Explore Public Sora Prompts

A Tiny a320 (see attached picture) is landing on worlds most dangerous airport: lukla airport. It is a humorous scene

[LOGLINE] A tiny A320 humorously attempts to land at the world's most dangerous airport, Lukla Airport, showcasing the absurdity of the situation. [SUBJECT & ACTION] The tiny A320, comically small against the dramatic backdrop, wobbles as it approaches the runway, the pilot sweating nervously while passengers exchange worried glances. The scene captures the lighthearted chaos of landing in such a perilous location. [ENVIRONMENT] Lukla Airport, nestled high in the Himalayas, features a short, sloped runway surrounded by towering mountains and a bustling crowd of locals and trekkers. [CAMERA & MOVEMENT] Handheld tracking shot following the A320 as it descends, then a quick pan to capture the anxious expressions of the passengers before a wide shot reveals the airport's daunting landscape. [BEAT FLOW — 10s] • 0–3.3s: The tiny A320 approaches the runway, wobbling in the air, with the camera focused on the pilot's panicked face. • 3.3–6.6s: Cut to the passengers, eyes wide, some clutching their armrests, as the camera shakes slightly for comedic effect. • 6.6–10s: A wide shot shows the A320 touching down awkwardly on the short runway, landing gear bouncing, as the crowd below gasps in unison. [LIGHTING & COLOR] Bright daylight with vibrant colors; the mountains cast dramatic shadows, enhancing the comedic tension while keeping a lighthearted tone. [VFX & CLEANUP] Subtle motion blur during the landing; stable edges on the aircraft and environment to maintain clarity amidst the humor. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Make it 2v2 to picture and formal attire and white background don't change my face and just normal no smiling

[LOGLINE] A formal 2v2 portrait session features four individuals dressed in elegant attire against a stark white background, capturing their serious expressions without any smiles. [SUBJECT & ACTION] Two pairs of individuals stand side by side, each dressed in formal attire. They maintain neutral expressions, looking directly at the camera, with no smiling, as they pose for the picture. [ENVIRONMENT] The setting is a simple, bright white background that enhances the formal attire and the serious demeanor of the subjects. [CAMERA & MOVEMENT] Static shot, centered on the group, ensuring all four individuals are clearly framed within the composition. [BEAT FLOW — 10s] • 0–3.3s: Camera captures the initial setup with all four individuals in position, focusing on their attire. • 3.3–6.6s: Close-up on each pair, showcasing their serious expressions, maintaining a steady frame. • 6.6–10s: Pull back to reveal the full group once more, solidifying the composition before the final second. [LIGHTING & COLOR] Bright, even lighting to eliminate shadows, emphasizing the white background and the colors of the formal attire. The overall tone remains crisp and clean. [VFX & CLEANUP] Subtle motion blur if any movement occurs; stable edges to maintain a polished look without distractions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Приходит Буба в магазин и ему продают чипсы лава лава матьшала вам продают цены 67 и Буба кричит на весь магазин Сикс севееееееен

[LOGLINE] Буба заходит в магазин, где ему предлагают чипсы "лава лава матьшала" по цене 67, и он с восторгом кричит на весь магазин "Сикс севееееееен!" [SUBJECT & ACTION] Буба, полный энтузиазма, входит в магазин и обращается к продавцу, который предлагает ему чипсы. Буба, не сдерживая радости, громко восклицает свою реакцию на цену. [ENVIRONMENT] Магазин ярко освещен, с полками, полными различных закусок и чипсов, создавая атмосферу веселья и неожиданности. [CAMERA & MOVEMENT] Стабильный общий план, затем переход к среднему плану на Бубу, а затем плавный зум на его лицо в момент крика. [BEAT FLOW — 10s] • 0–3.3s: Буба заходит в магазин, осматривая полки с чипсами. • 3.3–6.6s: Продавец предлагает чипсы "лава лава матьшала" по цене 67. • 6.6–10s: Буба, с восторгом, кричит "Сикс севееееееен!" на весь магазин, завершая свою реакцию. [LIGHTING & COLOR] Яркое, теплое освещение, чтобы подчеркивать радостную атмосферу магазина; насыщенные цвета упаковки чипсов. [VFX & CLEANUP] Легкий эффект размытия движения, чтобы подчеркнуть динамичность момента; четкие края объектов. [NEGATIVE DIRECTIVES] Нет текстовых наложений, нет водяных знаков, нет дублированных конечностей, избегать дрожания/мерцания, никаких плавающих артефактов, нет сдвига синхронизации губ.

Create a video of news reporter, Tim Weigel interviewing a young African-American teenager. They’re in downtown Chicago on State Street by the Chicago theater.. the reporter asked the young man, “why are you guys having a teen take over during a Christmas lighting ceremony?” the young man responds, “ Dawn Motley was right we lame as hell. A lot of us never learned how to talk to girls.” The reporter responded, “ well next year come downtown with some mistletoe. you might be able to get a kiss.”

