Explore Public Sora Prompts

crumble cookie trun into logo

[LOGLINE] A crumbled cookie magically transforms into a vibrant logo, symbolizing creativity and innovation in a lively bakery. [SUBJECT & ACTION] The focus is on a freshly baked cookie, which is being crumbled by a pair of enthusiastic hands, as the pieces swirl and coalesce into a stunning logo that embodies the essence of the bakery. [ENVIRONMENT] The scene is set in a colorful, bustling bakery filled with warm, inviting aromas and vibrant decor, showcasing various pastries and baked goods. [CAMERA & MOVEMENT] Start with a close-up on the cookie, then smoothly pull back to reveal the hands crumbling it, followed by a dynamic tilt upwards as the cookie pieces swirl and morph into the logo. [BEAT FLOW — 10s] • 0–3.3s: Close-up of the cookie, highlighting its texture, as hands begin to crumble it. • 3.3–6.6s: Hands continue to crumble the cookie, pieces lifting into the air, catching light. • 6.6–10s: The cookie pieces swirl together and form the logo, with a final reveal and a gleam on the logo. [LIGHTING & COLOR] Soft, warm lighting fills the bakery, with highlights on the cookie and logo; colors are bright and inviting, emphasizing the warmth and creativity of the space. [VFX & CLEANUP] Add a gentle particle effect as the cookie crumbles; ensure smooth transitions without harsh edges or distractions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Webcam from a house, a woman vacuuming pulls the cord just a bit too far — it yanks out a big chunk of the wall. She completly freaks out and tries to put the pieces back on the wall

[LOGLINE] A woman vacuuming her living room accidentally pulls the cord too far, yanking out a big chunk of the wall, leading her to panic as she desperately tries to put the pieces back in place. [SUBJECT & ACTION] The scene focuses on a woman in her living room, vacuuming the carpet when she inadvertently pulls the vacuum cord too far, resulting in a significant section of the wall coming loose. In a state of shock and panic, she frantically attempts to reattach the broken pieces of drywall. [ENVIRONMENT] The setting is a cozy, well-furnished living room with warm lighting, filled with personal items like framed photos, a couch, and plants, creating an inviting but chaotic atmosphere. [CAMERA & MOVEMENT] Start with a static shot of the woman vacuuming, then a quick zoom in on her face as she realizes what has happened, followed by a handheld tracking shot as she rushes to the wall, capturing her frantic movements. [BEAT FLOW — 10s] • 0–3.3s: Static shot of the woman vacuuming, focusing on her rhythm and the cozy room. • 3.3–6.6s: Quick zoom in on her face as she feels the tug on the cord, eyes widening in shock. • 6.6–10s: Handheld tracking shot as she scrambles to the wall, desperately trying to piece the drywall back together, no new dialogue after 9 seconds. [LIGHTING & COLOR] Warm, soft lighting to enhance the cozy feel of the living room, with a slight increase in brightness as the wall chunk falls to emphasize the moment of shock. [VFX & CLEANUP] Subtle motion blur during the frantic movements; stable edges to maintain clarity on the wall damage and her expressions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

亚索、永恩和腕豪，一起跳精神小伙舞蹈，bgm为dj版还是会想你

[LOGLINE] 亚索、永恩和腕豪在一个充满活力的城市背景中，随着DJ版《还是会想你》的节奏一起跳精神小伙舞蹈。 [SUBJECT & ACTION] 亚索、永恩和腕豪相互配合，展现出流畅而有趣的舞蹈动作，面带微笑，传递出愉快的氛围。 [ENVIRONMENT] 城市街头，霓虹灯闪烁，周围有行人驻足观看，气氛热烈。 [CAMERA & MOVEMENT] 动态跟随，捕捉舞蹈细节，偶尔切换到广角展现整体场景，轻微摇晃以增强活力感。 [BEAT FLOW — 10s] • 0–3.3s: 开场，镜头拉近三位角色，背景音乐渐起，展现他们兴奋的表情。 • 3.3–6.6s: 镜头切换，捕捉三位角色的舞蹈动作，配合音乐节拍，展现他们的协调性。 • 6.6–10s: 最后一个舞步，三人一起转身，镜头拉远，结束在观众的欢呼声中，背景音乐渐弱。 [LIGHTING & COLOR] 明亮的霓虹色彩，灯光闪烁，营造出热情而动感的氛围，重点照明在角色身上。 [VFX & CLEANUP] 轻微的运动模糊，保持边缘稳定，确保角色在舞动时的流畅感。 [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

