Explore Public Sora Prompts

hombre toma la lata coca cola y luego explota, la explosion le da en toda su cara, y su cabeza sale volando

[LOGLINE] Un hombre toma una lata de Coca-Cola, y tras un instante de calma, la lata explota, impactando su cara y haciendo que su cabeza salga volando. [SUBJECT & ACTION] El hombre, con una expresión de sorpresa y curiosidad, sostiene la lata de Coca-Cola. Justo después de tomar un sorbo, la lata explota repentinamente, cubriendo su rostro de soda y lanzando su cabeza por los aires. [ENVIRONMENT] El escenario es una cocina moderna, con azulejos brillantes y utensilios de cocina visibles, creando un ambiente cotidiano que contrasta con la inminente explosión. [CAMERA & MOVEMENT] Inicio con un plano medio del hombre sosteniendo la lata, luego un rápido acercamiento a su rostro (push-in) en el momento de la explosión, seguido de un paneo rápido hacia la cabeza voladora. [BEAT FLOW — 10s] • 0–3.3s: El hombre sonríe mientras levanta la lata de Coca-Cola, tomando un sorbo. • 3.3–6.6s: La lata explota, el líquido esparciéndose, y la expresión de su rostro cambia a shock. • 6.6–10s: La cabeza del hombre vuela por el aire, mientras la cámara sigue su trayectoria, finalizando con un plano de la cocina salpicada. [LIGHTING & COLOR] Iluminación brillante y uniforme en la cocina, con un aumento en el contraste y saturación durante la explosión para enfatizar el impacto y la energía del momento. [VFX & CLEANUP] Efectos de explosión detallados con partículas de soda, motion blur en la cabeza voladora; asegurando bordes nítidos y limpieza en el entorno. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Do a funny chiropractor video where the chiropractor accidentally throws an old woman named Miss Darcy through a wall and then he acts surprised he goes. Oh no! Miss Darcy and then make it cut to a different scene where another chiropractor jumps on the back of a client to relieve back pain and breaks the chair that he was on and then he goes haha. Didn't mean to do that much pressure and make it all in real life quality

[LOGLINE] A comedic chiropractor video featuring the accidental chaos of chiropractor mishaps, including an elderly woman named Miss Darcy being thrown through a wall and another chiropractor humorously breaking a chair while treating a client. [SUBJECT & ACTION] The scene opens with a chiropractor adjusting Miss Darcy, an elderly woman, when he accidentally throws her through a wall, resulting in his shocked reaction. The video then cuts to a different chiropractor jumping on a client's back to relieve pain, only to break the chair beneath them, followed by a lighthearted comment about the pressure. [ENVIRONMENT] The first scene takes place in a cozy, well-lit chiropractic office filled with health posters and treatment tables, while the second scene occurs in a similar office setting with a sturdy chair prominently featured. [CAMERA & MOVEMENT] Handheld zoom-in on the chiropractor's reaction after Miss Darcy flies through the wall, then a quick cut to a wide shot of the second chiropractor jumping on the client, capturing the chair's collapse. [BEAT FLOW — 10s] • 0–3.3s: The chiropractor adjusts Miss Darcy, who looks relaxed, then suddenly, with a comedic twist, she is thrown through the wall. • 3.3–6.6s: The chiropractor gasps, "Oh no! Miss Darcy!" as he rushes to the wall. • 6.6–10s: Cut to the second chiropractor jumping on the client's back, chair breaks beneath them, and he chuckles, "Haha, didn't mean to do that much pressure!" [LIGHTING & COLOR] Bright, natural lighting fills the chiropractic offices, enhancing the comedic tone, with warm colors to create a welcoming atmosphere. [VFX & CLEANUP] Subtle motion blur during the action moments; ensure stable edges around characters and props for clear visibility. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

a man on top of a huge opened water slide with a surf board who uses his board to go down that slide. When he arrives at the bottom he surf on the water.

[LOGLINE] A man stands triumphantly atop a massive opened water slide, gripping his surfboard tightly, as he prepares to ride down the slide and then surf on the water below. [SUBJECT & ACTION] The man, filled with excitement and adrenaline, launches himself down the water slide using his surfboard, executing a smooth transition into surfing on the water's surface upon reaching the bottom. [ENVIRONMENT] The scene is set at a vibrant water park, with the sun shining brightly and the sound of splashing water echoing around the lively atmosphere. [CAMERA & MOVEMENT] Wide shot captures the man on the slide, then quickly transitions to a dynamic tracking shot following him as he descends, and finally shifts to a low-angle shot as he lands on the water, showcasing his surfing prowess. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the man at the top of the slide, excitement visible on his face. • 3.3–6.6s: Dynamic tracking shot as he races down the slide, water splashing around him. • 6.6–10s: Low-angle shot of him hitting the water and smoothly transitioning into a surfing position, with no new dialogue. [LIGHTING & COLOR] Bright and sunny with vibrant colors; reflections glimmer on the water surface, enhancing the fun atmosphere of the water park. [VFX & CLEANUP] Subtle water splash effects; stable edges to maintain clarity, ensuring the man and his board are always in focus. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

a man on top of a huge water slide with a surf board who then do a big jump in the water with his board