[LOGLINE] Tim Weigel interviews a young African-American teenager in downtown Chicago during a Christmas lighting ceremony, discussing the significance of a teen takeover. [SUBJECT & ACTION] Tim Weigel, a seasoned news reporter, engages with a confident young African-American teenager, who expresses his thoughts on the importance of the event and the challenges of connecting with peers. [ENVIRONMENT] The bustling streets of downtown Chicago on State Street, near the iconic Chicago Theater, adorned with festive holiday lights and decorations. [CAMERA & MOVEMENT] Start with a medium shot of Tim and the teenager, then slowly push in for a close-up during their exchange, capturing their expressions and body language. [BEAT FLOW — 10s] • 0–3.3s: Tim Weigel asks, “Why are you guys having a teen take over during a Christmas lighting ceremony?” • 3.3–6.6s: The young man responds, “Dawn Motley was right we lame as hell. A lot of us never learned how to talk to girls.” • 6.6–10s: Tim replies, “Well next year come downtown with some mistletoe. You might be able to get a kiss,” as the camera captures their reactions. [LIGHTING & COLOR] Bright, festive lighting from the holiday displays enhances the warm tones of the scene, with a soft focus on the background to highlight the subjects. [VFX & CLEANUP] Subtle motion blur during camera movements; ensure stable edges around characters and avoid any distractions in the background. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video of news reporter, Tim Weigel interviewing a young African-American teenager. They’re in downtown Chicago on State Street by the Chicago theater.. the reporter asked the young man, “why are you guys having a team take over during a Christmas lighting ceremony?” the young man responds, “Don Motley was right. We lame as hell. We never learned how to talk to girls.” The reporter responds, “Well, make sure you come down town with some mistletoe you might be able to get a kiss.”

[LOGLINE] A news reporter, Tim Weigel, conducts an engaging interview with a young African-American teenager in downtown Chicago, exploring the dynamics of youth during a Christmas lighting ceremony. [SUBJECT & ACTION] Tim Weigel, a seasoned news reporter, interviews a confident young African-American teenager in front of the iconic Chicago theater. The teenager candidly addresses the challenges of youth interactions, while Tim offers light-hearted advice about the holiday spirit. [ENVIRONMENT] The bustling streets of downtown Chicago, adorned with festive decorations, with the Chicago theater as a prominent backdrop, providing a vibrant and lively atmosphere. [CAMERA & MOVEMENT] Handheld close-up on the reporter as he poses the question, then a smooth pan to the teenager for his response, followed by a slight zoom-in on Tim for his reaction, capturing the dynamic exchange. [BEAT FLOW — 10s] • 0–3.3s: Tim Weigel asks the teenager, “Why are you guys having a team take over during a Christmas lighting ceremony?” • 3.3–6.6s: The teenager replies, “Don Motley was right. We lame as hell. We never learned how to talk to girls.” • 6.6–10s: Tim responds, “Well, make sure you come downtown with some mistletoe you might be able to get a kiss,” ending with a friendly smile. [LIGHTING & COLOR] Daytime lighting with a bright, cheerful tone, emphasizing the festive atmosphere; warm hues highlighting the characters, contrasted with the cool urban backdrop. [VFX & CLEANUP] Subtle motion blur for dynamic action; stable edges to maintain clarity in the busy environment. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Bruce Lee and James Brown in a Nike commercial.

[LOGLINE] Bruce Lee and James Brown team up in a high-energy Nike commercial, showcasing their iconic styles and athleticism through a dynamic fusion of martial arts and dance. [SUBJECT & ACTION] Bruce Lee performs a series of impressive martial arts moves, showcasing his agility and precision, while James Brown electrifies the scene with his signature dance steps, exuding charisma and rhythm. Together, they embody the spirit of determination and empowerment, inspiring viewers to push their limits. [ENVIRONMENT] The setting is an urban rooftop at sunset, with a breathtaking skyline in the background, bathed in warm golden hues, reflecting the vibrant energy of the city. [CAMERA & MOVEMENT] Handheld tracking shot following Bruce Lee as he delivers a spinning kick, then quickly cuts to a smooth glide as James Brown shifts into a dance routine, creating a dynamic back-and-forth rhythm between the two performers. [BEAT FLOW — 10s] • 0–3.3s: Bruce Lee executes a powerful roundhouse kick, the camera capturing the fluidity of his movement. • 3.3–6.6s: Transition to James Brown as he steps into frame, showcasing his famous dance moves with bold gestures and lively footwork. • 6.6–10s: Both performers converge in the center, exchanging smiles and nods, embodying unity and strength, as the Nike logo fades in for the final second. [LIGHTING & COLOR] Soft, warm lighting enhances the golden hour ambiance, with vibrant colors accentuating the energy of the scene. Contrast is applied to highlight Bruce’s martial arts attire against the urban backdrop while keeping James's outfit lively and colorful. [VFX & CLEANUP] Subtle motion blur during quick movements to emphasize action; stable edges to maintain clarity of performers; smooth transitions that enhance the energy without distraction. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video of John F. Kennedy Jr. recording a commercial for his small business. It’s called JFK Jr’s Flight School. They specialize in small planes that run out of gas mid flight. Amelia Earhart is also in the videos they both introduce themselves at the beginning of the video.

