Explore Public Sora Prompts

hacer que 2 personas de una foto se besen pero que tenga el estilo de cry of fear y half life

[LOGLINE] Dos personas de una foto se besan, capturando la tensión emocional y el horror psicológico de un entorno oscuro, inspirado en "Cry of Fear" y "Half-Life". [SUBJECT & ACTION] Los dos personajes, con expresiones de vulnerabilidad y anhelo, se acercan lentamente, hasta que sus labios se encuentran en un beso tierno pero cargado de una inquietante atmósfera. [ENVIRONMENT] Un entorno urbano desolado, con calles oscuras y edificios en ruinas, iluminados por una luz tenue que crea sombras alargadas. [CAMERA & MOVEMENT] Iniciar con un plano en ángulo bajo que se eleva lentamente hacia los personajes, luego un acercamiento suave hacia sus rostros mientras se preparan para el beso. [BEAT FLOW — 10s] • 0–3.3s: Iniciar con un plano en ángulo bajo de los personajes, capturando la atmósfera opresiva. • 3.3–6.6s: Hacer un acercamiento suave a sus rostros, mostrando la tensión y la emoción en sus expresiones. • 6.6–10s: El beso se produce, con un enfoque en sus labios, mientras la cámara se mantiene estable, capturando la intensidad del momento. [LIGHTING & COLOR] Iluminación tenue con sombras marcadas, utilizando tonos oscuros y fríos para acentuar la atmósfera inquietante, con un ligero resplandor alrededor de los personajes para destacar su conexión. [VFX & CLEANUP] Sutil desenfoque de movimiento durante el beso; bordes estables para mantener la claridad en la acción principal. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A greek turtoise bites maine coon cat

[LOGLINE] A Greek tortoise unexpectedly bites a Maine Coon cat, creating a humorous and tense moment between the two animals. [SUBJECT & ACTION] The Greek tortoise, with its distinct shell pattern, snaps its jaws towards the fluffy Maine Coon cat, who is curiously pawing at it. The cat, startled, leaps back with a surprised expression. [ENVIRONMENT] The scene takes place in a sunlit living room filled with plants and cozy furniture, creating a warm and inviting atmosphere. [CAMERA & MOVEMENT] Start with a medium shot of the tortoise and cat, then a quick zoom in on the tortoise's face as it bites. Follow with a handheld shake as the cat jumps back, capturing its surprised reaction. [BEAT FLOW — 10s] • 0–3.3s: Medium shot of the tortoise and cat, cat curiously pawing at the tortoise. • 3.3–6.6s: Close-up on the tortoise as it bites, quick zoom in to emphasize the action. • 6.6–10s: Handheld movement to the cat, capturing its surprised face and retreating stance. [LIGHTING & COLOR] Bright, natural lighting with warm tones, highlighting the textures of the tortoise's shell and the cat's fur, creating a vibrant scene. [VFX & CLEANUP] Subtle motion blur during the quick movements; ensure stable edges around the cat and tortoise. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Una persona sentada en un salón con amigos, de repente las paredes detrás de ella se desvanecen y, manteniendo su posición, aparece en una playa tropical desierta, leyendo en una hamaca. La escena combina interacción social con un salto mágico y visualmente espectacular.

[LOGLINE] Una persona sentada en un salón con amigos experimenta un salto mágico cuando las paredes detrás de ella se desvanecen, llevándola a una playa tropical desierta donde lee en una hamaca. [SUBJECT & ACTION] La persona, que muestra una expresión de sorpresa y alegría, interactúa con sus amigos en el salón antes de que las paredes se desmaterialicen, manteniendo su posición mientras es transportada a la nueva locación relajante. [ENVIRONMENT] El salón está lleno de amigos riendo y conversando, mientras que la playa tropical desierta presenta arena blanca y palmeras, con un cielo azul claro y suaves olas rompiendo en la orilla. [CAMERA & MOVEMENT] Iniciar con un plano amplio del salón, luego hacer un acercamiento a la persona, seguido de un barrido hacia las paredes que se desvanecen, y finalmente un movimiento de transición que lleva a la vista de la playa al llegar a la hamaca. [BEAT FLOW — 10s] • 0–3.3s: La cámara muestra a la persona sonriendo y riendo con amigos en el salón. • 3.3–6.6s: Las paredes comienzan a desvanecerse, la expresión de la persona cambia a sorpresa mientras se mantiene en su lugar. • 6.6–10s: La escena corta a la playa, donde la persona aparece en la hamaca, visiblemente relajada, con un libro en la mano, disfrutando del entorno. [LIGHTING & COLOR] La iluminación del salón es cálida y acogedora, con luces suaves, mientras que en la playa hay luz natural brillante, con un contraste vibrante entre el azul del cielo, el blanco de la arena y el verde de las palmeras. [VFX & CLEANUP] Transiciones suaves entre el salón y la playa; ligero desenfoque de movimiento en el momento del salto; bordes estables y nítidos. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A realistic and abstract fashion video with the theme "What if people wore print?"