梅西和C罗一起跳精神小伙舞蹈，加上dj配乐

[LOGLINE] 梅西和C罗一起跳精神小伙舞蹈，配合DJ的热烈音乐，展现他们的活力与默契。 [SUBJECT & ACTION] 梅西和C罗在一个充满活力的舞台上，随着DJ的节奏跳起精神小伙舞蹈，彼此间默契配合，动作流畅而热情。 [ENVIRONMENT] 舞台布置华丽，背景灯光闪烁，充满动感的音响系统营造出热烈的派对氛围。 [CAMERA & MOVEMENT] 手持镜头轻微摇晃，随着他们的舞步移动，偶尔拉近特写梅西和C罗的笑容与表情。 [BEAT FLOW — 10s] • 0–3.3s: 镜头开始远景，捕捉舞台全景，DJ正在激活氛围。 • 3.3–6.6s: 镜头快速切换到梅西和C罗，特写他们的动作，舞步同步。 • 6.6–10s: 镜头拉回到全景，展示观众的欢呼，音乐渐弱，最后画面定格在他们的笑脸。 [LIGHTING & COLOR] 舞台灯光多彩，闪烁的LED灯与聚光灯交替使用，营造出热烈的气氛，色彩明亮而引人注目。 [VFX & CLEANUP] 轻微的运动模糊，保持边缘稳定，确保动作流畅自然。 [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Security camera. On a sidewalk in New York, a business man opens an umbrella because of the rain. Then a huge wind is picking his umbrella and the man. He then starts flying. People around are very scared.

[LOGLINE] A businessman in New York opens an umbrella to shield himself from the rain, but a sudden gust of wind lifts him off the ground, leaving bystanders terrified. [SUBJECT & ACTION] A businessman in a tailored suit opens a sleek black umbrella on a bustling New York sidewalk as rain begins to pour. Suddenly, a powerful wind gusts, lifting both him and the umbrella into the air, causing shock and fear among nearby pedestrians. [ENVIRONMENT] The scene takes place on a busy New York City sidewalk, with tall buildings looming overhead, grey skies, and the sound of rain falling on pavement. [CAMERA & MOVEMENT] Static wide shot of the sidewalk captures the initial moment as the businessman opens the umbrella. Quick zoom-in on his face as the wind begins to lift him, followed by a dramatic tilt upwards to track his ascent. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the businessman opening the umbrella, rain visibly falling. • 3.3–6.6s: Close-up of the businessman’s surprised expression as the wind starts to lift him. • 6.6–10s: Tilt up to follow his flight, showing terrified bystanders reacting, ending with a freeze-frame of their shocked faces. [LIGHTING & COLOR] Soft, diffused lighting from the overcast sky; rain adds a glossy sheen to surfaces, while the businessman’s suit contrasts sharply against the dreary backdrop. [VFX & CLEANUP] Light rain particle effects; slight motion blur on the umbrella and the businessman during the lift; clean edges around characters and environment. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A funny, over-the-top scene of a Malaysian dad dramatically ask his son to move in the car and driving into a remote jungle to "send him to a Islamic School in the remote jungle." after failing Islamic Exam in primary school. Ridiculous and exaggerated DirectTV vibe, cinematic lighting. Make the dad is speak fluently in BAHASA Malay. Dont make it in cartoon version.

[LOGLINE] A humorous, exaggerated scene of a Malaysian dad dramatically urging his son to move in the car, as they embark on a journey into a remote jungle to send him to an Islamic school after failing his Islamic Exam in primary school. [SUBJECT & ACTION] A Malaysian dad, filled with exaggerated emotion, passionately speaks to his son in fluent Bahasa Malay, insisting on the necessity of this journey. The son, caught off guard, shifts nervously in the backseat, while the father drives with a sense of urgency. [ENVIRONMENT] The scene takes place inside a car, driving through dense, lush jungle scenery that appears both beautiful and intimidating, emphasizing the isolation of the destination. [CAMERA & MOVEMENT] Handheld approach with quick cuts between the dad's expressive face and the son's shocked expressions; a slow zoom-in on the dad as he emphasizes his points, followed by a pull back to reveal the jungle outside the windows. [BEAT FLOW — 10s] • 0–3.3s: The dad dramatically gestures with his hands, passionately explaining the situation in Bahasa Malay, the car interior framing him tightly. • 3.3–6.6s: Quick cuts to the son's bewildered face, trying to comprehend the absurdity, while the sound of the jungle grows louder outside. • 6.6–10s: The dad’s voice peaks in volume with a comedic flair, ending with him looking determined as they drive deeper into the jungle, no new dialogue introduced. [LIGHTING & COLOR] Cinematic lighting with high contrast; warm tones inside the car contrasting with cooler, shadowy greens of the jungle outside, creating a sense of drama. [VFX & CLEANUP] Subtle motion blur on fast movements; clear edges around characters; ensure the jungle background appears vibrant without distractions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

ringdoor câmera, visão noturna, um cachorro esta deitado na frente da porta, quando de repente aparece uma onça e começa a atacar o cachorro, de repente um gato aparece já pulando na onça, luta com a onça e espanta a onça.. a onça sai correndo

