Explore Public Sora Prompts

ripresa fissa da in alto security cam una donna sta scaricando le buste dela spesa dalla machina, da sotto la macchina ese un piccolo serpente, il cane lo vede lo prende ed allonatna dalla donna, non ci devono essere efetti distorti, tutto iper natura, nessun effetto cinematografico, in inglese

[LOGLINE] A fixed overhead shot from a security camera captures a woman unloading grocery bags from her car when a small snake slithers out from beneath the vehicle, unnoticed by her. [SUBJECT & ACTION] The woman is focused on her task of unloading groceries, while a curious dog spots the snake, grabs it, and pulls away from the woman, creating a moment of tension. [ENVIRONMENT] The scene takes place in a typical suburban driveway, with a parked car, grocery bags scattered on the ground, and a clean, well-maintained yard. [CAMERA & MOVEMENT] Static overhead shot, slight zoom to emphasize the dog’s movement as it pulls away with the snake. [BEAT FLOW — 10s] • 0–3.3s: The woman is seen unloading grocery bags from the car, focused and unaware of her surroundings. • 3.3–6.6s: The small snake emerges from under the car, slithering towards the dog's line of sight. • 6.6–10s: The dog spots the snake, quickly grabs it, and retreats away from the woman, who remains oblivious. [LIGHTING & COLOR] Natural daylight illuminates the scene, casting soft shadows; colors are vibrant and true-to-life, reflecting a clear day. [VFX & CLEANUP] Maintain a hyper-realistic style with no distortion effects; ensure edges are stable and the scene remains clear without any artificial enhancements. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

ripresa fissa da in alto security cam uncane dorme tranquillo improvvisamente si accndono e spengono le luci dela camera in cui si trova e il cane inzia ad abbaiaiare, in inglese nessun effetto cinematografico, tutto iper reale ,niente efeti strani o cinematografici, riresa fissa che fa vedere che nela camera non ce nessuno

[LOGLINE] A fixed overhead security camera captures a tranquil dog sleeping in an empty room when suddenly the lights flicker on and off, prompting the dog to bark in response. [SUBJECT & ACTION] The scene focuses on a calm dog peacefully sleeping, only to be startled awake as the room's lights unexpectedly turn on and off, causing it to bark. [ENVIRONMENT] The setting is a dimly lit room captured entirely by the security camera, emphasizing its emptiness and the dog's lone presence. [CAMERA & MOVEMENT] Fixed overhead shot; no camera movement throughout the scene. [BEAT FLOW — 10s] • 0–3.3s: The dog is seen sleeping soundly in the empty room, with soft ambient light. • 3.3–6.6s: The lights flicker on and off rapidly, startling the dog awake, and it begins to bark. • 6.6–10s: The dog continues barking, reacting to the flickering lights, with the room still visibly empty. [LIGHTING & COLOR] Naturalistic lighting with a focus on the stark contrast between the dim and illuminated areas, enhancing the hyper-realistic feel. [VFX & CLEANUP] No added effects; ensure realistic visuals with clear edges and consistent lighting transitions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

ripresa fissa da in alto security cam uncane dorme tranquillo improvvisamente si accndono e spengono le luci dela camera in cui si trova e il cane inzia ad abbaiaiare, in inglese nessun effetto cinematografico, tutto iper reale

[LOGLINE] A fixed high-angle security camera captures a dog sleeping peacefully when suddenly the lights in the room flicker on and off, prompting the dog to begin barking. [SUBJECT & ACTION] The scene features a calm dog resting on the floor, which is startled awake as the lights in the room intermittently turn on and off. The dog's reaction shifts from tranquility to alertness as it starts barking at the sudden disturbance. [ENVIRONMENT] The setting is a dimly lit room with minimal furnishings, emphasizing the starkness of the security camera's perspective. [CAMERA & MOVEMENT] Static high-angle shot; no movement. [BEAT FLOW — 10s] • 0–3.3s: The dog sleeps peacefully, the room remains dimly lit. • 3.3–6.6s: The lights flicker on and off, the dog's eyes widen, and it begins to stir. • 6.6–10s: The dog fully awakens and starts barking, the camera captures its startled expression. [LIGHTING & COLOR] Naturalistic lighting; warm tones during the initial calm, abruptly shifting to harsh white when the lights flicker on, then returning to dim as they turn off again. [VFX & CLEANUP] Realistic movement; no added effects; maintain clarity in the dog's actions and expressions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

ripresa fissa da in alto security cam una donna sta leggendo un libro nel suo salotto, accanto alei il suo cane, improvvisamente la tenda si muove da sola, la finestra dietro è chiusa, non c e nessuno a parte lei e il cane, il cane inizia ad abbaiare in direzione della tenda. tutto dve eessere reale e realisteico, nessun effeto cinematografico, ripresa fatta fissa dalla securiti cam della stanza da in alto, in inglese