[LOGLINE] A realistic and abstract fashion video explores the theme "What if people wore print?" by showcasing vibrant, oversized patterns on various characters as they navigate a surreal urban landscape. [SUBJECT & ACTION] The characters, adorned in bold prints that shift and change as they move, interact with one another in a dance of creativity and self-expression, highlighting the impact of fashion on personal identity. [ENVIRONMENT] The setting is a dreamlike urban environment with exaggerated architectural features and colorful street art, enhancing the surreal quality of the film. [CAMERA & MOVEMENT] Slow dolly in on characters; sweeping crane shots over the urban landscape; quick cuts between close-ups of intricate prints and wide shots of the characters interacting. [BEAT FLOW — 10s] • 0–3.3s: Characters step into the frame, showcasing their bold, printed outfits while engaging in lively conversation. • 3.3–6.6s: Quick cuts between the characters as they perform synchronized movements, prints swirling and blending, evoking a sense of unity. • 6.6–10s: A final wide shot captures all characters together, the cityscape behind them pulsating with color, as they strike a pose, ending in a moment of stillness. [LIGHTING & COLOR] Bright, saturated colors with high contrast; dynamic lighting shifts to emphasize the prints and create a vibrant atmosphere; soft shadows to add depth. [VFX & CLEANUP] Subtle motion blur to enhance movement; stable edges to maintain clarity of the prints; occasional abstract overlays of patterns to accentuate the theme without distracting from the characters. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

دعاية عن شركة جيجا مزود الانترنت رقم واحد ب ليبيا بشكل كوميدي احترافي ترند

[LOGLINE] دعاية كوميدية احترافية عن شركة جيجا، مزود الإنترنت رقم واحد في ليبيا، تظهر كيف أن خدمة الإنترنت السريعة تجعل الحياة اليومية أكثر سهولة ومتعة. [SUBJECT & ACTION] شخصيات مختلفة تعاني من بطء الإنترنت أثناء محاولتهم القيام بأنشطة يومية مثل العمل والدراسة والترفيه. فجأة، يظهر شعار شركة جيجا مع لقطات كوميدية تُظهر كيف أن الإنترنت السريع يغير كل شيء إلى الأفضل. [ENVIRONMENT] البيئة تتنوع بين منزل عائلي، مكتب عمل، ومقهى، مع تفاصيل تعكس الحياة اليومية في ليبيا. [CAMERA & MOVEMENT] تحريك الكاميرا بشكل ديناميكي بين الشخصيات، مع لقطات قريبة أثناء المواقف الكوميدية، وانتقال سريع بين المشاهد لإظهار التباين بين الإنترنت البطيء والسريع. [BEAT FLOW — 10s] • 0–3.3s: مشاهد لشخصيات محبطة بسبب بطء الإنترنت، مثل شخص يحاول تحميل فيلم. • 3.3–6.6s: ظهور شعار جيجا، مع لقطات سريعة تُظهر كيف أن الإنترنت السريع يحل مشاكلهم، مثل تحميل الفيلم بسرعة. • 6.6–10s: مشاهد للضحك والمرح في الحياة اليومية بفضل الإنترنت السريع مع التركيز على ردود الفعل الإيجابية. [LIGHTING & COLOR] إضاءة ساطعة تعكس الطاقة الإيجابية، مع ألوان زاهية تعزز من الجو الكوميدي وتوضح الانتقال من الضيق إلى السعادة. [VFX & CLEANUP] تأثيرات بسيطة مثل انتقالات سلسة بين المشاهد، مع الحفاظ على حواف واضحة وعدم وجود أي تشويش. [NEGATIVE DIRECTIVES] لا نصوص توضيحية، لا علامات مائية، لا أطراف مكررة، تجنب الاهتزاز/الوميض، لا عناصر عائمة، لا تزامن شفاه غير دقيق.