[LOGLINE] A nighttime scene captured by a ring door camera reveals a serene moment disrupted when a jaguar attacks a dog lying in front of the door, only to be confronted by a brave cat that leaps into action to defend its canine companion. [SUBJECT & ACTION] A dog lies peacefully in front of the door when a jaguar suddenly appears and begins to attack. Just as the situation escalates, a cat jumps into the frame, engaging in a fierce struggle with the jaguar and ultimately scaring it away. [ENVIRONMENT] The setting is a dimly lit porch illuminated by the faint glow of the ring door camera, surrounded by a quiet neighborhood at night. [CAMERA & MOVEMENT] Static shot from the ring door camera perspective, with slight digital zoom-in during the attack to emphasize the action and a quick pan to follow the cat’s leap. [BEAT FLOW — 10s] • 0–3.3s: The dog is seen peacefully lying in front of the door, the atmosphere calm and quiet. • 3.3–6.6s: The jaguar appears suddenly, attacking the dog; the camera captures the urgency and chaos of the moment. • 6.6–10s: The cat jumps into the frame, engaging the jaguar; the jaguar retreats and runs away, leaving the scene calm again. [LIGHTING & COLOR] Low-light setting with high contrast to emphasize the shadows and highlights of the animals; the color palette should reflect a nighttime vibe with cooler tones, punctuated by the warm glow from the door. [VFX & CLEANUP] Subtle motion blur during the action sequences to enhance the intensity; ensure stable edges to maintain clarity of the animals in motion. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

一个中国美女，大约20岁，在酒店等异地恋男朋友回来约会的场景

[LOGLINE] 一个20岁的中国美女在酒店期待异地恋的男朋友归来，满怀期待和紧张的心情。 [SUBJECT & ACTION] 她坐在酒店房间的沙发上，手中把玩着一封信，眼神中流露出期待与不安，不时查看手机。 [ENVIRONMENT] 酒店房间布置温馨，柔和的灯光照亮墙上的艺术画作，窗外透进的微弱光线让整个空间显得梦幻。 [CAMERA & MOVEMENT] 慢慢推进镜头，捕捉她的细微表情变化，偶尔切换到她手中信件的特写。 [BEAT FLOW — 10s] • 0–3.3s: 镜头从房间全景开始，逐渐推进到她坐在沙发上的特写。 • 3.3–6.6s: 她低头查看手机，面露期待，镜头切换到手机屏幕的反光。 • 6.6–10s: 她轻轻叹息，镜头回到她的脸上，最后定格在她微笑的瞬间，结束于温暖的光线中。 [LIGHTING & COLOR] 整体色调柔和，采用暖色调的灯光，营造出一种温馨而期待的氛围。 [VFX & CLEANUP] 适度的景深效果，确保人物清晰突出，背景柔和模糊；稳定的边缘，保持画面干净整洁。 [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A dog sleeping on the floor instead of their dog bed. A woman in her 30s then laying a grey blanket on top of that dog bed. The dog then walks to the dog bed and lays on the grey blanket and falls asleep

[LOGLINE] A woman in her 30s gently lays a grey blanket on her dog's bed, encouraging her furry companion to leave the floor and find comfort as he settles in for a nap. [SUBJECT & ACTION] A dog is sleeping on the floor, ignoring its dog bed. A woman in her 30s approaches, carefully lays a grey blanket on the dog bed, and the dog walks over to the bed to curl up and fall asleep. [ENVIRONMENT] The scene takes place in a cozy living room, featuring a plush dog bed in a corner and warm, inviting decor. [CAMERA & MOVEMENT] Slow dolly-in towards the dog on the floor, then pan to the woman as she lays the blanket, finally tracking the dog as it walks to the bed. [BEAT FLOW — 10s] • 0–3.3s: Camera dolly-in on the sleeping dog, capturing the peacefulness of the moment. • 3.3–6.6s: Cut to the woman in her 30s, gently laying the grey blanket on the dog bed, emphasizing her nurturing gesture. • 6.6–10s: The dog walks to the bed, settles on the blanket, and falls asleep, with a soft focus on the dog as the scene concludes. [LIGHTING & COLOR] Soft, natural lighting filters through a nearby window, casting warm tones that enhance the coziness of the living room, with muted colors to accentuate the grey blanket. [VFX & CLEANUP] Subtle motion blur during the dolly and tracking shots; ensure stable edges to maintain a serene atmosphere. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A dog laying on a grey mat on a couch sleeping