[LOGLINE] John F. Kennedy Jr. and Amelia Earhart introduce JFK Jr’s Flight School, a unique small business specializing in training pilots for scenarios involving small planes running out of gas mid-flight. [SUBJECT & ACTION] John F. Kennedy Jr. stands confidently in front of a small airplane, wearing a pilot's jacket, while Amelia Earhart, in her classic aviator attire, gestures enthusiastically as they both introduce their flight school. They exchange friendly banter about the importance of preparedness in aviation. [ENVIRONMENT] The setting is a sunny airfield with a small airplane in the background, surrounded by a clear blue sky and a few fluffy clouds, creating an inviting atmosphere for aspiring pilots. [CAMERA & MOVEMENT] Start with a wide shot of the airfield, then smoothly transition to a medium shot of JFK Jr. and Amelia Earhart as they speak, allowing for slight zoom-ins during their introductions to capture their expressions. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the airfield, then cutting to JFK Jr. introducing himself with a smile. • 3.3–6.6s: Medium shot of Amelia Earhart chiming in with her introduction, looking enthusiastic and engaging. • 6.6–10s: Both characters highlight the unique training offered at the flight school, finishing with a shared laugh before the final second transitions to a shot of the airplane. [LIGHTING & COLOR] Natural sunlight bathes the scene, highlighting the vibrant colors of the airplane and the characters' outfits. The overall tone is warm and inviting, enhancing the friendly nature of the commercial. [VFX & CLEANUP] Subtle motion blur during character movements; ensure stable edges and smooth transitions between shots. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Hospital exterior area with overflowing medical waste containers, warning tape reading ‘Contamination’. No staff visible. Slow push-in from chest height. Slight greenish hospital tint in grading

[LOGLINE] A hospital exterior area reveals overflowing medical waste containers surrounded by ominous warning tape reading ‘Contamination’, creating a sense of unease with no staff visible. [SUBJECT & ACTION] A slow push-in shot captures the overflowing medical waste containers, emphasizing the neglected state of the hospital grounds and the threatening warning tape fluttering in the breeze. [ENVIRONMENT] The scene is set outside a dilapidated hospital, where the atmosphere is thick with a sense of abandonment and contamination. [CAMERA & MOVEMENT] Slow push-in from chest height toward the medical waste containers, maintaining a steady, deliberate pace to heighten tension. [BEAT FLOW — 10s] • 0–3.3s: Start with a wide shot of the hospital exterior, establishing the environment and the presence of the waste containers. • 3.3–6.6s: Begin the slow push-in towards the overflowing containers, focusing on the warning tape and the mess. • 6.6–10s: Continue pushing in until the camera fills the frame with the containers, allowing the ominous atmosphere to settle in silence. [LIGHTING & COLOR] Use a slightly greenish tint in grading to evoke a sterile yet unsettling hospital feel, with shadows that enhance the eerie atmosphere. [VFX & CLEANUP] Subtle motion blur to enhance the push-in effect; ensure stable edges to maintain focus on the containers and warning tape. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video of John F. Kennedy Jr. dressed up like a modern day metrosexual. In the video he’s doing the Harlem shake dance. In the video he says, “I know one motherfuckin’ thing. You can’t steal my swag!”

[LOGLINE] A modern-day video of John F. Kennedy Jr., dressed as a contemporary metrosexual, confidently performs the Harlem shake dance while asserting his unique style with the line, “I know one motherfuckin’ thing. You can’t steal my swag!” [SUBJECT & ACTION] John F. Kennedy Jr. embodies a stylish metrosexual persona, showcasing his charisma and flair through the energetic Harlem shake dance. He delivers his bold line with a playful attitude, exuding confidence and charm. [ENVIRONMENT] The setting features a vibrant urban backdrop, with colorful street art and bustling city life that enhances the lively atmosphere of the Harlem shake dance. [CAMERA & MOVEMENT] Start with a dynamic zoom-in on Kennedy as he begins his dance, then switch to a wide shot capturing his full movements. Incorporate quick cuts between different angles to highlight his stylish attire and energetic dance moves. [BEAT FLOW — 10s] • 0–3.3s: Dynamic zoom-in on John F. Kennedy Jr. as he strikes a pose, showcasing his metrosexual outfit. • 3.3–6.6s: Wide shot of Kennedy starting the Harlem shake, capturing his fluid movements and charisma in the urban setting. • 6.6–10s: Quick cuts of Kennedy dancing with energy, culminating in him delivering his line, “I know one motherfuckin’ thing. You can’t steal my swag!” with a confident expression. [LIGHTING & COLOR] Bright, colorful lighting that emphasizes the vibrancy of the urban environment, with a warm tone to enhance the playful mood of the dance. Use high contrast to make Kennedy’s attire pop against the backdrop. [VFX & CLEANUP] Subtle motion blur to convey the energy of the dance; ensure stable edges to maintain a clean look throughout the video. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Close-up realista de um papagaio encurralado na parede enquanto um gato ruivo lambe o pescoço dele como se estivesse ‘dando banho’. O papagaio, com olhos arregalados, fala em tom desesperado e engraçado. Clima de humor brasileiro espontâneo, câmera estável, áudio limpo e vibe TikTok viral.