voy a poner la imagen de una persona y solo quiero que se ponga a llorar

[LOGLINE] Una imagen de una persona que, en un momento de profunda tristeza, comienza a llorar, capturando la intensidad de sus emociones. [SUBJECT & ACTION] La persona, con expresión de desolación, se encuentra en primer plano mientras las lágrimas empiezan a brotar de sus ojos, reflejando su dolor interno. [ENVIRONMENT] El entorno es suave y desenfocado, creando un ambiente íntimo que destaca la vulnerabilidad del sujeto. [CAMERA & MOVEMENT] Lentamente acercarse al rostro de la persona, capturando la transición de su expresión antes de llorar a la manifestación de sus lágrimas. [BEAT FLOW — 10s] • 0–3.3s: La persona en calma, con una expresión facial neutra, el fondo desenfocado. • 3.3–6.6s: La expresión cambia a tristeza, los ojos comienzan a humedecerse, el enfoque se ajusta a su rostro. • 6.6–10s: Las lágrimas caen, el plano se mantiene en su rostro, transmitiendo el peso emocional de la escena. [LIGHTING & COLOR] Iluminación suave y difusa que crea sombras sutiles, resaltando la piel y las lágrimas; paleta de colores fríos que enfatiza el estado emocional. [VFX & CLEANUP] Suave desenfoque de movimiento para las lágrimas; bordes nítidos en el rostro de la persona. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A person is recording with his cell phone a clown handling a puppet at a children's birthday party, while there are children watching him, suddenly the puppet begins to come to life, escaping and fiercely attacking the clown and the children, making it look like a real recording

[LOGLINE] A person records a clown performing with a puppet at a children's birthday party, but the puppet suddenly comes to life, attacking the clown and the children, creating a chaotic and terrifying scene. [SUBJECT & ACTION] A clown, dressed in colorful attire, expertly manipulates a puppet while surrounded by excited children. Suddenly, the puppet begins to move independently, launching itself at the clown and the children, leading to a frantic and shocking turn of events. [ENVIRONMENT] The scene is set in a vibrant backyard decorated with balloons and streamers, filled with laughter and the sounds of a birthday celebration. [CAMERA & MOVEMENT] Handheld tracking shot capturing the clown and puppet performance, with quick pans to the children's reactions; a sudden shaky zoom-in as the puppet comes to life, followed by erratic movements as chaos ensues. [BEAT FLOW — 10s] • 0–3.3s: The camera focuses on the clown and puppet, capturing the laughter of the children in the background. • 3.3–6.6s: The puppet begins to twitch, and the camera shakes slightly as it zooms in on the puppet's face, amplifying tension. • 6.6–10s: The puppet leaps at the clown; children scream in shock as the camera pans wildly to capture the chaos, ending with a shot of the frightened faces of the children. [LIGHTING & COLOR] Bright, cheerful lighting with a warm color palette to reflect the joyful atmosphere of a birthday party, shifting to darker tones as the puppet attacks, creating a stark contrast. [VFX & CLEANUP] Dynamic motion blur during the puppet's movement to emphasize speed; stable edges to maintain the illusion of a real recording. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

I want to make a video of Simon from Cry of Fear drinking a Coke and then he and the can of Coke explode and fly away abruptly.

[LOGLINE] Simon from Cry of Fear casually drinks a Coke, but an unexpected explosion sends him and the can flying away abruptly. [SUBJECT & ACTION] Simon, the troubled character from Cry of Fear, lifts a can of Coke to his lips, taking a refreshing sip. Suddenly, both he and the can erupt in a dramatic explosion, propelling them into the air. [ENVIRONMENT] The scene is set in a dimly lit urban alley, with cracked walls and scattered debris, evoking the dark atmosphere of Cry of Fear. [CAMERA & MOVEMENT] Start with a close-up on Simon's face as he drinks, then quickly zoom out for the explosion, capturing the full impact of the blast and the chaos that follows. [BEAT FLOW — 10s] • 0–3.3s: Close-up of Simon drinking the Coke, showing his expression of relief. • 3.3–6.6s: Quick zoom out to reveal the alley and the can in his hand, tension building. • 6.6–10s: Explosion occurs, camera shakes slightly, then follows Simon and the can as they fly away, ending with a wide shot of the empty alley. [LIGHTING & COLOR] Low-key lighting with harsh shadows to create a suspenseful mood; the colors are desaturated with a hint of neon to reflect the eerie vibe of the environment. [VFX & CLEANUP] Dynamic explosion effects with debris flying; subtle motion blur to enhance the impact of the blast; stable edges to maintain clarity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

I want to make a video of Simon from Cry of Fear drinking a coke and then it explodes and flies away abruptly.

[LOGLINE] Simon from Cry of Fear casually drinks a Coke, only for it to explode unexpectedly, sending the can flying away abruptly. [SUBJECT & ACTION] Simon, with a look of mild curiosity, raises a can of Coke to his lips and takes a sip. Suddenly, the can erupts, spraying soda everywhere and launching itself into the air. [ENVIRONMENT] The scene is set in a dimly lit, urban alleyway, filled with graffiti and scattered debris, creating a gritty atmosphere that reflects Simon's troubled state. [CAMERA & MOVEMENT] Start with a steady shot of Simon holding the can, then quickly zoom in on his face as he takes a sip. Cut to a close-up of the can as it explodes, followed by a rapid pan to follow the can's trajectory as it flies away. [BEAT FLOW — 10s] • 0–3.3s: Simon lifts the Coke can to his lips, a curious expression on his face. • 3.3–6.6s: The can suddenly bursts, spraying soda, with Simon's eyes widening in surprise. • 6.6–10s: The can soars into the air, with a close-up on Simon's startled reaction, ending with the can disappearing from view. [LIGHTING & COLOR] Use low, moody lighting with stark contrasts to highlight Simon’s features. The colors should be desaturated overall, but the Coke's vibrant red should pop against the background, drawing attention to the explosion. [VFX & CLEANUP] Add dynamic soda splashes and debris flying from the explosion; ensure edges are clean and motion blur is subtle during the can's flight. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

@yoan dans un dark ride effrayant ou dedans on retrouve le thème des congolais traditionnelle et surtout des congolais obèse qui mange plein de poulet et plein de bananes.