[LOGLINE] A man stands triumphantly at the top of a massive water slide, gripping a surfboard tightly, before launching himself into a thrilling jump into the shimmering water below. [SUBJECT & ACTION] The man, full of excitement and a hint of nervousness, takes a deep breath before propelling himself off the edge of the slide, executing a daring leap into the blue water with his surfboard. [ENVIRONMENT] The scene unfolds at a vibrant water park, where the sun glistens on the surface of the water and colorful slides twist and turn against a clear blue sky. [CAMERA & MOVEMENT] Start with a wide shot from below, tilting upwards to reveal the man at the top of the water slide, then quickly switch to a handheld tracking shot following his leap, capturing the descent and splash. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the man at the top of the water slide, showing his determination and the expanse of the slide. • 3.3–6.6s: Handheld tracking shot as he jumps, capturing the thrill of the leap and the board positioned for landing. • 6.6–10s: Close-up of the splash as he hits the water, followed by a slow-motion effect as water sprays dramatically around him. [LIGHTING & COLOR] Bright, sunny lighting with vibrant colors; warm hues reflecting off the water create an inviting atmosphere, enhancing the excitement of the moment. [VFX & CLEANUP] Subtle water splash effects; dynamic motion blur as he jumps; stable edges around the man and the surfboard for clarity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

a man and women in publix the man says to the girl your using the strap on tn right whole bunch of kids look at them saying wtf mud

[LOGLINE] A comedic scene unfolds in a Publix supermarket where a man jokingly asks a woman about her choice of a strap-on, prompting bewildered reactions from a group of nearby kids. [SUBJECT & ACTION] A man leans towards a woman in the grocery aisle, teasingly saying, "You're using the strap-on, right?" Children nearby react with confusion, murmuring "WTF, mud." [ENVIRONMENT] The scene takes place in a brightly lit Publix supermarket, with colorful displays of groceries and shoppers bustling around. [CAMERA & MOVEMENT] Handheld tracking shot approaches the couple, then switches to a static wide shot to capture the children's reactions. [BEAT FLOW — 10s] • 0–3.3s: The camera moves in on the man and woman as he delivers his line with a playful smirk. • 3.3–6.6s: Cut to a wide shot of the group of kids, their eyes wide in shock, whispering to each other. • 6.6–10s: Return to the couple as they share a laugh, while the kids continue to look on in disbelief. [LIGHTING & COLOR] Bright, natural lighting typical of a grocery store; vibrant colors of the products contrast with the shocked expressions of the children for comedic effect. [VFX & CLEANUP] Subtle motion blur on the camera movement; stable edges throughout the scene to maintain focus on characters' expressions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Uma mulher brasileira em uma comunidade discute sobre coisas do dia a dia, quando um cavalo aparece correndo descontrolado, atropelando-a e quebrando um carro antes de sair correndo.

[LOGLINE] Uma mulher brasileira em uma comunidade discute sobre coisas do dia a dia, quando um cavalo aparece correndo descontrolado, atropelando-a e quebrando um carro antes de sair correndo. [SUBJECT & ACTION] A mulher, visivelmente envolvida na conversa, gesticula animadamente enquanto fala com um grupo de amigos. De repente, um cavalo descontrolado surge, atropelando-a e colidindo com um carro estacionado, fazendo-o amassar antes de sair correndo em direção à rua. [ENVIRONMENT] A cena se passa em uma vibrante comunidade brasileira, com casas coloridas e um mercado local ao fundo, com pessoas interagindo e um clima de vivacidade no ar. [CAMERA & MOVEMENT] Panorâmica suave para capturar a mulher e seus amigos conversando; corte abrupto para um close no cavalo que aparece correndo, seguido por uma rápida movimentação para mostrar o impacto no carro. [BEAT FLOW — 10s] • 0–3.3s: A mulher fala animadamente, gesticulando enquanto seus amigos a escutam. • 3.3–6.6s: O cavalo entra na cena em alta velocidade, com um close em sua expressão assustadora. • 6.6–10s: O impacto do cavalo com a mulher e o carro, seguido pela cena do cavalo correndo para longe, enquanto a comunidade fica em choque. [LIGHTING & COLOR] Iluminação natural e vibrante, refletindo a luz do sol em um dia claro, com cores saturadas que destacam a vivacidade da comunidade. [VFX & CLEANUP] Aplique um leve desfoque de movimento durante a corrida do cavalo; mantenha as bordas nítidas para um efeito realista. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Realistic smartphone footage shot from inside a car. A brown bear walks up curiously to another parked car, sniffs the handle, and suddenly pulls it open. The person filming whispers “no way…” while laughing nervously. The bear looks inside the car, sniffs around, then walks away casually. Natural ambient forest sounds, authentic handheld smartphone movement.

