with rich colors highlighting the red of the tomatoes and the varied fur of the animals. [VFX & CLEANUP] Subtle slow-motion effects during tomato impacts; maintain stable edges to keep focus on the action. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

réalistique, un ours fait de la couture avec des aiguilles géantes

[LOGLINE] A realistic bear expertly sews with giant needles, showcasing its remarkable craftsmanship and determination. [SUBJECT & ACTION] The bear, focused and skilled, maneuvers the oversized needles with precision, threading fabric and creating intricate patterns. [ENVIRONMENT] The setting is a cozy, rustic workshop filled with colorful fabrics, spools of thread, and sunlight streaming through a window, casting warm hues. [CAMERA & MOVEMENT] Slow dolly-in towards the bear’s concentrated face, then a gentle pan to the hands as they deftly handle the giant needles. [BEAT FLOW — 10s] • 0–3.3s: Close-up on the bear's face, showing determination and focus as it prepares to sew. • 3.3–6.6s: Cut to the bear's paws skillfully threading the giant needle through the fabric, highlighting the intricate details of the sewing process. • 6.6–10s: Pull back to reveal the completed piece of fabric, showcasing the bear’s work, as it proudly admires its creation. [LIGHTING & COLOR] Soft, warm lighting enhances the cozy atmosphere, with a natural feel that emphasizes the textures of fabric and the bear’s fur. [VFX & CLEANUP] Subtle motion blur on the needle as it moves quickly through the fabric; stable edges to maintain clarity of the bear and its surroundings. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A chaotic and joyful street scene in Spain, where dogs, cats, raccoons, and rats are engaged in a massive "La Tomatina" tomato fight. Smashed tomatoes and pulp cover the cobblestone streets.

[LOGLINE] A chaotic and joyful street scene in Spain erupts as dogs, cats, raccoons, and rats engage in a massive "La Tomatina" tomato fight, with smashed tomatoes and pulp covering the cobblestone streets. [SUBJECT & ACTION] The lively animals, each with their unique personalities, dart around playfully, hurling squishy tomatoes at one another, while laughter and playful barks fill the air. [ENVIRONMENT] The picturesque cobblestone streets of a vibrant Spanish town are adorned with colorful banners, and the warm sun shines brightly overhead, illuminating the playful chaos. [CAMERA & MOVEMENT] Handheld tracking shot weaving through the crowd, capturing animals in mid-action as they leap and dodge, with occasional quick pans to focus on the splatters of tomatoes. [BEAT FLOW — 10s] • 0–3.3s: A wide shot of the street filled with animals, capturing the initial excitement as tomatoes fly through the air. • 3.3–6.6s: Close-ups of dogs shaking off tomato pulp, cats playfully swatting at tomatoes, and raccoons sneaking in for a bite, all amidst laughter. • 6.6–10s: A slow-motion sequence of a tomato splattering against a wall, with joyful chaos continuing in the background, leading to a freeze-frame of the scene. [LIGHTING & COLOR] Bright and warm lighting enhances the vibrant colors of the tomatoes and the animals, creating a cheerful atmosphere, with a focus on the rich reds and greens of the fight. [VFX & CLEANUP] Subtle motion blur on fast-moving animals; stable edges to maintain clarity in the lively scene. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

bataille tomates "La Tomatina" en Espagne avec différents animaux comme des chiens, des chats, des ratons laveurs, des pendas, des loups,

[LOGLINE] A vibrant and chaotic tomato fight takes place in Spain during "La Tomatina," featuring an array of animals including dogs, cats, raccoons, pandas, and wolves engaging in playful mayhem. [SUBJECT & ACTION] The scene captures dogs barking excitedly, cats leaping gracefully, raccoons scurrying to snatch tomatoes, pandas rolling joyfully in the mess, and wolves howling in delight as they join the fray, all while splattering each other with ripe tomatoes. [ENVIRONMENT] The setting is a sun-soaked town square in Spain, with splashes of red from tomatoes and vibrant decorations, surrounded by cheering crowds and scattered debris of smashed fruit. [CAMERA & MOVEMENT] Dynamic sweeping shots across the square; quick cuts between animals as they interact; close-ups of tomatoes bursting and fur splattering; playful zooms on the animals' expressions. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the crowd cheering as the tomato fight begins; dogs leap into the fray. • 3.3–6.6s: Close-ups of cats darting in and out, raccoons grabbing tomatoes, and pandas rolling around in the mess. • 6.6–10s: Wolves howl with excitement, capturing the joyful chaos, ending with a slow-motion shot of a tomato splattering against a dog's face. [LIGHTING & COLOR] Bright and saturated colors to enhance the vividness of the tomatoes and the lively atmosphere; warm sunlight casts playful shadows across the scene. [VFX & CLEANUP] Subtle motion blur to emphasize action; ensure stable edges around animals and tomatoes for clarity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

bataille tomates "La Tomatina" en Espagne avec différents animaux comme des chiens, des chats, des ratons laveurs, des rats