[LOGLINE] A woman reads a book in her living room, accompanied by her dog, when an unseen force causes the curtain to move, despite the closed window and absence of anyone else in the room. [SUBJECT & ACTION] The woman sits comfortably in her living room, engrossed in her book, while her dog lies next to her. Suddenly, the curtain begins to flutter as if disturbed by an invisible presence, prompting the dog to bark in alarm. [ENVIRONMENT] The setting is a cozy living room, featuring a sofa, bookshelf, and a window covered by a curtain, all captured from above as if by a security camera. [CAMERA & MOVEMENT] Static overhead shot, maintaining a fixed position that captures the entire living room scene without any movement. [BEAT FLOW — 10s] • 0–3.3s: The woman reads her book quietly, the dog lying beside her, creating a serene atmosphere. • 3.3–6.6s: The curtain starts to move slightly, drawing attention to the unsettling event, with the dog beginning to react. • 6.6–10s: The dog barks towards the curtain, heightening the tension, while the woman looks up, confused and startled, with no new dialogue introduced in the last second. [LIGHTING & COLOR] Natural light filters through the window, casting soft shadows in the room; warm tones create a comforting yet eerie ambiance. [VFX & CLEANUP] Ensure realistic depiction with no visible effects; maintain clean edges and avoid any unnatural distortions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

ripresa fissa da una security cam, una donna sta faceendo colazione da sola in cucina, improvvisamente l acqua dela cucina si apre da sola e si chiude la donna si spaventa, tutto deve essere reale, nessun effetto cinematografico, in inglese

[LOGLINE] A woman has breakfast alone in her kitchen when, unexpectedly, the tap water turns on and off by itself, startling her. [SUBJECT & ACTION] The woman sits at the kitchen table, eating her breakfast quietly. Suddenly, the kitchen tap turns on and off without anyone touching it, causing her to jump in surprise. [ENVIRONMENT] The scene is set in a cozy, well-lit kitchen with a small table, a few chairs, and the sounds of morning activity. [CAMERA & MOVEMENT] Static shot from a security camera perspective, capturing the full scene without movement. [BEAT FLOW — 10s] • 0–3.3s: The woman is calmly eating her breakfast, with soft ambient kitchen sounds. • 3.3–6.6s: The kitchen tap suddenly turns on, water splashing, catching the woman’s attention. • 6.6–10s: The tap turns off abruptly; the woman reacts, startled, looking around in confusion. [LIGHTING & COLOR] Natural lighting from the morning sun illuminates the kitchen, with warm tones enhancing the homey feel. [VFX & CLEANUP] Ensure a realistic look with no added effects; maintain clean edges without any visual distractions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a tv commercial for a cartoon called “The DemoCoons” this is a cartoon about 3 raccoons that like to destroy things via demolition. The thing the like to destroy most are countries. These raccoons act and move like mercenaries.

[LOGLINE] A chaotic and comedic TV commercial for “The DemoCoons,” featuring three mercenary-like raccoons who delight in demolishing countries with their outrageous antics. [SUBJECT & ACTION] The three raccoons, armed with oversized tools and mischievous grins, orchestrate a series of explosive demolition scenes, gleefully tearing apart miniature models of famous landmarks representing various countries. [ENVIRONMENT] The setting alternates between vibrant, cartoonish landscapes representing different countries, each with exaggerated, colorful versions of iconic landmarks. [CAMERA & MOVEMENT] Dynamic zoom-ins on the raccoons' expressions; quick pans to follow their chaotic movements; overhead shots to capture the destruction. [BEAT FLOW — 10s] • 0–3.3s: The camera zooms in on the three raccoons as they strategize, pointing at a map of the world with exaggerated gestures. • 3.3–6.6s: One raccoon swings a giant wrecking ball, smashing a miniature Eiffel Tower, while the others cheer and dance around. • 6.6–10s: The camera captures the aftermath of destruction with the raccoons celebrating, throwing confetti, as the screen fades to the show’s logo. [LIGHTING & COLOR] Bright and vibrant colors dominate the scenes, with bold contrasts to emphasize the raccoons’ expressive features and the destruction; playful, dynamic lighting enhances the comedic tone. [VFX & CLEANUP] Cartoonish explosion effects with comic-style speed lines; smooth transitions between scenes; stable edges to maintain clarity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

ripresa fissa da una security cam, un neonato dorme nel lettone dei gnitori ed è solo, sale sul letto il gatto con in bocca il suo piccolo cucciolo e le mette e dormire accanto al bimbo, tutto dve essere iper natuyrale e realistico, nessun effetto cinematografico, in inglese