[LOGLINE] Realistic smartphone footage captures a brown bear approaching a parked car, curiously sniffing the handle and unexpectedly opening the door, while the person filming whispers “no way…” and laughs nervously. [SUBJECT & ACTION] A brown bear walks up to another parked car, curiously sniffs the handle, and suddenly pulls it open. The person filming whispers “no way…” while laughing nervously as the bear looks inside the car, sniffs around, then casually walks away. [ENVIRONMENT] The scene is set in a serene forest, filled with lush green trees and dappled sunlight filtering through the leaves, creating a natural backdrop. [CAMERA & MOVEMENT] Handheld smartphone footage captures the bear’s approach, with a subtle pan to follow its movements as it sniffs the handle and opens the door. [BEAT FLOW — 10s] • 0–3.3s: The camera is focused on the parked car as the brown bear walks into frame, sniffing the handle. • 3.3–6.6s: The bear pulls the car door open; the person filming whispers “no way…” while chuckling nervously. • 6.6–10s: The bear looks inside the car, sniffs around, then casually walks away, leaving the person filming in awe. [LIGHTING & COLOR] Natural lighting from the sun creates soft shadows, with vibrant greens from the forest surrounding the scene, enhancing the realistic feel of the moment. [VFX & CLEANUP] Subtle motion blur during movements for a natural look; stable edges to maintain clarity in the footage. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Realistic 4K vertical smartphone video filmed outdoors on a bright day. Two people watch a massive crocodile slowly walking across a golf course near the flag. One whispers “bro, he’s huge…” The camera zooms slightly and shakes as if handheld by a real person, with natural ambient wind and birds.

[LOGLINE] Two people watch a massive crocodile slowly walking across a golf course near the flag, capturing the moment on a bright day. [SUBJECT & ACTION] Two individuals stand side by side, eyes wide in awe as they observe the enormous crocodile lumbering across the green, one of them leaning in to whisper, “bro, he’s huge…” [ENVIRONMENT] The scene is set on a sunny golf course, with vibrant green grass, a clear blue sky, and the golf flag fluttering gently in the breeze. [CAMERA & MOVEMENT] Handheld zoom-in on the crocodile, with a slight shake to simulate real-life filming, then a slow pan to capture both people's reactions. [BEAT FLOW — 10s] • 0–3.3s: The camera starts focused on the crocodile in the distance, slowly revealing its massive size. • 3.3–6.6s: The camera shakes slightly as it zooms in, capturing the whisper from one person. • 6.6–10s: The shot widens to capture both individuals, their expressions of disbelief, as the crocodile continues its slow walk. [LIGHTING & COLOR] Bright, natural daylight casts soft shadows; the colors are vivid, emphasizing the lush green of the grass and the vibrant blue of the sky. [VFX & CLEANUP] Subtle motion blur to enhance the handheld feel; edges remain stable to keep the focus on the characters and crocodile. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A realistic 4K vertical smartphone video filmed in daylight in a natural park or safari-style field. A man stands a few meters away, smiling and taking pictures with his phone. Suddenly, a lion appears quietly behind him, very close. The person filming gasps and whispers “oh my god, behind him!” The man turns around, freezes in shock, and slowly backs away while the lion just stands there, calm but imposing. Slight camera shake, ambient wind and birds, totally realistic smartphone feeling.

[LOGLINE] A man smiles and snaps photos in a natural park, unaware of the lion quietly approaching him from behind. [SUBJECT & ACTION] A man stands a few meters away, taking pictures with his phone, when a lion suddenly appears behind him. The person filming gasps and whispers, “oh my god, behind him!” The man turns around, freezes in shock, and slowly backs away as the calm but imposing lion remains still. [ENVIRONMENT] The setting is a sunlit natural park or safari-style field, capturing the essence of the wilderness. [CAMERA & MOVEMENT] Start with a handheld shot of the man, then quickly pan to capture the lion’s entrance. Follow with a close-up of the filmer's expression, then return to the man as he turns around, incorporating slight camera shake for realism. [BEAT FLOW — 10s] • 0–3.3s: The man smiles and takes pictures, with ambient sounds of wind and birds in the background. • 3.3–6.6s: The camera pans to reveal the lion approaching quietly, capturing the filmer's gasp and whispering “oh my god, behind him!” • 6.6–10s: The man turns around in shock and begins to back away slowly, the lion standing calm and imposing as the scene resolves. [LIGHTING & COLOR] Natural daylight, highlighting the vibrant greens of the park and the warm tones of the lion’s fur, creating a realistic and immersive atmosphere. [VFX & CLEANUP] Subtle motion blur to enhance realism; ensure stable edges to maintain clarity in the video. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Vertical smartphone dashcam-style video, filmed from inside a car on a small dirt road. An elephant stands in the middle of the road, completely still, looking straight at the car. The driver honks softly, laughs nervously, and says “we’re not going anywhere.” The elephant finally moves a few steps aside. Dust in the air, natural light, ultra-realistic handheld smartphone look.