[LOGLINE] A whimsical scene unfolds at "La Tomatina" in Spain, where various animals including dogs, cats, raccoons, and rats join in a chaotic tomato-throwing festival, embodying a playful spirit of fun and mischief. [SUBJECT & ACTION] The scene features a lively mix of dogs energetically chasing after flying tomatoes, cats playfully pouncing and swatting them, raccoons scavenging for the juiciest ones, and curious rats darting around, all participating in the chaotic tomato battle. [ENVIRONMENT] The vibrant streets of a Spanish town are filled with splattered tomatoes, celebrating the annual festival with decorations and cheering spectators in the background. [CAMERA & MOVEMENT] Dynamic zooms in on the animals as they leap and throw tomatoes, followed by wide shots capturing the overall chaos of the festival, with handheld movements to emphasize the energy and excitement. [BEAT FLOW — 10s] • 0–3.3s: Close-up of a dog catching a tomato mid-air, its fur glistening with juice. • 3.3–6.6s: A cat swipes at a tomato, sending it flying, while raccoons cheerfully scramble to grab it. • 6.6–10s: A rat climbs onto a pile of tomatoes, surveying the scene, as laughter and cheers fill the air, ending with a wide shot of the chaotic festival. [LIGHTING & COLOR] Bright, sunny lighting enhances the cheerful atmosphere, with splashes of red from the tomatoes contrasting against the colorful buildings and vibrant fur of the animals. [VFX & CLEANUP] Subtle motion blur to convey movement; stable edges to keep the focus on the lively interactions among the animals. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

hacer que 2 personas de una foto se besen pero que tenga el estilo de cry of fear y half life

[LOGLINE] Dos personas de una foto se besan, capturando la tensión emocional y el horror psicológico de un entorno oscuro, inspirado en "Cry of Fear" y "Half-Life". [SUBJECT & ACTION] Los dos personajes, con expresiones de vulnerabilidad y anhelo, se acercan lentamente, hasta que sus labios se encuentran en un beso tierno pero cargado de una inquietante atmósfera. [ENVIRONMENT] Un entorno urbano desolado, con calles oscuras y edificios en ruinas, iluminados por una luz tenue que crea sombras alargadas. [CAMERA & MOVEMENT] Iniciar con un plano en ángulo bajo que se eleva lentamente hacia los personajes, luego un acercamiento suave hacia sus rostros mientras se preparan para el beso. [BEAT FLOW — 10s] • 0–3.3s: Iniciar con un plano en ángulo bajo de los personajes, capturando la atmósfera opresiva. • 3.3–6.6s: Hacer un acercamiento suave a sus rostros, mostrando la tensión y la emoción en sus expresiones. • 6.6–10s: El beso se produce, con un enfoque en sus labios, mientras la cámara se mantiene estable, capturando la intensidad del momento. [LIGHTING & COLOR] Iluminación tenue con sombras marcadas, utilizando tonos oscuros y fríos para acentuar la atmósfera inquietante, con un ligero resplandor alrededor de los personajes para destacar su conexión. [VFX & CLEANUP] Sutil desenfoque de movimiento durante el beso; bordes estables para mantener la claridad en la acción principal. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A greek turtoise bites maine coon cat

[LOGLINE] A Greek tortoise unexpectedly bites a Maine Coon cat, creating a humorous and tense moment between the two animals. [SUBJECT & ACTION] The Greek tortoise, with its distinct shell pattern, snaps its jaws towards the fluffy Maine Coon cat, who is curiously pawing at it. The cat, startled, leaps back with a surprised expression. [ENVIRONMENT] The scene takes place in a sunlit living room filled with plants and cozy furniture, creating a warm and inviting atmosphere. [CAMERA & MOVEMENT] Start with a medium shot of the tortoise and cat, then a quick zoom in on the tortoise's face as it bites. Follow with a handheld shake as the cat jumps back, capturing its surprised reaction. [BEAT FLOW — 10s] • 0–3.3s: Medium shot of the tortoise and cat, cat curiously pawing at the tortoise. • 3.3–6.6s: Close-up on the tortoise as it bites, quick zoom in to emphasize the action. • 6.6–10s: Handheld movement to the cat, capturing its surprised face and retreating stance. [LIGHTING & COLOR] Bright, natural lighting with warm tones, highlighting the textures of the tortoise's shell and the cat's fur, creating a vibrant scene. [VFX & CLEANUP] Subtle motion blur during the quick movements; ensure stable edges around the cat and tortoise. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Una persona sentada en un salón con amigos, de repente las paredes detrás de ella se desvanecen y, manteniendo su posición, aparece en una playa tropical desierta, leyendo en una hamaca. La escena combina interacción social con un salto mágico y visualmente espectacular.