[LOGLINE] Close-up realista de um papagaio encurralado na parede enquanto um gato ruivo lambe o pescoço dele, criando uma cena hilária e desesperada em um clima de humor brasileiro espontâneo. [SUBJECT & ACTION] Um papagaio com olhos arregalados fala em tom desesperado e engraçado, enquanto um gato ruivo, agindo como se estivesse 'dando banho', lambe seu pescoço. O contraste entre a situação do papagaio e a atitude despreocupada do gato gera um momento cômico. [ENVIRONMENT] A cena se passa em um ambiente doméstico, com uma parede de fundo que destaca a tensão do momento, e elementos comuns que reforçam a natureza cotidiana da situação. [CAMERA & MOVEMENT] Câmera estável em close-up, focando nos rostos do papagaio e do gato, capturando as expressões de ambos de forma direta e íntima. [BEAT FLOW — 10s] • 0–3.3s: Close-up do papagaio com olhos arregalados, começando a falar de forma desesperada. • 3.3–6.6s: O gato ruivo começa a lamber o pescoço do papagaio, que tenta se esquivar, intensificando o tom engraçado da situação. • 6.6–10s: O papagaio finaliza sua fala com um comentário engraçado, enquanto a câmera mantém o close-up, capturando a reação do gato, sem novas falas. [LIGHTING & COLOR] Iluminação suave e natural, com cores vibrantes que destacam o verde do papagaio e o laranja do gato, criando um clima leve e cômico. [VFX & CLEANUP] Subtle motion blur; stable edges to enhance realism without distracting from the characters’ expressions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

monkey caught on doorbell dancing

[LOGLINE] A playful monkey is caught on a doorbell camera, joyfully dancing and entertaining viewers with its lively antics. [SUBJECT & ACTION] The monkey bounces and grooves energetically in front of the doorbell camera, showcasing its playful personality as it twirls and hops. [ENVIRONMENT] The setting is a suburban neighborhood, with a clear view of a front porch and a well-maintained lawn, framing the doorbell camera. [CAMERA & MOVEMENT] Static shot from the doorbell camera perspective, capturing the entire scene with occasional tight crops on the monkey’s expressive movements. [BEAT FLOW — 10s] • 0–3.3s: The monkey dances into the frame, performing a series of playful jumps and spins. • 3.3–6.6s: It pauses dramatically, tilting its head and making silly faces at the camera, showcasing its personality. • 6.6–10s: The monkey finishes with a final energetic leap, landing with a playful flourish as the scene fades out. [LIGHTING & COLOR] Natural daylight illuminates the scene, casting soft shadows on the porch; the colors are vibrant, emphasizing the monkey's fur and the greenery around it. [VFX & CLEANUP] Subtle motion blur on the monkey’s movements; clear focus on the monkey with stable edges throughout the clip. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Généré une image très apprécié d'un coach

[LOGLINE] A highly appreciated coach stands confidently in front of a group of eager athletes, inspiring them with motivational words and a passion for their growth. [SUBJECT & ACTION] The coach, a charismatic figure with an enthusiastic demeanor, gestures expressively while delivering an uplifting speech. The athletes, diverse in age and background, listen intently, their expressions shifting from determination to enthusiasm. [ENVIRONMENT] The scene takes place on a vibrant outdoor sports field, with bright green grass and a clear blue sky, creating an energetic atmosphere. [CAMERA & MOVEMENT] Start with a steady wide shot of the coach and athletes, then smoothly transition to a medium close-up of the coach as they speak, followed by a quick pan to capture the attentive faces of the athletes. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the coach standing in front of the group, arms open as they begin to speak. • 3.3–6.6s: Medium close-up of the coach passionately delivering their message, conveying enthusiasm. • 6.6–10s: Quick pan across the athletes’ faces, showing a mix of determination and inspiration, ending with a focus on one athlete smiling brightly. [LIGHTING & COLOR] Bright, natural lighting enhances the vibrant colors of the field and the coach's attire, creating an uplifting and motivational atmosphere. [VFX & CLEANUP] Subtle motion blur during the pan; ensure stable edges around characters and environment for a polished look. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