[LOGLINE] A peaceful dog peacefully sleeps on a grey mat placed on a cozy couch, embodying tranquility in its serene slumber. [SUBJECT & ACTION] The dog, a fluffy golden retriever, is curled up comfortably on the grey mat, its breathing steady and gentle as it dreams. [ENVIRONMENT] The setting is a warm and inviting living room, with soft lighting and a plush couch that enhances the cozy atmosphere. [CAMERA & MOVEMENT] Slow push-in on the dog to capture its serene expression, then a gentle pan around to showcase the surrounding cozy environment. [BEAT FLOW — 10s] • 0–3.3s: Close-up of the dog's face, eyes closed, breathing softly. • 3.3–6.6s: Camera slowly pushes in, revealing the grey mat and the couch's fabric texture. • 6.6–10s: Pan around the dog, highlighting the warm living room ambiance before settling back on the sleeping dog. [LIGHTING & COLOR] Soft, warm lighting casts gentle shadows, creating a tranquil mood. The color palette features muted, earth tones that evoke comfort. [VFX & CLEANUP] Subtle motion blur to emphasize the peacefulness; stable edges around the dog and mat to maintain focus. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A dog walking to a grey mat, laying on it and then falling asleep on it

[LOGLINE] A dog walks over to a soft grey mat, lays down comfortably, and peacefully falls asleep on it. [SUBJECT & ACTION] The dog, a fluffy golden retriever, trots across the room, approaches the grey mat, gently lays its head down, and slowly closes its eyes to drift off to sleep. [ENVIRONMENT] The scene is set in a cozy living room, with warm lighting and a few scattered toys around the mat, creating a homely atmosphere. [CAMERA & MOVEMENT] Start with a wide shot capturing the entire living room, then smoothly transition to a medium shot as the dog approaches the mat, ending with a close-up of the dog as it lays down. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the living room, the dog enters the frame from the left. • 3.3–6.6s: Medium shot of the dog walking towards the grey mat, tail wagging in anticipation. • 6.6–10s: Close-up of the dog laying down, eyes slowly closing, with the final second showing the serene expression as it drifts off. [LIGHTING & COLOR] Soft, warm lighting fills the room, creating a welcoming glow; the grey mat contrasts gently with the dog's golden fur. [VFX & CLEANUP] Subtle motion blur during the dog's movement; ensure clean edges around the dog and mat, with a focus on a tranquil ambiance. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a 30-second short of a group of beautifully dressed school girls preparing for their valedictorian program, showing excitement. Make it very colourful

[LOGLINE] A vibrant 30-second short captures a group of beautifully dressed school girls buzzing with excitement as they prepare for their valedictorian program, showcasing their colorful outfits and joyful energy. [SUBJECT & ACTION] The scene follows a lively group of school girls adjusting their dresses, fixing their hair, and chatting animatedly about the event, their excitement radiating through their smiles and laughter. [ENVIRONMENT] The setting is a bright, cheerful school hallway adorned with colorful decorations celebrating the valedictorian program, filled with balloons and banners. [CAMERA & MOVEMENT] Start with a wide shot of the hallway, then transition to a handheld tracking shot following the girls as they move together, intercut with close-ups of their joyful expressions and gestures. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the girls entering the hallway, laughing and chatting, vibrant decorations in the background. • 3.3–6.6s: Close-ups of individual girls adjusting their dresses and hair, capturing their excitement and nervousness. • 6.6–10s: A group shot of all the girls huddled together, sharing a moment of laughter before the event, fading out to the colorful decorations surrounding them. [LIGHTING & COLOR] Bright, warm lighting fills the hallway to enhance the colorful outfits of the girls, with a palette of pastel and vibrant colors that conveys a festive atmosphere. [VFX & CLEANUP] Subtle motion blur for dynamic shots; ensure stable edges throughout the scene to maintain focus on the girls' expressions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