[LOGLINE] Una persona sentada en un salón con amigos experimenta un salto mágico cuando las paredes detrás de ella se desvanecen, llevándola a una playa tropical desierta donde lee en una hamaca. [SUBJECT & ACTION] La persona, que muestra una expresión de sorpresa y alegría, interactúa con sus amigos en el salón antes de que las paredes se desmaterialicen, manteniendo su posición mientras es transportada a la nueva locación relajante. [ENVIRONMENT] El salón está lleno de amigos riendo y conversando, mientras que la playa tropical desierta presenta arena blanca y palmeras, con un cielo azul claro y suaves olas rompiendo en la orilla. [CAMERA & MOVEMENT] Iniciar con un plano amplio del salón, luego hacer un acercamiento a la persona, seguido de un barrido hacia las paredes que se desvanecen, y finalmente un movimiento de transición que lleva a la vista de la playa al llegar a la hamaca. [BEAT FLOW — 10s] • 0–3.3s: La cámara muestra a la persona sonriendo y riendo con amigos en el salón. • 3.3–6.6s: Las paredes comienzan a desvanecerse, la expresión de la persona cambia a sorpresa mientras se mantiene en su lugar. • 6.6–10s: La escena corta a la playa, donde la persona aparece en la hamaca, visiblemente relajada, con un libro en la mano, disfrutando del entorno. [LIGHTING & COLOR] La iluminación del salón es cálida y acogedora, con luces suaves, mientras que en la playa hay luz natural brillante, con un contraste vibrante entre el azul del cielo, el blanco de la arena y el verde de las palmeras. [VFX & CLEANUP] Transiciones suaves entre el salón y la playa; ligero desenfoque de movimiento en el momento del salto; bordes estables y nítidos. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A realistic and abstract fashion video with the theme "What if people wore print?"

[LOGLINE] A realistic and abstract fashion video explores the theme "What if people wore print?" by showcasing vibrant, oversized patterns on various characters as they navigate a surreal urban landscape. [SUBJECT & ACTION] The characters, adorned in bold prints that shift and change as they move, interact with one another in a dance of creativity and self-expression, highlighting the impact of fashion on personal identity. [ENVIRONMENT] The setting is a dreamlike urban environment with exaggerated architectural features and colorful street art, enhancing the surreal quality of the film. [CAMERA & MOVEMENT] Slow dolly in on characters; sweeping crane shots over the urban landscape; quick cuts between close-ups of intricate prints and wide shots of the characters interacting. [BEAT FLOW — 10s] • 0–3.3s: Characters step into the frame, showcasing their bold, printed outfits while engaging in lively conversation. • 3.3–6.6s: Quick cuts between the characters as they perform synchronized movements, prints swirling and blending, evoking a sense of unity. • 6.6–10s: A final wide shot captures all characters together, the cityscape behind them pulsating with color, as they strike a pose, ending in a moment of stillness. [LIGHTING & COLOR] Bright, saturated colors with high contrast; dynamic lighting shifts to emphasize the prints and create a vibrant atmosphere; soft shadows to add depth. [VFX & CLEANUP] Subtle motion blur to enhance movement; stable edges to maintain clarity of the prints; occasional abstract overlays of patterns to accentuate the theme without distracting from the characters. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