[LOGLINE] A fixed shot from a security camera captures a realistic scene where a newborn sleeps peacefully in the parents' bed, and a cat climbs onto the bed carrying its tiny kitten to snuggle next to the baby. [SUBJECT & ACTION] The newborn lies quietly in the center of the bed, while the cat approaches with its small kitten in its mouth, carefully placing it beside the baby before settling down to rest. [ENVIRONMENT] The setting is a cozy bedroom, softly lit, with a large bed dominating the frame, surrounded by gentle textures of bedding and a warm, inviting atmosphere. [CAMERA & MOVEMENT] Static shot from the security camera perspective, focusing intently on the bed without any movement. [BEAT FLOW — 10s] • 0–3.3s: The camera captures the newborn sleeping soundly in the center of the bed. • 3.3–6.6s: The cat enters the frame, climbing onto the bed, carrying its tiny kitten in its mouth. • 6.6–10s: The cat places the kitten next to the baby and curls up beside them, creating a serene tableau. [LIGHTING & COLOR] Soft, natural lighting to enhance the warmth of the bedroom, with a focus on the gentle colors of the bedding and the soft features of the baby and kitten. [VFX & CLEANUP] Maintain a hyper-realistic appearance with no added effects; ensure clean edges and stable visuals. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video of Ronald Reagan singing a love ballad on stage performing at the Grammys

[LOGLINE] Ronald Reagan takes the stage at the Grammys, captivating the audience with a heartfelt love ballad that showcases his charm and charisma. [SUBJECT & ACTION] Ronald Reagan stands confidently at the microphone, his warm smile engaging the crowd as he pours his emotions into the lyrics of the love ballad, creating an intimate connection with the audience. [ENVIRONMENT] The glamorous Grammy stage is adorned with rich velvet curtains and sparkling lights, with an enthusiastic crowd in formal attire, eagerly reacting to Reagan's performance. [CAMERA & MOVEMENT] Smooth dolly in towards Reagan as he begins to sing, then a gentle pan across the audience to capture their reactions, followed by a close-up on Reagan's expressive face. [BEAT FLOW — 10s] • 0–3.3s: Reagan steps up to the microphone, adjusting it slightly with a charming smile. • 3.3–6.6s: He begins singing the love ballad, the camera dolly moving in closer to capture the emotion in his eyes. • 6.6–10s: A wide shot of the audience swaying to the music, the final frame focusing on Reagan as he finishes the song with a heartfelt expression, leaving the final second silent. [LIGHTING & COLOR] Soft, warm spotlight on Reagan, enhancing his presence; the background features cool, dimmed lights to create a cozy, intimate atmosphere. [VFX & CLEANUP] Subtle lens flare from stage lights; ensure smooth transitions between shots with no abrupt cuts. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

ripresa da telefono, un cane entra in reparto ospedaliero e corre nella stanza swl suo padre, lo vede e pienge , tutto deve essere uper realitico, movimenti naturali, nessun effetto distorto nessun effetto cinematorafico, in inglese

[LOGLINE] A touching scene captures a dog entering a hospital ward and running towards its father, who is emotionally overwhelmed upon seeing his canine companion. [SUBJECT & ACTION] A dog bursts into a hospital room, tail wagging and eyes bright, as it races towards its father, who is sitting on a hospital bed. The father, surprised and moved, tears up as he sees the dog approaching. [ENVIRONMENT] The setting is a sterile hospital room, featuring a hospital bed, medical equipment, and soft ambient lighting that creates a warm yet clinical atmosphere. [CAMERA & MOVEMENT] Handheld tracking shot follows the dog as it runs into the room, smoothly transitioning to a close-up of the father's emotional expression as the dog reaches him. [BEAT FLOW — 10s] • 0–3.3s: The dog enters the hospital ward, running energetically, capturing the viewer's attention. • 3.3–6.6s: The camera shifts focus to the father, who looks up in disbelief and begins to tear up. • 6.6–10s: The dog reaches the father, and they share a moment of connection, with no new dialogue as emotions settle. [LIGHTING & COLOR] Naturalistic lighting with soft, diffused shadows; warm tones to enhance the emotional warmth of the reunion. [VFX & CLEANUP] Subtle motion blur to emphasize movement; ensure stable edges and clear visuals throughout the scene. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video in 4k of Ronald Reagan dressed up like a magician. He’s in a nightclub talking to Jane Fonda. She asks him, “So why are you dressed up like a magician?” Ronald says to her, “So I can turn that $200 into $40 after our butts get stuck together. They both start laughing then the video ends.