In coach en développement professionnel Assis sur une chaise entrain de motivé le monde entier sur l'Afrique

[LOGLINE] A professional coach passionately motivates an audience while seated on a chair, focusing on the potential and opportunities in Africa. [SUBJECT & ACTION] The coach, exuding charisma and enthusiasm, gestures animatedly as they share inspiring stories and insights about Africa's rich culture and possibilities, aiming to uplift and empower everyone listening. [ENVIRONMENT] The setting is a brightly lit conference room filled with diverse attendees, with a large map of Africa prominently displayed in the background, symbolizing the continent's significance. [CAMERA & MOVEMENT] Start with a medium shot of the coach, then transition to a close-up as they emphasize key points, followed by a wide shot capturing the audience's reactions. [BEAT FLOW — 10s] • 0–3.3s: The coach begins speaking, smiling warmly at the audience, establishing a connection. • 3.3–6.6s: They raise their hands passionately, sharing a compelling story about African resilience, with audience members nodding in agreement. • 6.6–10s: The coach concludes with a powerful call to action, inviting everyone to believe in the potential of Africa, as the camera zooms out slightly to show the entire room's engagement. [LIGHTING & COLOR] Bright, warm lighting enhances the positive atmosphere, with a focus on natural tones to reflect the vibrancy of Africa; subtle highlights on the coach to draw attention. [VFX & CLEANUP] Smooth transitions between shots; ensure clarity and focus on the coach without distractions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A chiropractor does something absurd with the pasient resulting in breaking things

[LOGLINE] A chiropractor attempts an unconventional treatment on a patient, leading to a series of absurd mishaps that end with the clinic in chaos as objects comically break around them. [SUBJECT & ACTION] The chiropractor, with a quirky enthusiasm, engages in an exaggerated adjustment maneuver on their nervous patient, causing unexpected reactions and resulting in the shattering of various props in the clinic. [ENVIRONMENT] The scene is set in a brightly lit chiropractic office, filled with typical treatment equipment, exercise balls, and framed anatomy posters on the walls. [CAMERA & MOVEMENT] Start with a wide shot of the clinic, then quickly cut to a medium shot of the chiropractor and patient, followed by a close-up of the patient's anxious expression, and finally, a dynamic zoom-in on the breaking objects. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the chiropractor's office, establishing the setting, with the chiropractor enthusiastically gesturing. • 3.3–6.6s: Medium shot of the chiropractor preparing for the adjustment, focusing on the nervous patient. • 6.6–10s: Close-up of the adjustment moment, followed by a rapid succession of breaking sounds and objects flying, ending with a wide shot of the chaotic aftermath. [LIGHTING & COLOR] Bright, warm lighting fills the clinic, enhancing the comedic tone, with pops of color from the exercise equipment and posters creating a lively atmosphere. [VFX & CLEANUP] Add subtle motion blur during the chaotic moments of breaking objects; ensure edges remain stable to maintain clarity in the comedic chaos. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video of a young JFK driving a small rescue boat during a battle in World War II. He’s rapping with a flow reminiscent of Eminem. He’s rapping about how too much use of auto tune is hurting the rap game.

[LOGLINE] A young JFK navigates a small rescue boat during a fierce World War II battle, delivering a rapid-fire rap reminiscent of Eminem about the detrimental effects of excessive auto-tune on the rap game. [SUBJECT & ACTION] JFK, youthful and determined, grips the boat's wheel as he steers through choppy waters, passionately rapping with a sharp flow, emphasizing his points about authenticity in music. [ENVIRONMENT] The scene is set on a tumultuous ocean, with smoke and distant explosions around, reflecting the chaos of battle while the sky is overcast and filled with tension. [CAMERA & MOVEMENT] Dynamic handheld tracking as the camera moves alongside JFK, pushing in during impactful lines and pulling back to capture the surrounding chaos of the battle. [BEAT FLOW — 10s] • 0–3.3s: JFK appears focused, driving the boat as waves crash against it; he starts his rap with intensity. • 3.3–6.6s: The camera pulls in closer to capture his expressive gestures; he emphasizes key lines about auto-tune. • 6.6–10s: As he concludes his verse, the camera pulls back to show the boat navigating through the battle, with no new dialogue, just the sound of the ocean and distant explosions. [LIGHTING & COLOR] Overcast and moody lighting with a blue-grey color palette reflecting the urgency of the scene; highlights on JFK's face to capture his passion. [VFX & CLEANUP] Subtle motion blur during rapid movements; stable edges to maintain clarity amidst the chaos of battle. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a rap video with Ronald Reagan rapping about how bad the democrats are. He’s riding in a 64 impala. His rap flow reminds you of Jay Z. Ronald is wearing his normal suit and tie. Riding around Washington DC in this video.