دعاية عن شركة جيجا مزود الانترنت رقم واحد ب ليبيا بشكل كوميدي احترافي ترند

[LOGLINE] دعاية كوميدية احترافية عن شركة جيجا، مزود الإنترنت رقم واحد في ليبيا، تظهر كيف أن خدمة الإنترنت السريعة تجعل الحياة اليومية أكثر سهولة ومتعة. [SUBJECT & ACTION] شخصيات مختلفة تعاني من بطء الإنترنت أثناء محاولتهم القيام بأنشطة يومية مثل العمل والدراسة والترفيه. فجأة، يظهر شعار شركة جيجا مع لقطات كوميدية تُظهر كيف أن الإنترنت السريع يغير كل شيء إلى الأفضل. [ENVIRONMENT] البيئة تتنوع بين منزل عائلي، مكتب عمل، ومقهى، مع تفاصيل تعكس الحياة اليومية في ليبيا. [CAMERA & MOVEMENT] تحريك الكاميرا بشكل ديناميكي بين الشخصيات، مع لقطات قريبة أثناء المواقف الكوميدية، وانتقال سريع بين المشاهد لإظهار التباين بين الإنترنت البطيء والسريع. [BEAT FLOW — 10s] • 0–3.3s: مشاهد لشخصيات محبطة بسبب بطء الإنترنت، مثل شخص يحاول تحميل فيلم. • 3.3–6.6s: ظهور شعار جيجا، مع لقطات سريعة تُظهر كيف أن الإنترنت السريع يحل مشاكلهم، مثل تحميل الفيلم بسرعة. • 6.6–10s: مشاهد للضحك والمرح في الحياة اليومية بفضل الإنترنت السريع مع التركيز على ردود الفعل الإيجابية. [LIGHTING & COLOR] إضاءة ساطعة تعكس الطاقة الإيجابية، مع ألوان زاهية تعزز من الجو الكوميدي وتوضح الانتقال من الضيق إلى السعادة. [VFX & CLEANUP] تأثيرات بسيطة مثل انتقالات سلسة بين المشاهد، مع الحفاظ على حواف واضحة وعدم وجود أي تشويش. [NEGATIVE DIRECTIVES] لا نصوص توضيحية، لا علامات مائية، لا أطراف مكررة، تجنب الاهتزاز/الوميض، لا عناصر عائمة، لا تزامن شفاه غير دقيق.

voy a poner la imagen de una persona y solo quiero que se ponga a llorar

[LOGLINE] Una imagen de una persona que, en un momento de profunda tristeza, comienza a llorar, capturando la intensidad de sus emociones. [SUBJECT & ACTION] La persona, con expresión de desolación, se encuentra en primer plano mientras las lágrimas empiezan a brotar de sus ojos, reflejando su dolor interno. [ENVIRONMENT] El entorno es suave y desenfocado, creando un ambiente íntimo que destaca la vulnerabilidad del sujeto. [CAMERA & MOVEMENT] Lentamente acercarse al rostro de la persona, capturando la transición de su expresión antes de llorar a la manifestación de sus lágrimas. [BEAT FLOW — 10s] • 0–3.3s: La persona en calma, con una expresión facial neutra, el fondo desenfocado. • 3.3–6.6s: La expresión cambia a tristeza, los ojos comienzan a humedecerse, el enfoque se ajusta a su rostro. • 6.6–10s: Las lágrimas caen, el plano se mantiene en su rostro, transmitiendo el peso emocional de la escena. [LIGHTING & COLOR] Iluminación suave y difusa que crea sombras sutiles, resaltando la piel y las lágrimas; paleta de colores fríos que enfatiza el estado emocional. [VFX & CLEANUP] Suave desenfoque de movimiento para las lágrimas; bordes nítidos en el rostro de la persona. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A person is recording with his cell phone a clown handling a puppet at a children's birthday party, while there are children watching him, suddenly the puppet begins to come to life, escaping and fiercely attacking the clown and the children, making it look like a real recording

[LOGLINE] A person records a clown performing with a puppet at a children's birthday party, but the puppet suddenly comes to life, attacking the clown and the children, creating a chaotic and terrifying scene. [SUBJECT & ACTION] A clown, dressed in colorful attire, expertly manipulates a puppet while surrounded by excited children. Suddenly, the puppet begins to move independently, launching itself at the clown and the children, leading to a frantic and shocking turn of events. [ENVIRONMENT] The scene is set in a vibrant backyard decorated with balloons and streamers, filled with laughter and the sounds of a birthday celebration. [CAMERA & MOVEMENT] Handheld tracking shot capturing the clown and puppet performance, with quick pans to the children's reactions; a sudden shaky zoom-in as the puppet comes to life, followed by erratic movements as chaos ensues. [BEAT FLOW — 10s] • 0–3.3s: The camera focuses on the clown and puppet, capturing the laughter of the children in the background. • 3.3–6.6s: The puppet begins to twitch, and the camera shakes slightly as it zooms in on the puppet's face, amplifying tension. • 6.6–10s: The puppet leaps at the clown; children scream in shock as the camera pans wildly to capture the chaos, ending with a shot of the frightened faces of the children. [LIGHTING & COLOR] Bright, cheerful lighting with a warm color palette to reflect the joyful atmosphere of a birthday party, shifting to darker tones as the puppet attacks, creating a stark contrast. [VFX & CLEANUP] Dynamic motion blur during the puppet's movement to emphasize speed; stable edges to maintain the illusion of a real recording. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

I want to make a video of Simon from Cry of Fear drinking a Coke and then he and the can of Coke explode and fly away abruptly.