[LOGLINE] In a vibrant nightclub, Ronald Reagan, dressed as a flamboyant magician, shares a humorous exchange with Jane Fonda that highlights their playful chemistry. [SUBJECT & ACTION] Ronald Reagan, adorned in a classic magician's outfit complete with a top hat and wand, stands engagingly in conversation with Jane Fonda, who wears a stylish, glamorous outfit. Jane curiously asks him, “So why are you dressed up like a magician?” Ronald replies with a grin, “So I can turn that $200 into $40 after our butts get stuck together,” prompting laughter from both. [ENVIRONMENT] The scene takes place in a lively nightclub, filled with colorful lights, a shimmering dance floor, and a backdrop of patrons enjoying their night. [CAMERA & MOVEMENT] Slow dolly in towards Reagan and Fonda, then a gentle pan to capture their expressions as they laugh together. [BEAT FLOW — 10s] • 0–3.3s: Dolly in toward Ronald Reagan as he stands at the bar, adjusting his magician's hat. • 3.3–6.6s: Cut to Jane Fonda's intrigued expression as she asks her question, then back to Reagan for his response. • 6.6–10s: Both characters burst into laughter, the camera capturing their joyful interaction before fading out. [LIGHTING & COLOR] Warm, ambient nightclub lighting with colorful spotlights creating a vibrant atmosphere; a slight sheen to the characters’ costumes to enhance their visual flair. [VFX & CLEANUP] Subtle motion blur on laughter moments; ensure stable edges around characters to maintain focus on their expressions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video in 4k of Ronald Reagan dressed up like a magician. He’s in a nightclub talking to Jane Fonda. She asks him, “So why are you dressed up like a magician?” Ronald says to her, “So I can turn that $200 into $40 after our butts get stuck together. They both start laughing then the video ends. He’s dressed up like Uncle Sam

[LOGLINE] A whimsical 4K video featuring Ronald Reagan dressed as a magician in a nightclub, humorously interacting with Jane Fonda. [SUBJECT & ACTION] Ronald Reagan, adorned in a magician's outfit inspired by Uncle Sam, engages in witty banter with Jane Fonda. She inquires about his costume, prompting him to deliver a playful punchline that elicits laughter from both. [ENVIRONMENT] The setting is a lively nightclub, filled with dim lighting, vibrant decor, and a lively atmosphere that enhances the playful interaction. [CAMERA & MOVEMENT] Steady close-up on Reagan as he responds, then a smooth pan to Fonda for her reaction, followed by a gentle zoom out to include both characters in the frame during their laughter. [BEAT FLOW — 10s] • 0–3.3s: Close-up on Ronald Reagan as he smiles and prepares to speak. • 3.3–6.6s: Quick cut to Jane Fonda, her expression inquisitive as she asks, “So why are you dressed up like a magician?” • 6.6–10s: Cut back to Reagan as he delivers his punchline, followed by a wide shot of both laughing together, ending with a joyful atmosphere. [LIGHTING & COLOR] Soft, warm lighting with highlights on their faces to create an inviting and friendly ambiance, with vibrant colors reflecting the nightclub's lively decor. [VFX & CLEANUP] Subtle motion blur during the laughter to enhance the joyful moment; ensure stable edges around characters and props. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

ripresa fissa di una security cam: un ambino cerca di arrampicarsi su un mobile, il can lo vede corree e va lo ferma, tutto deve essere iper realitico, nessun effetto cinematografico, tuoo reale nessun movimento distoro in inglese

[LOGLINE] A fixed security camera captures a child attempting to climb a piece of furniture while a dog notices and rushes to stop them. [SUBJECT & ACTION] The scene features a young child energetically trying to scale a tall cabinet, while a medium-sized dog, alert and protective, dashes towards the child to intervene. [ENVIRONMENT] The setting is a cozy living room, filled with soft natural light, featuring a couch, a coffee table, and a large cabinet that the child is trying to climb. [CAMERA & MOVEMENT] Static shot from a security camera perspective, with no panning or tilting throughout the scene. [BEAT FLOW — 10s] • 0–3.3s: The child is seen struggling to climb the cabinet, determined but slightly clumsy. • 3.3–6.6s: The dog notices the child’s actions, ears perked, and begins to run towards them. • 6.6–10s: The dog reaches the child, gently nudging them away from the cabinet while maintaining a protective demeanor. [LIGHTING & COLOR] Natural lighting fills the room, enhancing the realistic feel; colors are warm and inviting, with no stylized effects. [VFX & CLEANUP] No special effects; maintain clean, sharp edges with a hyper-realistic look; ensure all movements are fluid and lifelike. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a parody of Ronald Reagan dress up in hip-hop gear and expensive jewelry he’s whistling at pretty women walking past he tells the women hey I got $40 for some of that dumb top shawty! His friends start laughing