[LOGLINE] A rap video featuring Ronald Reagan in a suit and tie, delivering a powerful rap reminiscent of Jay Z, while driving through Washington DC in a classic 1964 Impala, criticizing the Democrats. [SUBJECT & ACTION] Ronald Reagan confidently raps about the failings of the Democrats, leaning out of the window of his sleek 64 Impala, gesturing passionately to the beat. His lyrics are sharp and impactful, reflecting his political stance. [ENVIRONMENT] The vibrant streets of Washington DC serve as the backdrop, showcasing iconic landmarks and the hustle of the city. [CAMERA & MOVEMENT] Steady shots of the Impala cruising through the city, interspersed with dynamic close-ups of Reagan as he delivers his lines, and wide shots capturing the urban landscape. [BEAT FLOW — 10s] • 0–3.3s: Reagan in the Impala, starting his rap with a confident smile, cityscape flashing by. • 3.3–6.6s: Close-up on Reagan, emphasizing his expressions and hand gestures as he critiques the Democrats. • 6.6–10s: Wide shot of the Impala driving off into the sunset, Reagan finishing his verse, transitioning to a visual of the city skyline. [LIGHTING & COLOR] Bright, natural daylight highlighting the vibrant colors of the Impala and the city, with a slight warm tint to evoke a nostalgic feel. [VFX & CLEANUP] Smooth transitions between shots; subtle motion blur during quick movements; stable edges around characters and the car. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a r&b duet featuring Gary Coleman and Dana Plato. The name of the lustful song is called Different Strokes. At the the end of the clip, put the title, “Different Strokes” on the screen.

[LOGLINE] An R&B duet featuring Gary Coleman and Dana Plato passionately singing their lustful song "Different Strokes," culminating in a visually striking display of their chemistry. [SUBJECT & ACTION] Gary Coleman and Dana Plato perform together, exchanging flirtatious glances and playful gestures as they sing about their passionate connection. Their chemistry is palpable, drawing the audience into the emotions of the song. [ENVIRONMENT] The scene is set in a vibrant, intimate lounge filled with soft, ambient lighting, plush couches, and a small stage adorned with colorful lights that pulse to the rhythm of the music. [CAMERA & MOVEMENT] Smooth dolly-in towards the duo as they sing, with occasional quick pans to capture their expressive faces, and a slight pull back to reveal the cozy atmosphere of the lounge. [BEAT FLOW — 10s] • 0–3.3s: Gary and Dana lock eyes, their smiles warm and inviting as the music begins. • 3.3–6.6s: They intertwine their fingers, leaning closer, with playful banter and synchronized movements that emphasize the song's flirtatious nature. • 6.6–10s: The camera pulls back slightly to reveal the lounge ambiance, as the music swells, and the title “Different Strokes” appears on the screen, finalizing the scene. [LIGHTING & COLOR] Soft, warm lighting with a slight golden hue to create a romantic atmosphere, accentuating the colors of the lounge and the performers' outfits in rich, inviting tones. [VFX & CLEANUP] Subtle motion blur during the camera movements; ensure stable edges around the performers to maintain focus on their expressions and interactions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video of Nat King Cole vs Shock g in a Verzuz competition.

[LOGLINE] A vibrant Verzuz competition unfolds between legendary musicians Nat King Cole and Shock G, showcasing their unique styles and musical legacies. [SUBJECT & ACTION] Nat King Cole, dressed in a classic suit, performs a smooth jazz number while Shock G, in his signature colorful attire, counters with a dynamic hip-hop track, creating an electric atmosphere filled with musical rivalry and mutual respect. [ENVIRONMENT] The competition takes place on a grand stage adorned with vintage and modern music elements, featuring a backdrop of vibrant lights and a cheering audience that reflects the energy of both eras. [CAMERA & MOVEMENT] Start with a wide shot of the stage, then transition to close-ups of each artist as they perform. Use smooth dolly movements to capture the audience's reactions, and quick cuts to highlight the intensity of their performances. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the stage with both Nat King Cole and Shock G, introducing the competition with upbeat music. • 3.3–6.6s: Close-up on Nat King Cole as he sings, capturing his charisma and the elegance of his performance. • 6.6–10s: Quick cuts to Shock G, showcasing his energetic delivery, with audience reactions building to the climax of the competition. [LIGHTING & COLOR] Use warm, soft lighting for Nat King Cole to highlight the nostalgic vibe, while vibrant, dynamic lighting for Shock G creates a contrast that emphasizes the modern hip-hop aesthetic. [VFX & CLEANUP] Incorporate subtle motion blur during transitions; maintain stable edges to enhance the clarity of the performances. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a music video in 4k of Wilt Chamberlain performing a r& b song called “Soul Pole”.