[LOGLINE] Simon from Cry of Fear casually drinks a Coke, but an unexpected explosion sends him and the can flying away abruptly. [SUBJECT & ACTION] Simon, the troubled character from Cry of Fear, lifts a can of Coke to his lips, taking a refreshing sip. Suddenly, both he and the can erupt in a dramatic explosion, propelling them into the air. [ENVIRONMENT] The scene is set in a dimly lit urban alley, with cracked walls and scattered debris, evoking the dark atmosphere of Cry of Fear. [CAMERA & MOVEMENT] Start with a close-up on Simon's face as he drinks, then quickly zoom out for the explosion, capturing the full impact of the blast and the chaos that follows. [BEAT FLOW — 10s] • 0–3.3s: Close-up of Simon drinking the Coke, showing his expression of relief. • 3.3–6.6s: Quick zoom out to reveal the alley and the can in his hand, tension building. • 6.6–10s: Explosion occurs, camera shakes slightly, then follows Simon and the can as they fly away, ending with a wide shot of the empty alley. [LIGHTING & COLOR] Low-key lighting with harsh shadows to create a suspenseful mood; the colors are desaturated with a hint of neon to reflect the eerie vibe of the environment. [VFX & CLEANUP] Dynamic explosion effects with debris flying; subtle motion blur to enhance the impact of the blast; stable edges to maintain clarity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

I want to make a video of Simon from Cry of Fear drinking a coke and then it explodes and flies away abruptly.

[LOGLINE] Simon from Cry of Fear casually drinks a Coke, only for it to explode unexpectedly, sending the can flying away abruptly. [SUBJECT & ACTION] Simon, with a look of mild curiosity, raises a can of Coke to his lips and takes a sip. Suddenly, the can erupts, spraying soda everywhere and launching itself into the air. [ENVIRONMENT] The scene is set in a dimly lit, urban alleyway, filled with graffiti and scattered debris, creating a gritty atmosphere that reflects Simon's troubled state. [CAMERA & MOVEMENT] Start with a steady shot of Simon holding the can, then quickly zoom in on his face as he takes a sip. Cut to a close-up of the can as it explodes, followed by a rapid pan to follow the can's trajectory as it flies away. [BEAT FLOW — 10s] • 0–3.3s: Simon lifts the Coke can to his lips, a curious expression on his face. • 3.3–6.6s: The can suddenly bursts, spraying soda, with Simon's eyes widening in surprise. • 6.6–10s: The can soars into the air, with a close-up on Simon's startled reaction, ending with the can disappearing from view. [LIGHTING & COLOR] Use low, moody lighting with stark contrasts to highlight Simon’s features. The colors should be desaturated overall, but the Coke's vibrant red should pop against the background, drawing attention to the explosion. [VFX & CLEANUP] Add dynamic soda splashes and debris flying from the explosion; ensure edges are clean and motion blur is subtle during the can's flight. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

@yoan dans un dark ride effrayant ou dedans on retrouve le thème des congolais traditionnelle et surtout des congolais obèse qui mange plein de poulet et plein de bananes.

[LOGLINE] A chilling dark ride experience immerses visitors in a world inspired by Congolese traditions, featuring larger-than-life characters indulging in an abundance of chicken and bananas. [SUBJECT & ACTION] Inside the ride, animated figures of traditionally-dressed Congolese individuals, notably depicted as overweight, feast on piles of chicken and bananas, creating a surreal yet eerie atmosphere as they laugh and sing in an unsettling manner. [ENVIRONMENT] The ride is set in a dimly lit, winding cavern resembling a jungle, filled with vibrant colors and haunting sounds that echo the cultural essence of Congo. [CAMERA & MOVEMENT] Smooth tracking shots glide through the ride, capturing the animated characters as they interact with their environment, interspersed with sudden close-ups of their exaggerated expressions while they eat. [BEAT FLOW — 10s] • 0–3.3s: The camera moves through the dark ride entrance, revealing the vibrant jungle setting and eerie sounds. • 3.3–6.6s: A close-up of a Congolese character laughing heartily while holding a giant piece of chicken, with bananas strewn around. • 6.6–10s: The camera pulls back to show a group of characters dancing and feasting together, their laughter echoing as the scene fades into darkness. [LIGHTING & COLOR] Low, moody lighting with spotlights highlighting the characters and their food, creating deep shadows; colors are rich and saturated to emphasize the cultural elements while maintaining a spooky ambiance. [VFX & CLEANUP] Use subtle motion blur for the characters in motion; ensure stable edges around animated elements to maintain clarity and focus. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