chicken stars kid destroys house

[LOGLINE] A kid, fueled by an obsession with chicken stars, accidentally destroys their house in a chaotic frenzy. [SUBJECT & ACTION] The kid, with wild excitement and determination, launches themselves into a flurry of activity, tossing toys and decorations around the room while trying to create the ultimate chicken star masterpiece. [ENVIRONMENT] The scene is set in a brightly colored living room filled with playful decor, toys scattered across the floor, and a large window letting in sunlight. [CAMERA & MOVEMENT] Handheld tracking shot follows the kid as they dart around the room, interspersed with quick close-ups of their expressive face and the chaos they create. [BEAT FLOW — 10s] • 0–3.3s: The camera zooms in on the kid’s excited expression as they survey the room, determination in their eyes. • 3.3–6.6s: The kid starts tossing toys and decorations, with a wide shot capturing the mess unfolding, energetic music building. • 6.6–10s: A final wide shot shows the room in complete disarray, the kid standing triumphantly amidst the chaos, as the music crescendos and then fades. [LIGHTING & COLOR] Bright, cheerful lighting fills the room, with warm colors dominating the scene to enhance the kid's excitement and the playful chaos. [VFX & CLEANUP] Subtle motion blur during fast movements; stable edges to maintain focus on the kid’s actions and expressions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Cerdo en traje fumando vaper esta dando conferencia a niños de 16 alos comos ahcerser rixo en 30 años con mucho esafuerzo, enseña grafico de bitcoin y el dolar en caida libre y se pone a hacer flexiones, los niños se levantan enfadaos y le comienzan a tirar bitcoins en formato real( moneda), entra por la ventana grupo swat de cerdos con andrew tate y detienen al cerdo, entra granjero y le dice al cerdo q lo oagara caro, le coge el vaper y fuma

[LOGLINE] A pig in a suit, smoking a vape, is giving a conference to 16-year-old kids on how to get rich in 30 years through hard work while showing a graph of Bitcoin and the plummeting dollar. [SUBJECT & ACTION] The pig enthusiastically explains financial strategies, demonstrating with physical charts, and suddenly starts doing push-ups on stage. The frustrated kids rise from their seats and begin throwing real Bitcoin coins at him, expressing their anger. [ENVIRONMENT] The setting is a brightly lit school auditorium filled with rows of teenagers, colorful posters on the walls, and a large screen displaying financial graphs. [CAMERA & MOVEMENT] Handheld tracking shot of the pig as it moves around the stage, zooming in during the push-ups, and then a quick pan to the angry kids standing up. Cut to a wide shot as the SWAT team of pigs bursts through the window. [BEAT FLOW — 10s] • 0–3.3s: The pig in a suit speaks animatedly to the kids while gesturing at the financial graphs. • 3.3–6.6s: The pig starts doing push-ups, kids rise in frustration, and begin throwing Bitcoin coins at him. • 6.6–10s: SWAT team of pigs crashes through the window; the farmer enters, grabs the vape, and smokes it while looking at the pig. [LIGHTING & COLOR] Bright, vibrant colors fill the auditorium with focused lighting on the pig, creating a spotlight effect during his speech, transitioning to a slightly dimmer ambiance as tension rises with the angry kids. [VFX & CLEANUP] Subtle motion blur during the action sequences; ensure all edges are stable and defined; sound effects for coins hitting the floor. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

غدًا تبدأ الجولة الثالثة في دوري ابطال اسيا النخبة ‏غدًا عودة البطولة الاكبر والاقوى في قارة آسيا يارفاق

[LOGLINE] Tomorrow marks the beginning of the third round of the elite AFC Champions League. [SUBJECT & ACTION] The excitement is palpable as players and fans prepare for the return of the biggest and strongest tournament in Asia, with teammates rallying together in anticipation. [ENVIRONMENT] A bustling stadium filled with enthusiastic fans, colorful banners, and the sound of cheering echoes throughout, setting the stage for the grand event. [CAMERA & MOVEMENT] Handheld tracking shot through the crowd, capturing the energy; slow push-in on a group of players huddled together, sharing determined looks. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the stadium with fans cheering, flags waving. • 3.3–6.6s: Close-up of players in a huddle, one player raises his fist, inspiring the team. • 6.6–10s: Cut to a panoramic view of the pitch as the camera slowly pulls back, revealing the excitement on the faces of the fans. [LIGHTING & COLOR] Bright stadium lights illuminate the scene, creating a vibrant atmosphere; warm colors to amplify the excitement and anticipation. [VFX & CLEANUP] Subtle motion blur during fast movements; stable edges to maintain clarity of players and fans. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

live-action body cam footage of a police officer confronting Ash Ketchum in an alley for illegal pokemon fights and cruelty, as Ash suddenly turns and tries to flee, while another officer stands nearby carrying pikachu in a cage