[LOGLINE] A chilling dark ride experience immerses visitors in a world inspired by Congolese traditions, featuring larger-than-life characters indulging in an abundance of chicken and bananas. [SUBJECT & ACTION] Inside the ride, animated figures of traditionally-dressed Congolese individuals, notably depicted as overweight, feast on piles of chicken and bananas, creating a surreal yet eerie atmosphere as they laugh and sing in an unsettling manner. [ENVIRONMENT] The ride is set in a dimly lit, winding cavern resembling a jungle, filled with vibrant colors and haunting sounds that echo the cultural essence of Congo. [CAMERA & MOVEMENT] Smooth tracking shots glide through the ride, capturing the animated characters as they interact with their environment, interspersed with sudden close-ups of their exaggerated expressions while they eat. [BEAT FLOW — 10s] • 0–3.3s: The camera moves through the dark ride entrance, revealing the vibrant jungle setting and eerie sounds. • 3.3–6.6s: A close-up of a Congolese character laughing heartily while holding a giant piece of chicken, with bananas strewn around. • 6.6–10s: The camera pulls back to show a group of characters dancing and feasting together, their laughter echoing as the scene fades into darkness. [LIGHTING & COLOR] Low, moody lighting with spotlights highlighting the characters and their food, creating deep shadows; colors are rich and saturated to emphasize the cultural elements while maintaining a spooky ambiance. [VFX & CLEANUP] Use subtle motion blur for the characters in motion; ensure stable edges around animated elements to maintain clarity and focus. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

dog throwing away by a tropical storm

[LOGLINE] A small dog struggles to survive as a powerful tropical storm brutally throws it against debris and strong winds, showcasing its resilience amidst chaos. [SUBJECT & ACTION] The small dog, soaked and frightened, is tossed around by the fierce winds and rain of the tropical storm, desperately trying to find shelter while dodging flying debris and intense gusts. [ENVIRONMENT] The scene is set in a densely vegetated tropical area, with palm trees swaying violently, heavy rain pouring down, and dark storm clouds looming overhead. [CAMERA & MOVEMENT] Handheld tracking shot follows the dog as it runs, capturing the frantic energy of the storm; quick cuts to close-ups of the dog's fearful expressions and wide shots of the storm's ferocity. [BEAT FLOW — 10s] • 0–3.3s: The camera pans down to the small dog crouched against a tree, rain pelting its fur, as the wind howls around it. • 3.3–6.6s: The dog is suddenly lifted by a strong gust, tumbling through the air and landing near a pile of debris, eyes wide with fear. • 6.6–10s: As the dog struggles to regain its footing, the camera captures its determination; the storm rages on in the background, fading into a final shot of the dog searching for shelter. [LIGHTING & COLOR] Dramatic, low lighting with dark, stormy hues; flashes of lightning illuminate the scene intermittently, creating stark contrasts and emphasizing the chaos. [VFX & CLEANUP] Subtle rain particle effects; motion blur during the dog's movements; stable edges to enhance clarity amidst the storm. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

giants building pymarid

[LOGLINE] Giants laboriously construct a massive pyramid, their towering forms casting shadows over the arid landscape as they work in unison, showcasing both their strength and the grandeur of their undertaking. [SUBJECT & ACTION] The giants, each uniquely adorned with tribal markings, tirelessly lift enormous stones and position them with precision, their expressions a mix of determination and camaraderie as they collaborate on this monumental task. [ENVIRONMENT] The scene unfolds in a vast desert, with golden sands stretching to the horizon, punctuated by the shimmering heat waves rising from the ground and the distant outline of the pyramid taking shape. [CAMERA & MOVEMENT] Slow dolly-in towards the giants, then a wide shot to capture the pyramid's scale, followed by a sweeping crane shot that reveals the full extent of the construction site and the surrounding desert. [BEAT FLOW — 10s] • 0–3.3s: Close-up of a giant’s hand gripping a massive stone, muscles flexing as they lift it. • 3.3–6.6s: Wide shot of multiple giants working together, positioning stones and communicating with gestures. • 6.6–10s: Crane shot reveals the pyramid rising majestically, with a focus on the sun setting behind it, casting a warm glow. [LIGHTING & COLOR] Warm, golden lighting enhancing the desert atmosphere; soft shadows highlighting the giants' features and the texture of the stones, with a gradient sky transitioning from blue to orange as the sun sets. [VFX & CLEANUP] Subtle dust particles floating in the air; stable edges around the giants and the pyramid, emphasizing their size and strength while maintaining clarity in the scene. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Match-cut to “After” scenes — smooth, level slabs by garage and pool deck. Technician packs up equipment; homeowners smile, walking safely across restored concrete. Clean title overlay: “Restore your concrete in hours — not days.” Add company logo and tagline: “Southwest Foam Solutions – Lift. Level. Restore.” Bright New Mexico background, blue sky, warm tone, cinematic color grade.