dog throwing away by a tropical storm

[LOGLINE] A small dog struggles to survive as a powerful tropical storm brutally throws it against debris and strong winds, showcasing its resilience amidst chaos. [SUBJECT & ACTION] The small dog, soaked and frightened, is tossed around by the fierce winds and rain of the tropical storm, desperately trying to find shelter while dodging flying debris and intense gusts. [ENVIRONMENT] The scene is set in a densely vegetated tropical area, with palm trees swaying violently, heavy rain pouring down, and dark storm clouds looming overhead. [CAMERA & MOVEMENT] Handheld tracking shot follows the dog as it runs, capturing the frantic energy of the storm; quick cuts to close-ups of the dog's fearful expressions and wide shots of the storm's ferocity. [BEAT FLOW — 10s] • 0–3.3s: The camera pans down to the small dog crouched against a tree, rain pelting its fur, as the wind howls around it. • 3.3–6.6s: The dog is suddenly lifted by a strong gust, tumbling through the air and landing near a pile of debris, eyes wide with fear. • 6.6–10s: As the dog struggles to regain its footing, the camera captures its determination; the storm rages on in the background, fading into a final shot of the dog searching for shelter. [LIGHTING & COLOR] Dramatic, low lighting with dark, stormy hues; flashes of lightning illuminate the scene intermittently, creating stark contrasts and emphasizing the chaos. [VFX & CLEANUP] Subtle rain particle effects; motion blur during the dog's movements; stable edges to enhance clarity amidst the storm. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

giants building pymarid

[LOGLINE] Giants laboriously construct a massive pyramid, their towering forms casting shadows over the arid landscape as they work in unison, showcasing both their strength and the grandeur of their undertaking. [SUBJECT & ACTION] The giants, each uniquely adorned with tribal markings, tirelessly lift enormous stones and position them with precision, their expressions a mix of determination and camaraderie as they collaborate on this monumental task. [ENVIRONMENT] The scene unfolds in a vast desert, with golden sands stretching to the horizon, punctuated by the shimmering heat waves rising from the ground and the distant outline of the pyramid taking shape. [CAMERA & MOVEMENT] Slow dolly-in towards the giants, then a wide shot to capture the pyramid's scale, followed by a sweeping crane shot that reveals the full extent of the construction site and the surrounding desert. [BEAT FLOW — 10s] • 0–3.3s: Close-up of a giant’s hand gripping a massive stone, muscles flexing as they lift it. • 3.3–6.6s: Wide shot of multiple giants working together, positioning stones and communicating with gestures. • 6.6–10s: Crane shot reveals the pyramid rising majestically, with a focus on the sun setting behind it, casting a warm glow. [LIGHTING & COLOR] Warm, golden lighting enhancing the desert atmosphere; soft shadows highlighting the giants' features and the texture of the stones, with a gradient sky transitioning from blue to orange as the sun sets. [VFX & CLEANUP] Subtle dust particles floating in the air; stable edges around the giants and the pyramid, emphasizing their size and strength while maintaining clarity in the scene. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Match-cut to “After” scenes — smooth, level slabs by garage and pool deck. Technician packs up equipment; homeowners smile, walking safely across restored concrete. Clean title overlay: “Restore your concrete in hours — not days.” Add company logo and tagline: “Southwest Foam Solutions – Lift. Level. Restore.” Bright New Mexico background, blue sky, warm tone, cinematic color grade.