[LOGLINE] A vibrant music video in 4K captures Wilt Chamberlain performing his R&B song "Soul Pole," showcasing his charisma and unique dance moves. [SUBJECT & ACTION] Wilt Chamberlain, dressed in a stylish, retro outfit, passionately sings "Soul Pole" while performing smooth dance moves, engaging the audience with his charm and energy. [ENVIRONMENT] The setting is a lively urban rooftop at sunset, adorned with colorful lights and cityscape views in the background, creating a vibrant and dynamic atmosphere. [CAMERA & MOVEMENT] Handheld tracking shot moves alongside Wilt as he dances, with occasional close-ups on his expressive facial gestures, complemented by sweeping aerial shots of the rooftop. [BEAT FLOW — 10s] • 0–3.3s: Wilt starts singing the opening lines, camera smoothly panning around him, capturing his confident stance. • 3.3–6.6s: The camera moves in closer, focusing on his footwork and captivating dance moves, while the vibrant city lights flicker in the background. • 6.6–10s: Wilt transitions into a powerful chorus, showcasing his vocal range, the camera pulling back to reveal the full rooftop scene as the song reaches its climax. [LIGHTING & COLOR] Warm, golden lighting illuminates Wilt, with colorful, pulsating lights reflecting the rhythm of the music, creating a lively, inviting ambiance. [VFX & CLEANUP] Subtle lens flares and light trails following Wilt's movements; stable edges to maintain focus on the performance. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video of Don in movie called “Evil Don” . This movie is about a man that started out being good, but turned evil when he was a kid he went to church and sang the choir. He was also a Boy Scout. He went to war as an adult and came back in evil person.

[LOGLINE] In “Evil Don,” a man who was once a choir-singing, Boy Scout child transforms into a sinister figure after returning from war, exploring the dark journey of his lost innocence. [SUBJECT & ACTION] Don, a once-innocent boy with a bright future, is depicted as he reflects on his past in a dimly lit room filled with memories, showcasing his transition from good to evil through haunting flashbacks and menacing expressions. [ENVIRONMENT] The scene takes place in a shadowy, cluttered room adorned with mementos of Don's childhood, including a dusty Boy Scout uniform and a faded choir certificate, contrasting with dark, ominous lighting that hints at his sinister transformation. [CAMERA & MOVEMENT] Slow dolly in towards Don's face as he remembers his past; quick cuts to flashbacks of choir practice and Boy Scout activities; shaky handheld shots during the war memories to convey chaos. [BEAT FLOW — 10s] • 0–3.3s: Close-up on Don's face, deep in thought, shadows casting over him, evoking a sense of regret. • 3.3–6.6s: Flashback cuts to a younger Don singing joyfully in the choir, vibrant colors contrasting the current darkness. • 6.6–10s: Return to Don's sinister expression as he clenches his fists, the atmosphere growing tense, no new dialogue as the scene fades to black. [LIGHTING & COLOR] Low-key lighting predominates the scene, with harsh shadows to emphasize Don's inner turmoil; muted colors in the present contrast with brighter, nostalgic hues in the flashbacks. [VFX & CLEANUP] Subtle transitions between flashbacks; gentle fade-outs; maintain stable edges without distortion. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a cartoon called “Ghetto Heaven” it’s a place where all the famous celebrities live after passing away. The main character in this cartoon trailer is Tupac Shakur and Sammy Davis Jr.

[LOGLINE] In the animated trailer for “Ghetto Heaven,” Tupac Shakur and Sammy Davis Jr. navigate a vibrant afterlife where famous celebrities dwell, showcasing their adventures and interactions in this whimsical paradise. [SUBJECT & ACTION] Tupac and Sammy, both iconic figures, share laughter and reminisce about their lives while engaging with other celebrity residents. They explore Ghetto Heaven, filled with nostalgic nods to their pasts, as they inspire joy and creativity among their fellow inhabitants. [ENVIRONMENT] Ghetto Heaven is a colorful, lively landscape featuring iconic landmarks from various celebrities’ lives, with elements of music, art, and entertainment woven throughout. [CAMERA & MOVEMENT] Smooth dolly shots glide through the bustling streets of Ghetto Heaven, capturing the vibrant interactions between characters; quick cuts highlight the humor and energy of their conversations. [BEAT FLOW — 10s] • 0–3.3s: The camera sweeps over Ghetto Heaven, showcasing famous landmarks and celebrity interactions. • 3.3–6.6s: Close-ups on Tupac and Sammy as they engage in playful banter, animated expressions highlighting their charisma. • 6.6–10s: A montage of laughter and music builds up, leading to a joyful celebration, ending with a wide shot of Ghetto Heaven as the characters share a heartfelt moment. [LIGHTING & COLOR] Bright, saturated colors bring Ghetto Heaven to life, with dynamic lighting that emphasizes the jubilant atmosphere, casting playful shadows that dance along the vibrant streets. [VFX & CLEANUP] Subtle motion blur enhances the sense of movement; edges remain stable to maintain clarity and focus on character interactions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video of Mona Lisa freestyling to a beat that gives you Wu Tang vibes.