[LOGLINE] A smooth transition showcases the “After” scenes of a beautifully restored concrete garage and pool deck, featuring homeowners smiling in satisfaction as a technician packs up equipment. [SUBJECT & ACTION] The technician, equipped with tools, finishes packing up their equipment while the homeowners joyfully walk across the newly restored concrete, embodying relief and happiness. [ENVIRONMENT] Set against a bright New Mexico background, the scene features a clear blue sky and warm tones that enhance the inviting atmosphere. [CAMERA & MOVEMENT] Start with a smooth match-cut from the “Before” scenes to the “After” images, then use a gentle pan to follow the technician packing up equipment, finally transitioning to a wide shot capturing the homeowners walking across the concrete. [BEAT FLOW — 10s] • 0–3.3s: Match-cut to the “After” scenes, revealing the smooth, level slabs of the garage and pool deck. • 3.3–6.6s: The technician is seen packing up their equipment, with focus on their satisfied expression. • 6.6–10s: Homeowners are shown smiling while walking safely across the restored concrete; the clean title overlay appears. [LIGHTING & COLOR] Utilize bright, natural lighting to emphasize the warm tones of the New Mexico setting, with a cinematic color grade that enhances the vibrancy of the scene. [VFX & CLEANUP] Incorporate subtle motion blur during the transitions; ensure stable edges throughout the shots to maintain clarity and focus. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

@yoan qui raconte une histoire avec un plan cinematic qui montre ce qu’il raconte. « Euh Faut pas acheter les vêtements fabriqués par des gosses au bangladesh dans des usines qui s’écroule et qui prennent feu. Parce que… les couture tiennent pas. Voilà »

[LOGLINE] Yoan tells a poignant story about the dangers of buying clothes made by children in collapsing and burning factories in Bangladesh, emphasizing that the seams don’t hold. [SUBJECT & ACTION] Yoan stands in front of a camera, passionately recounting his story while gesturing expressively to emphasize his points. His tone is serious yet engaging, drawing the audience into the gravity of the situation he describes. [ENVIRONMENT] The backdrop features a dimly lit urban setting, hinting at the harsh realities of the fashion industry, with shadows playing across the walls to create a somber mood. [CAMERA & MOVEMENT] Slow dolly-in towards Yoan as he begins speaking, then a subtle handheld shake to convey urgency as he shares the deeper implications of his message. [BEAT FLOW — 10s] • 0–3.3s: Yoan introduces the topic, looking directly into the camera with a concerned expression. • 3.3–6.6s: He describes the conditions in the factories, using hand gestures to illustrate the collapse and fire, his voice growing more intense. • 6.6–10s: He concludes with a powerful statement about the seams not holding, maintaining eye contact, allowing for a moment of silence as the camera lingers on his expression. [LIGHTING & COLOR] Soft, moody lighting with warm tones to create an intimate yet serious atmosphere, highlighting Yoan’s face while casting shadows that evoke the darker themes of his story. [VFX & CLEANUP] Subtle motion blur to enhance emotional moments; clean edges around Yoan to keep focus on him; no distractions in the background. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

create a video showing brand name "Mohsin Desi Tharra" with smooth transitions also no fast cuts, the brand name shoudl be with voice over and brand name showed in fade in transition, the ad shoot should be in hindi

[LOGLINE] A video ad showcases the brand name "Mohsin Desi Tharra" with a smooth fade-in transition, accompanied by a Hindi voiceover. [SUBJECT & ACTION] The brand name "Mohsin Desi Tharra" is prominently displayed, with the voiceover presenting its unique qualities and appeal. The focus is on creating a seamless and engaging visual experience without fast cuts. [ENVIRONMENT] The setting is vibrant and culturally rich, reflecting the essence of the brand, with elements that evoke a sense of tradition and authenticity. [CAMERA & MOVEMENT] Slow, smooth pans and gentle zoom-ins to emphasize the brand name; transitions are fluid without abrupt changes. [BEAT FLOW — 10s] • 0–3.3s: The video opens with a soft focus on a traditional setting, gradually revealing the brand name in elegant typography. • 3.3–6.6s: The brand name "Mohsin Desi Tharra" fades in, while the Hindi voiceover begins to articulate the brand's message. • 6.6–10s: The brand name remains on screen as the voiceover concludes, allowing viewers to absorb the information before gently fading out. [LIGHTING & COLOR] Warm, inviting lighting that highlights the brand name and setting; colors are rich and saturated, creating an appealing atmosphere. [VFX & CLEANUP] Smooth transitions with subtle motion blur during the fade-in; ensure stable edges around the text and visuals. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