[LOGLINE] A smooth transition showcases the “After” scenes of a beautifully restored concrete garage and pool deck, featuring homeowners smiling in satisfaction as a technician packs up equipment. [SUBJECT & ACTION] The technician, equipped with tools, finishes packing up their equipment while the homeowners joyfully walk across the newly restored concrete, embodying relief and happiness. [ENVIRONMENT] Set against a bright New Mexico background, the scene features a clear blue sky and warm tones that enhance the inviting atmosphere. [CAMERA & MOVEMENT] Start with a smooth match-cut from the “Before” scenes to the “After” images, then use a gentle pan to follow the technician packing up equipment, finally transitioning to a wide shot capturing the homeowners walking across the concrete. [BEAT FLOW — 10s] • 0–3.3s: Match-cut to the “After” scenes, revealing the smooth, level slabs of the garage and pool deck. • 3.3–6.6s: The technician is seen packing up their equipment, with focus on their satisfied expression. • 6.6–10s: Homeowners are shown smiling while walking safely across the restored concrete; the clean title overlay appears. [LIGHTING & COLOR] Utilize bright, natural lighting to emphasize the warm tones of the New Mexico setting, with a cinematic color grade that enhances the vibrancy of the scene. [VFX & CLEANUP] Incorporate subtle motion blur during the transitions; ensure stable edges throughout the shots to maintain clarity and focus. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

@yoan qui raconte une histoire avec un plan cinematic qui montre ce qu’il raconte. « Euh Faut pas acheter les vêtements fabriqués par des gosses au bangladesh dans des usines qui s’écroule et qui prennent feu. Parce que… les couture tiennent pas. Voilà »

[LOGLINE] Yoan tells a poignant story about the dangers of buying clothes made by children in collapsing and burning factories in Bangladesh, emphasizing that the seams don’t hold. [SUBJECT & ACTION] Yoan stands in front of a camera, passionately recounting his story while gesturing expressively to emphasize his points. His tone is serious yet engaging, drawing the audience into the gravity of the situation he describes. [ENVIRONMENT] The backdrop features a dimly lit urban setting, hinting at the harsh realities of the fashion industry, with shadows playing across the walls to create a somber mood. [CAMERA & MOVEMENT] Slow dolly-in towards Yoan as he begins speaking, then a subtle handheld shake to convey urgency as he shares the deeper implications of his message. [BEAT FLOW — 10s] • 0–3.3s: Yoan introduces the topic, looking directly into the camera with a concerned expression. • 3.3–6.6s: He describes the conditions in the factories, using hand gestures to illustrate the collapse and fire, his voice growing more intense. • 6.6–10s: He concludes with a powerful statement about the seams not holding, maintaining eye contact, allowing for a moment of silence as the camera lingers on his expression. [LIGHTING & COLOR] Soft, moody lighting with warm tones to create an intimate yet serious atmosphere, highlighting Yoan’s face while casting shadows that evoke the darker themes of his story. [VFX & CLEANUP] Subtle motion blur to enhance emotional moments; clean edges around Yoan to keep focus on him; no distractions in the background. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

create a video showing brand name "Mohsin Desi Tharra" with smooth transitions also no fast cuts, the brand name shoudl be with voice over and brand name showed in fade in transition, the ad shoot should be in hindi

[LOGLINE] A video ad showcases the brand name "Mohsin Desi Tharra" with a smooth fade-in transition, accompanied by a Hindi voiceover. [SUBJECT & ACTION] The brand name "Mohsin Desi Tharra" is prominently displayed, with the voiceover presenting its unique qualities and appeal. The focus is on creating a seamless and engaging visual experience without fast cuts. [ENVIRONMENT] The setting is vibrant and culturally rich, reflecting the essence of the brand, with elements that evoke a sense of tradition and authenticity. [CAMERA & MOVEMENT] Slow, smooth pans and gentle zoom-ins to emphasize the brand name; transitions are fluid without abrupt changes. [BEAT FLOW — 10s] • 0–3.3s: The video opens with a soft focus on a traditional setting, gradually revealing the brand name in elegant typography. • 3.3–6.6s: The brand name "Mohsin Desi Tharra" fades in, while the Hindi voiceover begins to articulate the brand's message. • 6.6–10s: The brand name remains on screen as the voiceover concludes, allowing viewers to absorb the information before gently fading out. [LIGHTING & COLOR] Warm, inviting lighting that highlights the brand name and setting; colors are rich and saturated, creating an appealing atmosphere. [VFX & CLEANUP] Smooth transitions with subtle motion blur during the fade-in; ensure stable edges around the text and visuals. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

create a video showing brand name "Bhanu Patakhe" with smooth transitions also no fast cuts, the brand name shoudl be with voice over and brand name showed in fade in transition also the ad shoot is for diwali fireworks in india, so the ad shoot should be in hindi