[LOGLINE] A vertical smartphone dashcam-style video captures an elephant standing motionless in the middle of a small dirt road, as a nervous driver honks softly and laughs, remarking, “we’re not going anywhere.” [SUBJECT & ACTION] The focus is on the elephant, completely still and looking straight at the car. The driver, visibly nervous yet amused, interacts with the situation, leading to the elephant stepping aside after a moment. [ENVIRONMENT] A small dirt road flanked by sparse vegetation, with dust particles visible in the natural light. [CAMERA & MOVEMENT] Handheld smartphone perspective, capturing intimate close-ups of the elephant and the driver’s reactions, with a subtle push-in as the driver speaks. [BEAT FLOW — 10s] • 0–3.3s: The camera shows the elephant standing still in the road, framed centrally, with the car's interior visible. • 3.3–6.6s: The driver honks softly, laughs nervously, and says, “we’re not going anywhere,” with a close-up on their face, capturing the emotion. • 6.6–10s: The elephant slowly moves a few steps aside, with the dust particles illuminated in the natural light, leading to a quiet moment of resolution. [LIGHTING & COLOR] Natural daylight with warm tones, highlighting the dust in the air; the colors are rich and vibrant to enhance the realism of the setting. [VFX & CLEANUP] Subtle motion blur on the elephant’s movements; stable edges to maintain clarity and focus on the subjects. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A vertical smartphone video filmed behind the scenes of a street interview. A man is talking to camera when suddenly a colorful parrot lands on his head. The person filming laughs loudly, saying “oh my god!” The man stays frozen before laughing. Realistic handheld movement, city ambient sound.

[LOGLINE] A man is filming a street interview when a colorful parrot unexpectedly lands on his head, prompting laughter from the person behind the camera. [SUBJECT & ACTION] The man speaks directly to the camera, maintaining a serious demeanor until a parrot lands on his head, causing him to freeze momentarily before breaking into laughter. The person filming reacts with a loud, joyful "oh my god!" [ENVIRONMENT] The backdrop features a bustling city street, with pedestrians and urban sounds creating a lively atmosphere. [CAMERA & MOVEMENT] Handheld camera movement captures the action with a slightly shaky feel, pushing in for close-ups on the man's reaction and then tilting up to reveal the parrot. [BEAT FLOW — 10s] • 0–3.3s: The man speaks to the camera, framed in mid-shot against the city backdrop. • 3.3–6.6s: The parrot lands on his head; the camera tilts up to capture the moment, as the person filming laughs loudly. • 6.6–10s: The man freezes, then bursts into laughter, holding the pose for a moment as the laughter continues from off-camera. [LIGHTING & COLOR] Natural daylight illuminates the scene, highlighting the vibrant colors of the parrot and the urban environment with warm tones. [VFX & CLEANUP] Subtle motion blur during the parrot landing; ensure stable edges throughout to maintain focus on the characters. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

4K vertical smartphone footage filmed by a tourist from the back of a jeep in a safari zone. A tiger walks slowly toward the jeep, then climbs onto the hood, staring inside the windshield. People inside whisper “don’t move… don’t move…” while one laughs nervously. The tiger eventually jumps down and walks away. Authentic reactions, natural sound, hand-held realism.

[LOGLINE] A tourist captures 4K vertical smartphone footage from the back of a jeep in a safari zone, as a tiger approaches, climbs onto the hood, and peers through the windshield, eliciting nervous whispers and laughter from the passengers. [SUBJECT & ACTION] The tiger walks slowly toward the jeep, climbs onto the hood, and stares intently inside the windshield at the people inside, who nervously whisper “don’t move… don’t move…” while one laughs nervously. After a moment, the tiger jumps down and walks away, leaving the passengers in awe. [ENVIRONMENT] The scene is set in a vibrant safari zone, with tall grass and trees surrounding the jeep, and a bright, clear sky overhead. [CAMERA & MOVEMENT] Handheld tracking shot following the tiger as it approaches the jeep; slight shakes for realism; zoom in on the tiger's face as it climbs onto the hood, then a push-in to capture the passengers' expressions. [BEAT FLOW — 10s] • 0–3.3s: The camera captures the tiger walking slowly toward the jeep, grass swaying gently. • 3.3–6.6s: The tiger climbs onto the hood, filling the frame, as whispers of “don’t move…” and nervous laughter are heard. • 6.6–10s: The tiger jumps down and walks away, with the passengers visibly relieved and amazed, ending with their shared reactions. [LIGHTING & COLOR] Natural daylight illuminates the scene, casting soft shadows; the colors are vibrant, showcasing the rich greens of the safari and the golden hues of the tiger’s fur. [VFX & CLEANUP] Subtle motion blur during movement; ensure stable edges around the tiger and jeep for clarity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Realistic 4K vertical video filmed by a friend at a safari park. A woman stands near a giraffe enclosure feeding it leaves. Suddenly, the giraffe grabs her hat and lifts it off her head. She screams and laughs while her friend filming bursts out laughing too. Slight camera shake, real daylight, joyful chaos — looks 100% authentic.