create a video showing brand name "Bhanu Patakhe" with smooth transitions also no fast cuts, the brand name shoudl be with voice over and brand name showed in fade in transition also the ad shoot is for diwali fireworks in india, so the ad shoot should be in hindi

[LOGLINE] A captivating video ad for "Bhanu Patakhe" showcasing stunning Diwali fireworks in India, featuring smooth transitions and a voice-over in Hindi. [SUBJECT & ACTION] The brand name "Bhanu Patakhe" is revealed through a graceful fade-in transition, accompanied by a voice-over that highlights the excitement of Diwali celebrations and the beauty of the fireworks. [ENVIRONMENT] The backdrop is a vibrant Indian cityscape illuminated by colorful Diwali fireworks, creating a festive atmosphere filled with joy and celebration. [CAMERA & MOVEMENT] Gentle dolly-in to the brand name, followed by a slow pan across the fireworks display, maintaining a steady, smooth motion throughout without fast cuts. [BEAT FLOW — 10s] • 0–3.3s: Fade in the brand name "Bhanu Patakhe" with a soft glow effect; voice-over begins, introducing the brand. • 3.3–6.6s: Transition to a wide shot of the fireworks lighting up the night sky, enhancing the festive mood. • 6.6–10s: Close-up of the fireworks bursting in colors, with the final moments of the voice-over emphasizing the joy of Diwali celebrations; end with a lingering shot of the glowing cityscape. [LIGHTING & COLOR] Warm, vibrant tones dominate the scene, highlighting the festive spirit of Diwali; soft ambient lighting to enhance the glow of the fireworks. [VFX & CLEANUP] Smooth transitions with subtle motion blur to enhance the fluidity; maintain stable edges for a polished look. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A man playing the arcade game called double Dragon gets pulled into the TV and becomes the character that he’s playing and begins fighting bad guys

[LOGLINE] A man playing the arcade game called Double Dragon gets pulled into the TV and transforms into the character he’s controlling, engaging in intense battles against bad guys within the game world. [SUBJECT & ACTION] The man, now transformed into a pixelated hero, navigates through the vibrant game environment, utilizing martial arts skills to fight off various enemies, showcasing a mix of determination and excitement. [ENVIRONMENT] The setting is a colorful, retro arcade game world resembling the classic Double Dragon aesthetic, filled with urban backdrops, neon lights, and animated enemies lurking in the shadows. [CAMERA & MOVEMENT] Smooth tracking shot as the man is pulled into the TV, followed by dynamic pans and quick cuts during the fight sequences to capture the action-packed movements. [BEAT FLOW — 10s] • 0–3.3s: The man sits in front of the arcade machine, intensely focused on the game, bright screen illuminating his face. • 3.3–6.6s: Suddenly, he is sucked into the TV, the screen swirling with pixelated graphics as he transforms into the game character. • 6.6–10s: He lands in the game world, instantly engaging the first enemy in a fierce fight, showcasing his martial arts moves. [LIGHTING & COLOR] Bright, saturated colors reflecting the retro game style; dynamic lighting effects during combat sequences to emphasize hits and movements. [VFX & CLEANUP] Subtle motion blur for fast movements; clean lines and crisp edges to maintain the retro game aesthetic. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A Super Bowl style commercial, where the kicker kicks a Doritos through the upright goal post. A close up on his face then cut to the kick and the Doritos going through the goal posts. The team then lifts him onto there shoulders cheering. A bag of Doritos appears with the slogan “taste the win!”

[LOGLINE] A Super Bowl style commercial depicts a kicker executing an impressive kick, sending a Doritos chip soaring through the upright goal post, culminating in a celebration of victory. [SUBJECT & ACTION] The kicker, focused and determined, prepares for the kick, executing a flawless motion that sends the Doritos flying through the goal posts. After the successful kick, his teammates rush in to lift him onto their shoulders, cheering triumphantly. [ENVIRONMENT] The scene unfolds on a vibrant football field, set against the backdrop of an electrifying stadium filled with cheering fans. [CAMERA & MOVEMENT] Start with a close-up on the kicker’s intense expression, then quickly cut to a wide shot as he kicks the Doritos. Capture the Doritos in slow motion as they soar through the goal posts, followed by a sweeping shot of the team lifting him in celebration. [BEAT FLOW — 10s] • 0–3.3s: Close-up on the kicker’s face, showcasing his focus and determination. • 3.3–6.6s: Wide shot of the kick, the Doritos flying through the air towards the goal posts. • 6.6–10s: Team lifts the kicker onto their shoulders, cheering while a bag of Doritos appears with the slogan “taste the win!” [LIGHTING & COLOR] Bright, high-contrast lighting to evoke the excitement of a Super Bowl atmosphere, emphasizing the vibrant colors of the field and the iconic Doritos packaging. [VFX & CLEANUP] Utilize smooth motion blur on the Doritos as they fly, ensuring stable edges throughout the commercial for a polished look. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