[LOGLINE] A humorous parody featuring Ronald Reagan dressed in hip-hop gear and expensive jewelry, as he whimsically whistles at attractive women while offering them $40 for a playful encounter. [SUBJECT & ACTION] Ronald Reagan, clad in oversized hip-hop attire and flashy jewelry, is confidently strutting down the street, whistling at passing women. He playfully shouts, "Hey, I got $40 for some of that dumb top shawty!" while his friends burst into laughter at his antics. [ENVIRONMENT] The scene takes place on a bustling city sidewalk, filled with pedestrians, colorful storefronts, and vibrant street art, creating a lively urban backdrop. [CAMERA & MOVEMENT] Smooth tracking shot following Reagan as he walks, with occasional close-ups on his expressive face and the reactions of the women and his friends. Cut to a wide shot of the street to capture the environment and energy. [BEAT FLOW — 10s] • 0–3.3s: Reagan struts into frame, whistling confidently, showcasing his bling. • 3.3–6.6s: He spots a group of women, leans forward, and shouts, "Hey, I got $40 for some of that dumb top shawty!" • 6.6–10s: His friends laugh heartily, and a close-up captures Reagan’s cheeky grin as the women react, leading to a playful moment of disbelief. [LIGHTING & COLOR] Bright, vibrant lighting to enhance the lively atmosphere of the city, with warm tones to emphasize the playful mood. Colors should pop, especially Reagan's outfit and jewelry, creating a contrast against the background. [VFX & CLEANUP] Subtle motion blur on the walking movement; stable edges on all characters to maintain clarity and focus during the playful interactions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Person: Slim, slick black haired light Chinese Woman with diarrhea Setting: Outside of her red bricked apartment complex, greyish-blue sky Outfit: Tight Black crop top , diaper, black low top converse, white Nike crew socks Action: Walking and texting on her phone while nonchalantly lifting her leg slightly and letting wet long farts rip while sighing out of relief while also implying she peed and pooped her diaper in a non-erotic, non-sexual manner.

[LOGLINE] A slim, slick black-haired light Chinese woman experiences relief from diarrhea while walking outside her red-bricked apartment complex under a greyish-blue sky. [SUBJECT & ACTION] The woman, dressed in a tight black crop top, a diaper, black low-top converse, and white Nike crew socks, walks and texts on her phone while nonchalantly lifting her leg slightly and letting wet long farts escape, sighing in relief as she subtly implies that she has peed and pooped in her diaper, all portrayed in a non-erotic, non-sexual manner. [ENVIRONMENT] The scene takes place in front of a red-bricked apartment complex, with a backdrop of a greyish-blue sky that enhances the everyday urban setting. [CAMERA & MOVEMENT] Handheld tracking shot following her as she walks; slow push-in to capture her facial expressions while texting; slight tilt-up during the sigh of relief. [BEAT FLOW — 10s] • 0–3.3s: The woman is seen walking towards the camera, focused on her phone, with a slight smile. • 3.3–6.6s: She lifts her leg slightly, letting a wet fart escape, exhaling a sigh of relief while continuing to text. • 6.6–10s: The camera captures a close-up of her relief expression, the background slightly blurred, and then pulls back to show her walking away nonchalantly. [LIGHTING & COLOR] Natural lighting with soft shadows; the colors are slightly desaturated to match the greyish-blue sky, creating a muted, everyday urban atmosphere. [VFX & CLEANUP] Subtle motion blur on her movements; stable edges ensuring clarity on her facial expressions and surroundings. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

DrDonut dies to a crystal in minecraft adn gets mad

[LOGLINE] DrDonut, a dedicated player in Minecraft, meets an untimely demise at the hands of a treacherous crystal, igniting a wave of frustration and anger. [SUBJECT & ACTION] DrDonut, visibly enraged, throws his controller down in disbelief after the unexpected death. He shakes his head in frustration, his avatar frozen amidst the chaos of the pixelated world. [ENVIRONMENT] The scene is set in a vibrant Minecraft landscape, filled with blocky trees, a clear blue sky, and the ominous glow of a crystal nearby, casting an eerie light. [CAMERA & MOVEMENT] Slow zoom in on DrDonut’s avatar as he reacts, followed by a quick cut to a close-up of the crystal that caused his demise. Finally, a pull back to capture the broader landscape and his avatar's defeated stance. [BEAT FLOW — 10s] • 0–3.3s: Close-up of DrDonut's avatar standing near the crystal, showing initial confusion. • 3.3–6.6s: Cut to DrDonut’s real-life reaction, throwing the controller down and shaking his head in disbelief. • 6.6–10s: Wide shot of the Minecraft landscape with DrDonut’s avatar standing still, filled with frustration, as the crystal glows ominously. [LIGHTING & COLOR] Bright, saturated colors typical of Minecraft, with a stark contrast created by the glowing crystal casting a bluish hue over the surrounding area. [VFX & CLEANUP] Subtle pixel distortion around the crystal; ensure clear edges on all objects without any blurring; maintain stability throughout the scene. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