[LOGLINE] A captivating video ad for "Bhanu Patakhe" showcasing stunning Diwali fireworks in India, featuring smooth transitions and a voice-over in Hindi. [SUBJECT & ACTION] The brand name "Bhanu Patakhe" is revealed through a graceful fade-in transition, accompanied by a voice-over that highlights the excitement of Diwali celebrations and the beauty of the fireworks. [ENVIRONMENT] The backdrop is a vibrant Indian cityscape illuminated by colorful Diwali fireworks, creating a festive atmosphere filled with joy and celebration. [CAMERA & MOVEMENT] Gentle dolly-in to the brand name, followed by a slow pan across the fireworks display, maintaining a steady, smooth motion throughout without fast cuts. [BEAT FLOW — 10s] • 0–3.3s: Fade in the brand name "Bhanu Patakhe" with a soft glow effect; voice-over begins, introducing the brand. • 3.3–6.6s: Transition to a wide shot of the fireworks lighting up the night sky, enhancing the festive mood. • 6.6–10s: Close-up of the fireworks bursting in colors, with the final moments of the voice-over emphasizing the joy of Diwali celebrations; end with a lingering shot of the glowing cityscape. [LIGHTING & COLOR] Warm, vibrant tones dominate the scene, highlighting the festive spirit of Diwali; soft ambient lighting to enhance the glow of the fireworks. [VFX & CLEANUP] Smooth transitions with subtle motion blur to enhance the fluidity; maintain stable edges for a polished look. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A man playing the arcade game called double Dragon gets pulled into the TV and becomes the character that he’s playing and begins fighting bad guys

[LOGLINE] A man playing the arcade game called Double Dragon gets pulled into the TV and transforms into the character he’s controlling, engaging in intense battles against bad guys within the game world. [SUBJECT & ACTION] The man, now transformed into a pixelated hero, navigates through the vibrant game environment, utilizing martial arts skills to fight off various enemies, showcasing a mix of determination and excitement. [ENVIRONMENT] The setting is a colorful, retro arcade game world resembling the classic Double Dragon aesthetic, filled with urban backdrops, neon lights, and animated enemies lurking in the shadows. [CAMERA & MOVEMENT] Smooth tracking shot as the man is pulled into the TV, followed by dynamic pans and quick cuts during the fight sequences to capture the action-packed movements. [BEAT FLOW — 10s] • 0–3.3s: The man sits in front of the arcade machine, intensely focused on the game, bright screen illuminating his face. • 3.3–6.6s: Suddenly, he is sucked into the TV, the screen swirling with pixelated graphics as he transforms into the game character. • 6.6–10s: He lands in the game world, instantly engaging the first enemy in a fierce fight, showcasing his martial arts moves. [LIGHTING & COLOR] Bright, saturated colors reflecting the retro game style; dynamic lighting effects during combat sequences to emphasize hits and movements. [VFX & CLEANUP] Subtle motion blur for fast movements; clean lines and crisp edges to maintain the retro game aesthetic. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A Super Bowl style commercial, where the kicker kicks a Doritos through the upright goal post. A close up on his face then cut to the kick and the Doritos going through the goal posts. The team then lifts him onto there shoulders cheering. A bag of Doritos appears with the slogan “taste the win!”

[LOGLINE] A Super Bowl style commercial depicts a kicker executing an impressive kick, sending a Doritos chip soaring through the upright goal post, culminating in a celebration of victory. [SUBJECT & ACTION] The kicker, focused and determined, prepares for the kick, executing a flawless motion that sends the Doritos flying through the goal posts. After the successful kick, his teammates rush in to lift him onto their shoulders, cheering triumphantly. [ENVIRONMENT] The scene unfolds on a vibrant football field, set against the backdrop of an electrifying stadium filled with cheering fans. [CAMERA & MOVEMENT] Start with a close-up on the kicker’s intense expression, then quickly cut to a wide shot as he kicks the Doritos. Capture the Doritos in slow motion as they soar through the goal posts, followed by a sweeping shot of the team lifting him in celebration. [BEAT FLOW — 10s] • 0–3.3s: Close-up on the kicker’s face, showcasing his focus and determination. • 3.3–6.6s: Wide shot of the kick, the Doritos flying through the air towards the goal posts. • 6.6–10s: Team lifts the kicker onto their shoulders, cheering while a bag of Doritos appears with the slogan “taste the win!” [LIGHTING & COLOR] Bright, high-contrast lighting to evoke the excitement of a Super Bowl atmosphere, emphasizing the vibrant colors of the field and the iconic Doritos packaging. [VFX & CLEANUP] Utilize smooth motion blur on the Doritos as they fly, ensuring stable edges throughout the commercial for a polished look. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.