[LOGLINE] Live-action body cam footage captures a tense confrontation between a police officer and Ash Ketchum in a dimly lit alley, where Ash is confronted for illegal Pokémon fights and animal cruelty, leading to a dramatic attempt to flee as another officer holds Pikachu in a cage. [SUBJECT & ACTION] A police officer, with a determined expression, approaches Ash Ketchum, who appears anxious and defensive. As the officer accuses him of illegal activities, Ash suddenly turns and attempts to escape down the alley, while a second officer stands nearby, firmly holding a caged Pikachu. [ENVIRONMENT] A narrow, graffiti-tagged alley at night, illuminated by flickering streetlights, creating a gritty urban atmosphere. [CAMERA & MOVEMENT] Handheld tracking shot follows the police officer as they advance towards Ash, then a quick pan to capture Ash's startled reaction before he bolts. The camera then shifts focus to the second officer holding Pikachu, emphasizing the tension of the moment. [BEAT FLOW — 10s] • 0–3.3s: The camera captures the police officer walking towards Ash, who stands nervously against the alley wall. • 3.3–6.6s: The officer accuses Ash of illegal Pokémon fights, and Ash’s expression shifts to panic as he suddenly turns to flee. • 6.6–10s: The camera quickly shifts to the second officer, who grips the cage with Pikachu, as Ash dashes down the alley, leaving a sense of urgency. [LIGHTING & COLOR] Harsh overhead lighting contrasts with the shadows in the alley, creating a dramatic, high-contrast look. The colors are muted, with a focus on the blue and yellow of police uniforms against the dark background. [VFX & CLEANUP] Subtle motion blur during fast movements; maintain stable edges to enhance the realism of the body cam footage. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

reine elizabeth 2 qui fait dakka marrakchia et qui chante en darija marocaine meme réalisme...

[LOGLINE] Queen Elizabeth II performs a traditional Marrakchi dance while singing in Moroccan Darija, showcasing a blend of cultures in a vibrant setting. [SUBJECT & ACTION] Queen Elizabeth II, dressed in a colorful Moroccan outfit, dances gracefully, executing intricate Marrakchi movements. She sings joyfully in Darija, her expression a mix of delight and cultural immersion. [ENVIRONMENT] The scene is set in a lively Moroccan courtyard adorned with vibrant tiles, lush plants, and traditional lanterns, creating an inviting atmosphere. [CAMERA & MOVEMENT] Smooth dolly-in towards the Queen as she starts to dance, then a gentle handheld follow as she moves, capturing her expressions and the surrounding details. [BEAT FLOW — 10s] • 0–3.3s: The camera dolly-in to Queen Elizabeth II as she begins her dance, smiling warmly at the audience. • 3.3–6.6s: Handheld follow as she gracefully twirls and sings in Darija, the courtyard's vibrant colors framing her movements. • 6.6–10s: The camera slowly pulls back, revealing the full courtyard and the Queen's joyful dance, with no new dialogue as the scene concludes. [LIGHTING & COLOR] Warm, inviting lighting with soft shadows to enhance the vibrancy of the colors in the courtyard and on the Queen’s attire, creating a lively and cheerful mood. [VFX & CLEANUP] Subtle motion blur on the dance movements; stable edges to maintain clarity on the Queen’s expressions and the intricate courtyard details. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

“Jovem brasileiro desesperado cavando o chão com colher no quintal, suado, olhos arregalados, em estilo dramático exagerado, câmera cinema, narração interna estilo novela ‘preciso achar esse dinheiro’, 12 segundos, final com freeze frame e zoom.”

[LOGLINE] Um jovem brasileiro desesperado está cavando o chão do quintal com uma colher, suado e com os olhos arregalados, em uma cena dramática exagerada que evoca a intensidade de uma novela. [SUBJECT & ACTION] O jovem, com expressão de pânico, se esforça para cavar freneticamente, determinado a encontrar o dinheiro que tanto precisa. [ENVIRONMENT] O quintal é simples, com terra exposta e algumas plantas ao fundo, refletindo a tensão e a urgência da situação. [CAMERA & MOVEMENT] Câmera fixa com close-up nas mãos do jovem cavando, depois um movimento de subida para o rosto dele, capturando sua expressão angustiada, seguido por um push-in dramático no momento da narração interna. [BEAT FLOW — 10s] • 0–3.3s: Close-up nas mãos do jovem cavando a terra com uma colher, suando. • 3.3–6.6s: Câmera sobe para o rosto dele, olhos arregalados, enquanto escuta a narração interna: “preciso achar esse dinheiro”. • 6.6–10s: A câmera se aproxima mais, e a cena congela com um freeze frame, fazendo um zoom no olhar desesperado do jovem. [LIGHTING & COLOR] Iluminação dramática e contrastante, com sombras acentuadas que destacam a tensão, e cores saturadas que evocam um clima emocional intenso. [VFX & CLEANUP] Subtle motion blur during the zoom; stable edges to highlight the freeze frame. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Cachorro caramelo sentado em cadeira presidencial no Planalto, terno grande demais, flashes de jornalistas, clima épico de discurso, ele diz ‘essas 2 inteligências artificiais são totalmente de graça e uma delas é ilimitada!, estilo paródia jornalística.