[LOGLINE] A woman at a safari park has her hat snatched by a giraffe while feeding it leaves, resulting in a moment of joyful chaos as she screams and laughs, capturing an authentic experience on video. [SUBJECT & ACTION] A woman stands near a giraffe enclosure, playfully feeding the giraffe leaves. In a sudden twist, the giraffe grabs her hat and lifts it off her head, leading to her surprised scream and subsequent laughter, mirrored by her friend who is filming the entire event. [ENVIRONMENT] The scene takes place in a vibrant safari park under real daylight, surrounded by lush greenery and the sounds of various animals in the background. [CAMERA & MOVEMENT] Handheld camera with slight shake to evoke a spontaneous feel; zoom in on the woman's reaction as the giraffe grabs her hat; pan to her friend laughing off-screen. [BEAT FLOW — 10s] • 0–3.3s: The woman stands by the giraffe enclosure, feeding leaves while smiling. • 3.3–6.6s: The giraffe swiftly grabs her hat; her eyes widen as she screams, laughter escaping. • 6.6–10s: The camera shifts to her friend bursting out laughing, capturing the moment of shared joy as the scene concludes. [LIGHTING & COLOR] Bright, natural daylight enhances the colors of the park and the giraffe; warm tones highlight the joyful atmosphere. [VFX & CLEANUP] Subtle motion blur during the hat snatching for added emphasis; stable edges throughout the video to maintain clarity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

en una imagen hay una persona emo quiero que alguien con arma lo persiga con una arma como si fuera un videojuego en primera persona con graficos de cry of fear,el perseguidor no se vea en camara solo se vea desde su perspectiva pov como un juego en mi primera persona sosteniendo una pistola, mientras el emo corre asustado

[LOGLINE] Una persona emo es perseguida por un atacante armado, visto desde la perspectiva en primera persona como si fuera un videojuego, con gráficos inspirados en "Cry of Fear". [SUBJECT & ACTION] Un individuo emo, con una estética oscura y desaliñada, corre asustado mientras una figura amenazante lo persigue con una pistola, creando una atmósfera intensa de tensión y miedo. [ENVIRONMENT] El entorno es urbano y sombrío, con calles desiertas y edificios en ruinas, iluminados débilmente por luces parpadeantes. [CAMERA & MOVEMENT] Perspectiva en primera persona; movimientos rápidos y abruptos mientras el emo corre, con un enfoque en la pistola en la mano del perseguidor para aumentar la tensión. [BEAT FLOW — 10s] • 0–3.3s: El emo comienza a correr, con una expresión de pánico en su rostro, mientras la cámara se mueve rápidamente detrás de él. • 3.3–6.6s: La cámara se desplaza hacia adelante, mostrando la pistola en la mano del perseguidor, mientras se escuchan pasos acelerados y respiración agitada. • 6.6–10s: El emo tropieza ligeramente, la cámara se sacude, y el sonido de un disparo resuena, cerrando con la imagen de la calle vacía. [LIGHTING & COLOR] Iluminación tenue y sombría, con tonos oscuros y contrastes altos, resaltando la atmósfera de terror y urgencia. [VFX & CLEANUP] Suave desenfoque de movimiento en las transiciones, bordes estables para mantener la claridad de la acción. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

en una imagen hay una persona emo quiero que alguien con arma lo persiga con una arma como si fuera un videojuego en primera persona con graficos de cry of fear, mientras el emo corre asustado