[LOGLINE] Mona Lisa breaks the boundaries of time as she confidently freestyles to a beat infused with Wu Tang vibes, showcasing her unexpected prowess in a vibrant, modern setting. [SUBJECT & ACTION] Mona Lisa, the iconic figure from the Renaissance, raps with charisma and rhythm, her expression transitioning from mysterious to animated as she delivers clever wordplay, fully immersed in the beat. [ENVIRONMENT] The scene is set in a contemporary urban environment, with graffiti art adorning brick walls, colorful street art in the background, and a crowd of onlookers vibing to the performance. [CAMERA & MOVEMENT] Dynamic handheld shots circle around Mona Lisa, capturing her full-body movements and facial expressions, while zooming in on her hands as she gestures emphatically to the beat. [BEAT FLOW — 10s] • 0–3.3s: The camera begins with a wide shot of the urban setting, slowly zooming in on Mona Lisa as the beat drops. • 3.3–6.6s: Close-up shots of Mona Lisa's animated facial expressions and hand gestures, intercut with the crowd's reactions, enhancing the energy of her performance. • 6.6–10s: The camera pulls back to reveal Mona Lisa in her full glory, rapping the final lines with passion, while the crowd cheers, fading out on her confident smile. [LIGHTING & COLOR] Bright, vibrant colors illuminate the scene, with dynamic lighting that shifts to match the rhythm of the beat, highlighting Mona Lisa's features and the surrounding graffiti. [VFX & CLEANUP] Subtle motion blur enhances the energy of the scene; maintain stable edges around Mona Lisa to keep her as the focal point amidst the dynamic background. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video in 4k that features Richard Pryor, Gene Hackman, and Gene Wilder. They’re army commandos assigned to save the world from the evil.

[LOGLINE] Richard Pryor, Gene Hackman, and Gene Wilder, as army commandos, embark on a comedic mission to save the world from an evil villain. [SUBJECT & ACTION] The trio navigates through a series of outrageous obstacles, showcasing their unique personalities and comedic chemistry as they strategize and bicker over unconventional tactics to thwart the villain's plans. [ENVIRONMENT] Set in a vibrant, exaggerated military base filled with high-tech gadgets and surreal landscapes, contrasting with the seriousness of their mission. [CAMERA & MOVEMENT] Dynamic handheld shots capture the action, with quick zooms on characters during comedic moments and smooth tracking shots following the trio as they move through the military base. [BEAT FLOW — 10s] • 0–3.3s: Richard Pryor cracks a joke while peering over a high-tech gadget, causing Gene Hackman to roll his eyes. • 3.3–6.6s: Gene Wilder pulls out an absurdly large map, leading to a comedic misunderstanding between the trio about their destination. • 6.6–10s: The camera zooms out to show the chaotic scene as they rush off together, with a playful musical cue building excitement for their adventure. [LIGHTING & COLOR] Bright, high-contrast lighting enhances the comedic tone, with vibrant colors showcasing the absurdity of the environment and the characters' expressions. [VFX & CLEANUP] Subtle motion blur during fast movements; stable edges to maintain focus on character interactions and comedic timing. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video in 4k that features Walter Payton, Jim Brown, and Junior Seau. They’re army commandos assigned to save the world from the evil.

[LOGLINE] Walter Payton, Jim Brown, and Junior Seau, legendary football players turned army commandos, embark on a high-stakes mission to save the world from a looming evil threat. [SUBJECT & ACTION] The trio, clad in tactical gear, strategizes together while preparing their weapons and gear for the upcoming confrontation. They display camaraderie and determination, showcasing their athletic prowess as they execute a series of intense training maneuvers. [ENVIRONMENT] The scene takes place in a dimly lit military command center, filled with maps, high-tech gadgets, and surveillance screens displaying the evil organization's movements. [CAMERA & MOVEMENT] Smooth tracking shots follow the characters as they move around the command center, with occasional close-ups on their focused expressions. A handheld shot captures the intensity of their training maneuvers, emphasizing their athleticism. [BEAT FLOW — 10s] • 0–3.3s: The camera pans across the command center, revealing the trio deep in discussion, with close-ups on their determined faces. • 3.3–6.6s: Cut to action shots of Walter, Jim, and Junior executing training drills, showcasing their strength and agility, interspersed with quick reaction shots of their serious strategizing. • 6.6–10s: The three of them gather around a digital map, pointing at key locations, their expressions resolute, as the camera slowly zooms in on the map, fading to black at the end. [LIGHTING & COLOR] The lighting is low and dramatic, with shadows creating a sense of urgency. Cool tones dominate the color palette, punctuated by the warm glow of the screens, enhancing the high-tech atmosphere. [VFX & CLEANUP] Subtle motion blur during action sequences; stable edges for clarity and focus on characters' movements. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.