[LOGLINE] Um cachorro caramelo sentado em uma cadeira presidencial no Planalto, vestido com um terno grande demais, faz um discurso épico enquanto flashes de jornalistas capturam o momento, parodiando uma cena jornalística. [SUBJECT & ACTION] O cachorro caramelo, com um olhar sério e determinado, se posiciona na cadeira presidencial, suas patinhas balançando levemente. Ele declara em um tom autoritário: “Essas 2 inteligências artificiais são totalmente de graça e uma delas é ilimitada!” [ENVIRONMENT] O cenário é o Palácio do Planalto, com a bandeira nacional ao fundo e jornalistas agitados em um ambiente vibrante e cheio de expectativa. [CAMERA & MOVEMENT] Câmera em ângulo baixo, capturando o cachorro de forma heroica; zoom suave durante a fala para enfatizar a importância do discurso; planos alternados entre o cachorro e os jornalistas. [BEAT FLOW — 10s] • 0–3.3s: Close no cachorro caramelo na cadeira presidencial, com flashes de câmeras ao fundo. • 3.3–6.6s: O cachorro se endireita, olhando para os jornalistas, iniciando seu discurso com confiança. • 6.6–10s: Ele finaliza sua fala, a câmera se afastando lentamente enquanto o público aplaude, encerrando com um foco em sua expressão triunfante. [LIGHTING & COLOR] Iluminação dramática com um foco suave no cachorro, criando um contraste com o fundo iluminado; cores vibrantes para destacar o terno e a cena épica. [VFX & CLEANUP] Suave desfoque de movimento durante os flashes; bordas nítidas para realçar a imagem do cachorro e do ambiente. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Câmera mano-selfie, jovem brasileiro montado em um unicórnio branco brilhante no meio de uma fazenda de milho em Goiás, olhando para a câmera o jovem diz ‘e é claro que eu vou te mostrar como tirar a marca d'água.’ plateia de vaqueiros aplausos.

[LOGLINE] Um jovem brasileiro montado em um unicórnio branco brilhante, em uma fazenda de milho em Goiás, interage com a câmera enquanto promete ensinar como tirar a marca d'água, enquanto uma plateia de vaqueiros o aplaude. [SUBJECT & ACTION] Um jovem brasileiro, com uma expressão animada e confiante, está filmando a si mesmo em uma câmera mão-selfie. Ele diz: “e é claro que eu vou te mostrar como tirar a marca d'água”, enquanto sorri, com a plateia de vaqueiros aplaudindo ao fundo. [ENVIRONMENT] A cena se passa em uma vasta fazenda de milho em Goiás, com fileiras de milho verde e exuberante ao redor, sob um céu azul claro. [CAMERA & MOVEMENT] Handheld shot moving in slightly closer to the young man as he speaks, capturing the excitement in his eyes, then a quick pan to the applauding vaqueiros. [BEAT FLOW — 10s] • 0–3.3s: O jovem aparece na tela, montado no unicórnio, sorrindo para a câmera. • 3.3–6.6s: Ele pronuncia a frase sobre a marca d'água, enquanto a câmera se aproxima dele, enfatizando sua expressão. • 6.6–10s: A câmera se move rapidamente para a plateia de vaqueiros que aplaudem, mostrando suas reações animadas. [LIGHTING & COLOR] Luz natural do sol iluminando a cena, criando um ambiente vibrante e alegre, com cores saturadas que destacam o unicórnio branco e o milho verde. [VFX & CLEANUP] Subtle motion blur to enhance the handheld effect; stable edges to maintain focus on the young man and the applauding vaqueiros. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Albert Einstein vencendo a luta de box, quando declarado vitorioso, o juiz pergunta o que ele achou da luta, e ele responde dizendo ‘e é claro que eu vou te mostrar como tirar a marca d'água.’

[LOGLINE] Albert Einstein triumphs in a boxing match, and when the referee asks him about the fight, he humorously responds with a quirky comment about revealing how to remove a watermark. [SUBJECT & ACTION] Albert Einstein, wearing boxing gloves and a headgear, stands in the center of the ring with a triumphant grin, raising his arms in victory. The referee, looking both surprised and amused, leans in to ask him his thoughts on the match. [ENVIRONMENT] The boxing ring is brightly lit with spotlights, surrounded by an excited audience, with colorful banners and the sound of cheering filling the air. [CAMERA & MOVEMENT] Handheld tracking shot moving in as Einstein celebrates, then a close-up on his face as he delivers his witty response, followed by a pan to the referee's reaction. [BEAT FLOW — 10s] • 0–3.3s: Einstein raises his arms in victory, the crowd cheers loudly. • 3.3–6.6s: The referee approaches Einstein, looking curious, and asks about the fight. • 6.6–10s: Einstein smirks and responds, “E é claro que eu vou te mostrar como tirar a marca d'água,” with a light chuckle, as the crowd laughs. [LIGHTING & COLOR] Bright, warm lighting focuses on the ring, with cooler tones in the background to emphasize the excitement of the match; vibrant colors in the audience’s clothing add to the lively atmosphere. [VFX & CLEANUP] Subtle motion blur during crowd movements; ensure stable edges on characters; enhance the visual impact of Einstein’s expression. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Albert Einstein vencendo a luta de box, quando declarado vitorioso, o juiz pergunta o que ele achou da luta, e ele responde dizendo ‘e é claro que euvou te mostrar como tirar a marca d'água.’