[LOGLINE] Una persona emo es perseguida por alguien armado, creando una atmósfera tensa como si fuera un videojuego en primera persona, con gráficos inspirados en "Cry of Fear". [SUBJECT & ACTION] Un individuo emo, visiblemente asustado, corre frenéticamente mientras es seguido de cerca por un perseguidor armado que avanza con determinación. [ENVIRONMENT] El entorno es oscuro y sombrío, con calles desiertas y una iluminación tenue que realza la sensación de peligro inminente. [CAMERA & MOVEMENT] Handheld tracking shot following the emo as they run, quick cuts to the pursuer closing in, emphasizing urgency. [BEAT FLOW — 10s] • 0–3.3s: El emo comienza a correr, su rostro refleja miedo mientras mira hacia atrás. • 3.3–6.6s: La cámara se mueve rápidamente para mostrar al perseguidor armado acercándose, su arma lista. • 6.6–10s: El emo tropieza ligeramente, la cámara se centra en su expresión de terror, y la escena se oscurece brevemente. [LIGHTING & COLOR] Luces parpadeantes, sombras profundas; predominancia de tonos oscuros con acentos de luz fría para crear tensión. [VFX & CLEANUP] Suave desenfoque de movimiento durante la carrera; bordes estables en los personajes. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

en una imagen hay una persona emo y una arma apuntandole desde perspectiva pov, quiero hacer que el emo corra aterrorizado mientras que el de la arma lo persigue desde una perspectiva como un videojuego en primera persona

[LOGLINE] Una persona emo, aterrorizada, corre mientras es perseguida por alguien que le apunta con un arma desde una perspectiva en primera persona. [SUBJECT & ACTION] La persona emo, con su cabello oscuro y ropa oscura, muestra una expresión de miedo extremo mientras corre. Detrás de él, una figura que sostiene un arma lo persigue implacablemente. [ENVIRONMENT] El escenario es un callejón oscuro y sombrío, con graffiti en las paredes y luces de neón parpadeando en la distancia. [CAMERA & MOVEMENT] Iniciar con un plano en primera persona del perseguidor, realizando un seguimiento dinámico mientras se mueve rápidamente hacia adelante, alternando entre movimientos bruscos y suaves para aumentar la tensión. [BEAT FLOW — 10s] • 0–3.3s: Comienza con la vista en primera persona enfocando al emo, quien se da vuelta con terror y comienza a correr. • 3.3–6.6s: La cámara sigue al emo mientras corre frenéticamente, capturando su rostro lleno de miedo y el eco de sus pasos. • 6.6–10s: La figura con el arma aparece en el marco, acercándose rápidamente, mientras la distancia entre ellos se reduce, culminando en un momento de tensión silenciosa. [LIGHTING & COLOR] Iluminación tenue con fuertes contrastes, resaltando las sombras en el callejón y luces de neón que añaden un tono vibrante pero inquietante. [VFX & CLEANUP] Añadir un ligero desenfoque de movimiento para intensificar la sensación de velocidad; mantener bordes estables y claros. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Animate a woman as her belly swelled rounder, and bigger. Looking pregnant, and stretching out her large belt, showing her shock to it, and holding a hand onto it.

[LOGLINE] A woman experiences a transformative moment as her belly swells rounder and bigger, visibly looking pregnant, while she stretches out her large belt in shock and holds her hand on her belly. [SUBJECT & ACTION] The woman, with wide eyes and a mix of surprise and awe, watches as her belly expands, causing her belt to stretch uncomfortably. She instinctively places a hand on her belly, feeling the change. [ENVIRONMENT] The setting is a softly lit room with warm tones, where the woman stands in front of a mirror, reflecting her growing belly and her expression of disbelief. [CAMERA & MOVEMENT] Start with a close-up on the woman's face as her eyes widen, then slowly pan down to focus on her belly as it swells. Follow with a slow zoom-in on her hand resting on the belt, capturing her emotions. [BEAT FLOW — 10s] • 0–3.3s: Close-up on the woman's face; her eyes widen in shock as she notices the change. • 3.3–6.6s: Camera pans down to her belly swelling; her belt stretches tight, showing signs of strain. • 6.6–10s: Camera zooms in on her hand resting on her belly, conveying her mixed emotions; no new dialogue is introduced. [LIGHTING & COLOR] Soft, warm lighting creates a cozy atmosphere; colors are rich and inviting, emphasizing the woman's skin tone and the texture of her clothing. [VFX & CLEANUP] Subtle motion blur to highlight the swelling action; ensure stable edges and a smooth transition between shots. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Ad mobil Inova reborn mogok pinggir jalan menelpon boss aki 089646088515 untuk membantu ganti aki gsmfoe LN3 .Rp 2.350.000 . Sore hari cerah .realistik