DrDonut dies to a crystal in minecraft adn gets really mad

[LOGLINE] DrDonut dies to a crystal in Minecraft and gets really mad, showcasing his frustration in a vibrant blocky world. [SUBJECT & ACTION] DrDonut, a pixelated character with a frosted donut-themed skin, experiences a sudden demise after colliding with a shimmering crystal, his expression shifting from shock to fury as he reacts to the unexpected setback. [ENVIRONMENT] The scene is set in a colorful Minecraft landscape filled with blocky trees, a bright blue sky, and scattered glowing crystals that emit a radiant light. [CAMERA & MOVEMENT] Handheld pull-back to capture DrDonut’s initial shock, then a quick zoom-in on his face to emphasize his anger, followed by a rapid tilt down to the crystal that caused his demise. [BEAT FLOW — 10s] • 0–3.3s: DrDonut approaches the glowing crystal, a look of curiosity on his face. • 3.3–6.6s: He collides with the crystal, and a bright explosion of pixels occurs, transitioning to his shocked expression. • 6.6–10s: His face shifts to anger, and he throws his arms up in frustration, with the crystal shimmering in the background as the scene fades. [LIGHTING & COLOR] Bright, saturated colors dominate the scene; the crystals emit a soft glow, contrasting with the vibrant green of the grass and blue of the sky, creating a dynamic visual atmosphere. [VFX & CLEANUP] Subtle pixelated explosion effect during the collision; ensure stable edges around DrDonut and the crystal to enhance clarity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

DrDonut dies to a crystal in minecraft and gets really mad

[LOGLINE] DrDonut experiences a frustrating demise at the hands of a deceptive crystal in a Minecraft world, leading to an explosive outburst of anger. [SUBJECT & ACTION] DrDonut, a determined player, encounters a shimmering crystal that unexpectedly causes his in-game death, triggering a fit of rage as he reacts to the shocking turn of events. [ENVIRONMENT] The scene is set in a vibrant Minecraft landscape, filled with blocky terrain, pixelated trees, and a glimmering crystal that stands out ominously. [CAMERA & MOVEMENT] Start with a close-up on DrDonut's character as he approaches the crystal, then quickly pull back to reveal the surrounding environment. Follow his movements with a swift pan as he reacts to the crystal's effect. [BEAT FLOW — 10s] • 0–3.3s: Close-up on DrDonut, showing determination as he navigates the terrain towards the crystal. • 3.3–6.6s: The camera pulls back quickly to reveal the crystal, then a sudden flash occurs as he dies, capturing his shocked expression. • 6.6–10s: DrDonut's face contorts in anger as he yells in frustration, followed by a wide shot of the surrounding Minecraft world, emphasizing his isolation. [LIGHTING & COLOR] Bright, saturated colors typical of Minecraft's aesthetic; a soft glow emanates from the crystal to highlight its allure and danger. [VFX & CLEANUP] Incorporate subtle pixelation effects as DrDonut dies, with a gentle fade on his figure; maintain clean edges throughout the scene. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Make an video of drdonut crashing out cuz he lost to a 5 year old kid

[LOGLINE] Drdonut experiences a dramatic meltdown after losing a game to a five-year-old child, showcasing the stark contrast between his adult expectations and the innocence of youth. [SUBJECT & ACTION] Drdonut, a comically exaggerated character with a giant donut costume, dramatically crashes out of the game scene, throwing his arms up in frustration and disbelief as he realizes he has been bested by a young child. [ENVIRONMENT] The setting is a vibrant game arcade filled with flashing lights, colorful game machines, and cheerful sounds, creating a lively atmosphere that highlights the absurdity of the situation. [CAMERA & MOVEMENT] Start with a wide shot of the arcade, then quickly zoom in on Drdonut's face as he reacts to the loss, followed by a handheld follow shot as he storms out dramatically, capturing his exaggerated movements. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the arcade, showing the bustling environment and Drdonut at the game machine, intensely focused. • 3.3–6.6s: Close-up on Drdonut's face as he realizes he has lost, eyes wide in shock, then a quick pan to the five-year-old kid celebrating. • 6.6–10s: Handheld follow shot as Drdonut throws his hands up in frustration and storms out of the arcade, capturing the reactions of bystanders. [LIGHTING & COLOR] Bright, saturated colors dominate the arcade, with dynamic lighting that reflects the arcade machines' blinking lights, creating an energetic and playful mood. [VFX & CLEANUP] Add subtle motion blur to Drdonut's movements for dramatic effect; ensure stable edges around all characters and objects to enhance clarity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