3个超重的奥运选手在参加10米高的跳水比赛，一个一个的跳，总共三组镜头，因为太胖导致水花四溅，

[LOGLINE] Three extremely overweight Olympic divers participate in a 10-meter high diving competition, each taking their turn to jump, creating massive splashes due to their weight. [SUBJECT & ACTION] The first diver, a jovial athlete, prepares at the edge of the diving board, takes a deep breath, and leaps off. Following him, the second diver, grinning, runs and jumps, followed by the third, who comically struggles to position himself before making a dramatic dive. [ENVIRONMENT] The setting is a bright outdoor Olympic diving pool, with clear blue water and a lively crowd cheering in the background. [CAMERA & MOVEMENT] Steady wide shot of the diving platform, then a quick handheld zoom-in on each diver as they prepare to jump, followed by a smooth tracking shot that follows their descent into the water. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the diving platform with the first diver stepping forward, crowd noise swelling. • 3.3–6.6s: Close-up on the first diver leaping off, followed by a splash slow-motion shot as they hit the water. • 6.6–10s: Transition to the second diver preparing, then jumping, with a massive splash, ending with a wide shot of the pool. [LIGHTING & COLOR] Bright daylight illuminating the scene, vibrant colors of the diving pool and divers' swimwear, with splashes creating white foam against the blue water. [VFX & CLEANUP] Dynamic water splash effects; enhance splashes with a slight ripple effect; maintain stable edges around the divers. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

## **Script:** "So this little vial here is kind of like rocket fuel for your cells. It's actually pharmaceutical-grade NAD+ that goes directly into your bloodstream." **Visual Prompt:** *Cinematic close-up of a glass vial filled with clear liquid, glowing with soft golden light, floating in a dark space with subtle particle effects suggesting cellular energy, slow rotation, depth of field, premium pharmaceutical aesthetic*

[LOGLINE] A cinematic close-up reveals a glass vial filled with clear liquid, described as pharmaceutical-grade NAD+, that glows with soft golden light as it floats in a dark space, suggesting cellular energy. [SUBJECT & ACTION] The vial rotates slowly, showcasing its premium pharmaceutical aesthetic while emphasizing its role as a powerful substance for rejuvenating cells. [ENVIRONMENT] The setting is a dark, ethereal space filled with subtle particle effects that evoke the feeling of energy at a cellular level. [CAMERA & MOVEMENT] Handheld push-in on the vial, slow rotation to emphasize the glow, and slight tilt to capture the depth of field. [BEAT FLOW — 10s] • 0–3.3s: Start with a wide shot of the dark space, then push in towards the vial. • 3.3–6.6s: Focus on the vial as it slowly rotates, revealing the glowing liquid. • 6.6–10s: Close-up on the vial as it continues to float, with a subtle zoom to enhance the sense of depth, ending with a lingering shot on the glowing liquid. [LIGHTING & COLOR] Soft, warm golden light emanates from the vial, contrasting against the dark background, creating an inviting yet mysterious atmosphere. [VFX & CLEANUP] Subtle particle effects around the vial suggesting cellular energy; ensure stable edges and smooth transitions throughout the scene. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

一个特别超重的胖子在表演杂技，钻火圈，上下抛飞刀，骑独轮车，走钢丝，多组镜头，在马戏团

[LOGLINE] 一个特别超重的胖子在马戏团表演杂技，钻火圈、上下抛飞刀、骑独轮车和走钢丝，展现出令人惊叹的技巧与幽默感。 [SUBJECT & ACTION] 一个体型庞大的胖子，穿着华丽的表演服装，勇敢地在马戏团的舞台上表演。他既要钻过燃烧的火圈，又要在高空中抛飞刀，骑着独轮车穿梭于观众之间，同时在钢丝上走动，充分展现出他的勇气与技巧。 [ENVIRONMENT] 马戏团的舞台布满五彩斑斓的灯光，背景是巨大的彩色帐篷，观众们兴奋地围绕着表演区域，气氛热烈而欢快。 [CAMERA & MOVEMENT] 从观众的视角推入，紧随胖子的动作，快速切换到不同的角度，捕捉他钻火圈、抛飞刀、骑独轮车和走钢丝的每一个瞬间，最后从上方俯视全场，展示观众的欢呼。 [BEAT FLOW — 10s] • 0–3.3s: 胖子勇敢地钻入火圈，火焰闪烁，观众惊呼。 • 3.3–6.6s: 胖子在空中抛飞刀，刀片在灯光下闪烁，观众屏息以待。 • 6.6–10s: 胖子骑着独轮车，走上钢丝，观众齐声欢呼，画面定格在他微笑的脸庞。 [LIGHTING & COLOR] 使用明亮的舞台灯光，突出胖子的表演，背景色彩鲜艳，营造出快乐和兴奋的氛围。 [VFX & CLEANUP] 使用细微的运动模糊，确保边缘稳定，强调动作的流畅性。 [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