[LOGLINE] Ad mobil Inova yang mogok di pinggir jalan, seorang pengemudi menelpon bos aki di nomor 089646088515 untuk meminta bantuan mengganti aki GSMFOE LN3 seharga Rp 2.350.000. [SUBJECT & ACTION] Pengemudi terlihat gelisah saat berbicara di telepon, menjelaskan situasinya dan meminta bantuan untuk mengganti aki. Ekspresi wajahnya mencerminkan harapan dan sedikit frustrasi. [ENVIRONMENT] Sore hari yang cerah di pinggir jalan, dengan latar belakang lalu lintas yang ramai dan beberapa pepohonan di sekitar. [CAMERA & MOVEMENT] Handheld push-in toward the driver, then cut to a close-up of the phone in his hand, followed by a wide shot of the car and surroundings. [BEAT FLOW — 10s] • 0–3.3s: Close-up of the driver’s worried face as he dials the number. • 3.3–6.6s: Cut to the phone screen showing the call connecting, then back to the driver talking animatedly. • 6.6–10s: Wide shot of the car, with the driver gesturing toward the road, revealing the vibrant sunset in the background. [LIGHTING & COLOR] Warm, golden hour lighting creating a friendly ambiance; colors are vibrant with deep blues and oranges in the sky, enhancing the realism of the scene. [VFX & CLEANUP] Subtle motion blur during camera movement; edges of the scene should be stable and clear. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Medium shot with shallow depth of field, warm golden afternoon sunlight casting a glow on Ada, a polite driver with kind eyes and gently swaying brown hair, reaching for their phone on the silver Inova's dashboard. A handheld pan reveals the car's sleek lines and passing vehicles. Close-up on Ada's face as they speak, expression a mix of annoyance and professionalism. Wide shot: Ada, in the foreground, against clear azure skies and vibrant fields, subtle motion blur, cheerful, hopeful mood.

[LOGLINE] A polite driver named Ada, with kind eyes and gently swaying brown hair, reaches for their phone on the dashboard of a sleek silver Inova as warm golden afternoon sunlight casts a glow on them. [SUBJECT & ACTION] Ada, showing a mix of annoyance and professionalism, speaks while navigating through vibrant fields and clear azure skies. [ENVIRONMENT] The scene is set in a picturesque landscape with cheerful, hopeful vibes, featuring an open road surrounded by fields under a bright sky. [CAMERA & MOVEMENT] Medium shot with shallow depth of field; handheld pan to reveal the car's sleek lines and passing vehicles; close-up on Ada's face during dialogue; wide shot showcasing Ada against the landscape. [BEAT FLOW — 10s] • 0–3.3s: Medium shot of Ada reaching for their phone on the Inova's dashboard, warm golden sunlight illuminating their features. • 3.3–6.6s: Handheld pan revealing the car's sleek lines and passing vehicles, transitioning to a close-up of Ada's face, capturing their mixed expression. • 6.6–10s: Wide shot of Ada in the foreground against clear azure skies and vibrant fields, with subtle motion blur enhancing the cheerful, hopeful mood. [LIGHTING & COLOR] Warm golden afternoon sunlight creates a soft glow; vibrant colors of the fields contrast with the azure sky, enhancing the overall cheerful atmosphere. [VFX & CLEANUP] Subtle motion blur to emphasize movement; stable edges to maintain clarity in the scene. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Ada mobil Inova reborn mogok di jalan supir menelpon boss aki 089647088515 untuk datang membantu ganti aki gsmfoe Ln3 . Suasana sore cerah . Real, in a realistic style, ceria sopan tone --ar 16:9 --duration 10 --hd

[LOGLINE] Ada's Inova car breaks down on the road, prompting the driver to call their boss at 089647088515 for assistance in replacing the battery, all set against a bright, cheerful afternoon. [SUBJECT & ACTION] The driver, visibly frustrated yet polite, makes a phone call to their boss for help with the car battery replacement while standing next to the Inova. [ENVIRONMENT] The scene unfolds on a sunny afternoon, with clear skies and a vibrant atmosphere that adds a cheerful tone to the moment. [CAMERA & MOVEMENT] Medium shot of the driver on the phone, then a handheld pan to the Inova, capturing the surroundings and other vehicles passing by. [BEAT FLOW — 10s] • 0–3.3s: Medium shot of the driver looking concerned as they reach for their phone. • 3.3–6.6s: Close-up of the driver speaking into the phone, showing their expression of frustration and hope. • 6.6–10s: Wide shot of the Inova with the driver in the foreground, awaiting their boss's arrival, with a gentle focus shift to the vibrant surroundings. [LIGHTING & COLOR] Bright, natural lighting with warm tones to enhance the cheerful atmosphere; the colors should be vivid to reflect the clear afternoon. [VFX & CLEANUP] Subtle motion blur during camera movements; stable edges to maintain realism throughout the scene. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Ada mobil Inova reborn di jalan supir menelpon boss aki 089647088515 untuk datang membantu ganti aki gsmfoe Ln3 . Suasana sore cerah . Real, in a realistic style, ceria sopan tone --ar 16:9 --duration 10 --hd