一辆保时捷911超跑在追击一辆宝马x7，未来感城市的夜景

[LOGLINE] 一辆保时捷911超跑在未来感城市的夜景中追击一辆宝马x7，展现出速度与激情的较量。 [SUBJECT & ACTION] 保时捷911在夜间的霓虹灯下急速行驶，紧跟在前方的宝马x7，展现出极致的追逐场面。 [ENVIRONMENT] 未来感城市的夜景，摩天大楼闪烁着五光十色的霓虹灯，街道湿润，反射出车辆的光辉。 [CAMERA & MOVEMENT] Dynamic aerial drone shot following the Porsche; quick cuts to low-angle shots of both cars racing; smooth tracking shots as they maneuver through the city. [BEAT FLOW — 10s] • 0–3.3s: The Porsche speeds forward, neon lights illuminating its sleek design; the camera follows closely behind. • 3.3–6.6s: A low-angle shot captures the BMW as it swerves, the Porsche gaining on it; quick cuts show the intensity of the chase. • 6.6–10s: The two cars weave through the cityscape, the sound of engines roaring; the scene culminates with a dramatic close-up of the Porsche's front grille as it closes in on the BMW, fading to black. [LIGHTING & COLOR] Vibrant neon colors dominate the scene, with contrasting shadows; the lighting is dynamic, highlighting the sleek curves of the cars against the urban backdrop. [VFX & CLEANUP] Subtle motion blur on fast-moving vehicles; stable edges to maintain clarity; enhance the reflections on wet surfaces to add depth. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Japanese woman wearing a black crop top, black low top platform converse with black laces, baggy faded jeans, going up to a ring doorbell camera and saying "Special Delivery", stepping back, slightly bending her leg and farting.

[LOGLINE] A Japanese woman in a black crop top, low top platform Converse, and baggy faded jeans approaches a ring doorbell camera to deliver a cheeky message, only to step back and humorously let out a fart. [SUBJECT & ACTION] The Japanese woman confidently walks up to the ring doorbell camera, playfully exclaiming "Special Delivery" before stepping back, bending her leg slightly, and unexpectedly farting. [ENVIRONMENT] The scene takes place in a suburban neighborhood, with a well-manicured front yard and a clear view of the house featuring the ring doorbell prominently. [CAMERA & MOVEMENT] Start with a medium shot of the woman approaching, then smoothly zoom in on her face as she delivers her line, followed by a quick pull-back as she steps back and bends her leg. [BEAT FLOW — 10s] • 0–3.3s: The woman confidently approaches the ring doorbell camera, smiling as she prepares to speak. • 3.3–6.6s: She leans in, delivers her line "Special Delivery" with a playful tone, and steps back. • 6.6–10s: She slightly bends her leg and lets out a fart, looking surprised and then laughing in a light-hearted manner. [LIGHTING & COLOR] Bright, natural daylight enhances the cheerful atmosphere; colors are vibrant with a slight saturation to emphasize the woman's outfit and the greenery around her. [VFX & CLEANUP] Subtle motion blur during the quick movements; stable edges to maintain focus on the character without distractions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A woman walking through a hallway

[LOGLINE] A woman walks through a dimly lit hallway, filled with shadows and echoes, her expression reflecting a mix of determination and apprehension. [SUBJECT & ACTION] The woman strides purposefully, her heels clicking against the cold floor as she glances nervously around, sensing the weight of unseen eyes watching her. [ENVIRONMENT] The hallway is narrow and lined with faded, peeling wallpaper, with flickering overhead lights casting long shadows that dance along the walls. [CAMERA & MOVEMENT] Smooth dolly track in, following her as she walks; occasional subtle tilt to capture her expressions and the surrounding shadows. [BEAT FLOW — 10s] • 0–3.3s: The camera starts wide, capturing the entire hallway as the woman enters from the left, her silhouette emerging from the darkness. • 3.3–6.6s: The camera moves closer, focusing on her face as she shows determination, then tilts down slightly to her feet as they click against the floor. • 6.6–10s: The camera pans to the shadows along the walls, then back to her as she gives a cautious glance over her shoulder, ending with a close-up of her anxious expression. [LIGHTING & COLOR] Low-key lighting creates deep shadows, with a cool color palette of blues and grays, enhancing the tense atmosphere. [VFX & CLEANUP] Subtle grain for texture; ensure smooth transitions; maintain sharp focus on the woman while creating a soft blur for the background. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a movie trailer for a movie called “Revenge of the Armadillo’s”. Donald is the main character. He took BBC a trip to BBC Florida and the Armadillos began to hunt him down because him bc and his friends beat up some armadillos 10 years prior. They remember him and decided to get revenge. This is a rated R movie trailer.