a lady reading a bible then switching over to her app and looking into the verse context for deeper meaning, in a coffee shop

[LOGLINE] A woman sits in a cozy coffee shop, deeply engaged in reading her Bible, then transitions to her smartphone app to explore the verse's context for deeper understanding. [SUBJECT & ACTION] The lady, focused and contemplative, reads her Bible before seamlessly switching to her app, scrolling through the screen to uncover the deeper meanings of the verses she has just read. [ENVIRONMENT] The scene is set in a warm, inviting coffee shop filled with soft ambient sounds of brewing coffee and quiet chatter, with wooden tables and cozy seating. [CAMERA & MOVEMENT] Start with a steady close-up on the woman's face, then a smooth pan down to her Bible, followed by a quick cut to her phone screen as she scrolls through the app. [BEAT FLOW — 10s] • 0–3.3s: Close-up of the woman’s focused expression as she reads the Bible, a soft smile appearing on her lips. • 3.3–6.6s: Camera smoothly pans down to the open Bible on the table, highlighting the highlighted verses. • 6.6–10s: Quick cut to her phone screen showing the app interface, her fingers scrolling through verses, ending with a thoughtful look as she contemplates the deeper meanings. [LIGHTING & COLOR] Warm, natural light filters through the coffee shop windows, creating a cozy atmosphere with soft shadows; colors are rich and inviting, emphasizing the warmth of the setting. [VFX & CLEANUP] Subtle depth of field to keep the focus on the woman and her actions; ensure clean edges around the subjects for clarity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

@nion01 walking around the house with a gallon of milk

[LOGLINE] @nion01 meanders through the house, carrying a gallon of milk, capturing the mundane yet oddly amusing moments of their day. [SUBJECT & ACTION] @nion01 strolls from room to room, occasionally pausing to inspect items on shelves or glance out windows, all while balancing the heavy gallon of milk in one hand. [ENVIRONMENT] The interior of a cozy home, filled with personal touches like family photos, house plants, and soft lighting that creates a warm atmosphere. [CAMERA & MOVEMENT] Smooth tracking shot following @nion01 as they walk; occasional close-ups on the milk gallon as it sways with their movements. [BEAT FLOW — 10s] • 0–3.3s: @nion01 enters the frame from the left, holding the milk with a casual grip, a playful smile on their face. • 3.3–6.6s: A close-up on the milk gallon as it wobbles slightly while @nion01 glances at a family photo on a nearby shelf. • 6.6–10s: @nion01 turns and continues walking, their laughter echoing softly, as the camera pans out to capture the cozy living room setting. [LIGHTING & COLOR] Soft, warm lighting to enhance the inviting feel of the home; a natural color palette with soft pastels and earthy tones. [VFX & CLEANUP] Subtle motion blur to convey a smooth walking motion; stable edges to maintain clarity of the scene. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

The black man sitting at a desk Trading the stock market on a phone making profits on a long position

[LOGLINE] A focused black man sits at a desk, trading the stock market on his phone, successfully making profits on a long position. [SUBJECT & ACTION] The man, deeply engaged, swipes and taps on his smartphone, analyzing stock trends and reacting to market fluctuations with an air of confidence and anticipation. [ENVIRONMENT] The setting is a modern home office, equipped with a sleek desk, dual monitors displaying stock charts, and a large window letting in natural light. [CAMERA & MOVEMENT] Smooth dolly-in towards the man’s face to capture his concentration, then a quick pan to the phone screen showing rising stock prices. [BEAT FLOW — 10s] • 0–3.3s: The camera starts wide, showing the man at his desk, then dolly-in to focus on his face. • 3.3–6.6s: A pan to his phone as he taps the screen, with a close-up of the rising stock chart. • 6.6–10s: Return to a medium shot of the man smiling as he sees the profits, with the office background slightly blurred. [LIGHTING & COLOR] Utilize bright, natural lighting from the window, highlighting the man's features and the glow of the phone screen; warm tones create an inviting atmosphere. [VFX & CLEANUP] Subtle motion blur on the phone screen interactions; ensure stable edges around the man and desk. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.