[LOGLINE] A driver in a reborn Inova car calls their boss at 089647088515 for assistance in replacing the battery of the GSMFOE Ln3 during a bright and cheerful late afternoon. [SUBJECT & ACTION] The driver, appearing composed yet slightly anxious, speaks into their phone while sitting in the driver's seat of the Inova. They express the need for their boss to come and help with the battery replacement. [ENVIRONMENT] The scene takes place on a sunlit street in the afternoon, with clear skies and a vibrant atmosphere that reflects the cheerful tone. [CAMERA & MOVEMENT] Handheld shot that gently sways as the driver speaks, slowly pushing in for a close-up on their face to capture the emotion, then panning out to reveal the car and surroundings. [BEAT FLOW — 10s] • 0–3.3s: Close-up of the driver holding the phone, slight frown indicating concern. • 3.3–6.6s: Mid-shot as they explain the situation, gestures towards the dashboard with the battery indicator. • 6.6–10s: Wide shot of the Inova parked on the street, sun shining, ending with the driver nodding as they listen to their boss on the phone. [LIGHTING & COLOR] Natural lighting from the afternoon sun, warm tones enhancing the cheerful ambiance, with soft shadows cast by the car and trees. [VFX & CLEANUP] Subtle motion blur on the driver’s movements; stable edges around the car and environment to maintain realism. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Пример кот прыгает на диване

[LOGLINE] A playful cat leaps energetically onto a cozy couch, showcasing its playful spirit and agility. [SUBJECT & ACTION] A fluffy, orange tabby cat makes a joyful jump onto a soft, patterned couch, landing gracefully and looking around with curiosity. [ENVIRONMENT] The scene takes place in a warm, inviting living room filled with sunlight streaming through large windows, casting soft shadows. [CAMERA & MOVEMENT] Smooth dolly-in towards the cat as it prepares to jump, followed by a quick pan to capture its landing on the couch. [BEAT FLOW — 10s] • 0–3.3s: The camera approaches the cat, focusing on its eager expression as it crouches. • 3.3–6.6s: The cat leaps into the air, and the camera follows the arc of its jump. • 6.6–10s: The cat lands on the couch, looking around with wide eyes, then settling comfortably. [LIGHTING & COLOR] Soft, warm lighting enhances the cozy atmosphere, with natural sunlight creating a bright yet gentle ambiance; colors are vibrant and inviting. [VFX & CLEANUP] Subtle motion blur as the cat jumps; clear, stable edges around the cat and couch to emphasize the action. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Пример кот прыгает на диване

[LOGLINE] A playful cat leaps onto a sofa, showcasing its agility and curiosity in a cozy living room setting. [SUBJECT & ACTION] A fluffy, orange tabby cat springs gracefully onto a plush, patterned sofa, its tail flicking with excitement as it surveys its surroundings. [ENVIRONMENT] The scene is set in a warm, inviting living room filled with soft lighting, a vibrant rug, and a few scattered toys on the floor. [CAMERA & MOVEMENT] Smooth dolly-in towards the cat as it jumps, followed by a gentle tilt to capture the cat's perspective from atop the sofa. [BEAT FLOW — 10s] • 0–3.3s: The camera starts wide, showing the entire living room, then moves in as the cat prepares to jump. • 3.3–6.6s: The cat leaps into the frame, airborne with a focused expression, as the camera follows its motion. • 6.6–10s: The cat lands on the sofa, looking around with curiosity, and the camera slowly pans down to the toys scattered on the floor, resolving the scene without new dialogue. [LIGHTING & COLOR] Soft, warm lighting creates a cozy atmosphere, with rich colors accentuating the cat's fur and the sofa's pattern. [VFX & CLEANUP] Subtle motion blur during the leap for a dynamic effect; stable edges to ensure a clean look throughout the scene. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Кот около 5 месяцев дерётся с котом

[LOGLINE] A 5-month-old cat engages in an intense fight with another cat, showcasing youthful energy and fierce determination. [SUBJECT & ACTION] The young cat, full of vigor, leaps and swipes at its opponent with playful yet aggressive movements, while the other cat responds with defensive postures and quick counterattacks. [ENVIRONMENT] The scene unfolds in a sunlit living room, filled with scattered toys and a cozy rug that adds warmth to the playful chaos. [CAMERA & MOVEMENT] Handheld tracking shot follows the cats as they dart around the room, with quick pans to capture their swift movements and dynamic interactions. [BEAT FLOW — 10s] • 0–3.3s: The young cat pounces onto the rug, eyes wide with excitement. • 3.3–6.6s: The two cats engage in a flurry of swipes and dodges, each showcasing their agility. • 6.6–10s: The fight comes to a climax as they pause, panting, before playfully swatting at each other one last time. [LIGHTING & COLOR] Soft, warm natural light filters through the windows, casting gentle shadows that highlight the cats’ fur; vibrant colors of the toys create a lively atmosphere. [VFX & CLEANUP] Subtle motion blur during fast movements; edges are stable for clarity in the action. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.