[LOGLINE] Albert Einstein triumphs in a boxing match and, when declared the winner, humorously responds to the referee's question about the fight with a quirky remark about removing a watermark. [SUBJECT & ACTION] Albert Einstein stands in the boxing ring, his gloves raised in victory, a playful grin on his face as he engages with the referee, who appears both surprised and amused by Einstein's unexpected answer. [ENVIRONMENT] The setting is a lively boxing arena filled with cheering spectators, the ring illuminated with bright overhead lights and colorful banners displaying Einstein's name. [CAMERA & MOVEMENT] Handheld zoom in on Einstein’s face as he reacts, then a quick pan to the referee, followed by a steady shot capturing the vibrant crowd's excitement. [BEAT FLOW — 10s] • 0–3.3s: Close-up of Einstein celebrating his victory, raising his gloves and smiling broadly. • 3.3–6.6s: Cut to the referee approaching Einstein, asking about the fight, with a hint of confusion. • 6.6–10s: Einstein delivers his witty remark, followed by a reaction shot of the crowd laughing and cheering, ending with a wide shot of the arena. [LIGHTING & COLOR] Bright, warm lighting to enhance the celebratory atmosphere; colors are vivid and saturated to reflect the excitement of the event. [VFX & CLEANUP] Subtle motion blur during quick movements; ensure edges are stable and clear. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

un homme dans un avions

[LOGLINE] Un homme est assis dans un avion, plongé dans ses pensées, tandis que le paysage nuageux défile à l'extérieur. [SUBJECT & ACTION] L’homme, d'apparence pensive, regarde par le hublot avec une expression mélancolique. Parfois, il se tourne pour observer les autres passagers autour de lui, affichant des émotions variées. [ENVIRONMENT] L’intérieur de l’avion est éclairé par des lumières douces, avec des rangées de sièges en tissu bleu et des bagages de cabine au-dessus. [CAMERA & MOVEMENT] Dolly-in vers le visage de l’homme, puis un panoramique lent vers les passagers, avant de revenir sur le hublot. [BEAT FLOW — 10s] • 0–3.3s: Gros plan sur l'homme regardant par le hublot, son regard perdu dans l'horizon. • 3.3–6.6s: Le panoramique vers les passagers, montrant des expressions variées - joie, ennui, fatigue. • 6.6–10s: Retour au gros plan de l'homme, un léger sourire apparaît alors qu'il se remémore un moment heureux. [LIGHTING & COLOR] L'éclairage est doux et chaleureux, avec des teintes de bleu et de blanc qui évoquent l'atmosphère aérienne. [VFX & CLEANUP] Effet de flou de mouvement subtil lors des panoramiques; bords stables pour un rendu net. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

make me a realistic video of a man in Edo state happily rejoicing

[LOGLINE] A man in Edo state celebrates joyfully, expressing his happiness amidst the vibrant cultural backdrop of his community. [SUBJECT & ACTION] The man, dressed in traditional Edo attire, dances joyfully, clapping his hands and smiling broadly, surrounded by friends and family who join in his celebration. [ENVIRONMENT] The scene is set in a lively village square in Edo state, with colorful decorations and traditional music playing in the background, highlighting the festive atmosphere. [CAMERA & MOVEMENT] Handheld tracking shot that circles around the man as he dances, capturing his joyful expressions and the reactions of those around him. [BEAT FLOW — 10s] • 0–3.3s: Start with a close-up of the man's face, showcasing his exuberant smile and sparkling eyes. • 3.3–6.6s: Transition to a wider shot, revealing the group of friends and family joining him, all clapping and laughing. • 6.6–10s: Pull back to a wide shot of the entire square, filled with people celebrating, as the music swells and the camera slowly pans to capture the vibrant surroundings. [LIGHTING & COLOR] Warm, natural lighting enhances the festive mood, with bright colors from the traditional attire and decorations creating an inviting atmosphere. [VFX & CLEANUP] Subtle motion blur to emphasize movement; stable edges to maintain clarity on the joyful expressions and vibrant setting. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.