[LOGLINE] In a darkly comedic twist, Donald returns to Florida only to find that the armadillos he and his friends tormented a decade ago are now hunting him down for revenge. [SUBJECT & ACTION] Donald, visibly anxious, tries to evade the relentless pack of armadillos that have come to exact their long-awaited retribution, while flashbacks of their past misdeeds haunt him. [ENVIRONMENT] Set in the vibrant yet eerie landscapes of Florida, featuring dense underbrush, swamps, and the looming shadows of night as the armadillos close in. [CAMERA & MOVEMENT] Handheld tracking shot follows Donald as he darts through the foliage; quick cuts to close-ups of the armadillos’ determined faces and Donald’s panicked expressions. [BEAT FLOW — 10s] • 0–3.3s: Dark music plays as we see Donald looking over his shoulder, sweat beading on his forehead. • 3.3–6.6s: Flashbacks of Donald and friends laughing as they throw rocks at the armadillos, intercut with current scenes of armadillos gathering. • 6.6–10s: Fast-paced montage of Donald running, with armadillos darting through the shadows, building tension until silence falls as he hides. [LIGHTING & COLOR] Low-key lighting creates a suspenseful atmosphere with deep shadows; colors are saturated with greens and browns, evoking the wild Florida terrain. [VFX & CLEANUP] Subtle motion blur during quick action sequences; ensure stable edges to keep focus on Donald and the armadillos without distractions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

ripresa fissa dalla security cam di un negozio, un cliente con il suo cane sta pagando alla cassa, il cane si guarda intorno agitato, inizia a tirare il suo padrone e lo sposta da dove si trova, pochi scondi dopo una machina fonda la vetrina del negozio, il cane ha salvato il padrone , niente effetto cinematografico, niente cose trane e storpie, tutto naturale iper realistico, in inglese

[LOGLINE] A fixed security camera captures a customer paying at the cash register with his dog, who becomes agitated and pulls his owner away just before a car crashes into the store's window, ultimately saving the owner. [SUBJECT & ACTION] A customer stands at the cash register, engaged in a transaction while his dog anxiously surveys the surroundings. The dog tugs at its owner, urging him to move away from the register just moments before a car crashes through the shop's window. [ENVIRONMENT] The scene is set inside a small retail store, with a cash register at the front and glass windows displaying merchandise. [CAMERA & MOVEMENT] Static shot from a security camera perspective, maintaining a fixed angle on the cash register and surrounding area. [BEAT FLOW — 10s] • 0–3.3s: The customer interacts with the cashier, dog sitting beside him. • 3.3–6.6s: The dog begins to look around nervously, then starts tugging at the customer. • 6.6–10s: The dog pulls the customer away just as the sound of crashing glass rings out, capturing the moment of impact. [LIGHTING & COLOR] The lighting is bright and natural, typical of an indoor retail space, with clear visibility of the customer, the cashier, and the dog. Colors are realistic and slightly desaturated, emphasizing the everyday setting. [VFX & CLEANUP] Maintain natural motion; ensure clear visibility of all actions without added effects. No enhancements that distract from the realism. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

ripresa fissa della security cam della casa, una donna butta via la spazzatura con lei il suo gatto che la segue, improvvisamente si avvicina un procione , il gatto se ne accorge e lo attacca facendolo scappare, tutto deve essere realistico, gato vero procione vero, nessun effetto distorto, nessun effetto cinematografico, in inglese

[LOGLINE] A fixed shot from a security camera captures a woman disposing of her trash with her cat trailing closely behind, as an unexpected raccoon approaches, prompting the cat to spring into action and chase it away. [SUBJECT & ACTION] A woman in casual attire tosses garbage into a bin while her domestic cat follows her closely. Suddenly, a raccoon appears, and the cat notices it, launching a defensive attack that causes the raccoon to flee. [ENVIRONMENT] The scene takes place in a suburban backyard with a trash bin and well-maintained grass, surrounded by a wooden fence and a few trees, under clear daylight. [CAMERA & MOVEMENT] Static shot from a security camera, capturing the entire scene without movement or zooming. [BEAT FLOW — 10s] • 0–3.3s: The woman approaches the trash bin with the cat following her, both appearing relaxed. • 3.3–6.6s: The raccoon suddenly enters the frame, and the cat becomes alert, arching its back and preparing to pounce. • 6.6–10s: The cat lunges at the raccoon, which quickly retreats, while the woman looks on in surprise, ending with just the woman and cat in the frame as the raccoon scurries away. [LIGHTING & COLOR] Natural daylight illuminates the scene, creating realistic shadows and vibrant colors of the grass and surroundings, maintaining a warm and inviting atmosphere. [VFX & CLEANUP] No visual effects; ensure all movements are smooth and realistic with no distortion or stylization. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.