Explore Public Sora Prompts

Harvey Harvington becoming surprised by 67!

[LOGLINE] Harvey Harvington experiences a profound moment of surprise as he encounters the enigmatic number 67, leading to an unexpected revelation. [SUBJECT & ACTION] Harvey Harvington, a curious and contemplative character, stands in a sunlit room filled with books and curiosities. He stares wide-eyed at a mysterious object displaying the number 67, his expression shifting from curiosity to shock. [ENVIRONMENT] The scene takes place in a cozy, cluttered study, bathed in warm sunlight filtering through partially drawn curtains, illuminating the eclectic mix of books, trinkets, and an old desk. [CAMERA & MOVEMENT] Start with a slow zoom-in on Harvey's face, capturing his initial calm expression. As he notices the number 67, the camera quickly cuts to a close-up of the object, then back to Harvey for a reaction shot. [BEAT FLOW — 10s] • 0–3.3s: Camera zooms in on Harvey's calm face, revealing the study's details in the background. • 3.3–6.6s: Quick cut to a close-up of the object displaying the number 67, emphasizing its significance. • 6.6–10s: Cut back to Harvey, eyes wide in surprise, as he lets out a gasp, the scene resolving with him processing the revelation. [LIGHTING & COLOR] Warm sunlight creates a nostalgic, inviting atmosphere, with soft shadows enhancing the richness of the study's colors—earthy tones of wood and muted pastels of the decor. [VFX & CLEANUP] Subtle motion blur during quick cuts; ensure stable edges and smooth transitions between shots. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a Nintendo video game advertisement for a game called “Commando Red”. The game is about a young man in a red pickup truck going around participating in a turf war. He wears a red sweat suit and he’s light in complexion and has freckles. Video I want you to show a footage of the video game itself being played Also show the video game packaging with the disc next to it so people know what it looks like. The character is supposed to be a European man with a bald fade (red hair).

[LOGLINE] An advertisement for the Nintendo video game “Commando Red” showcases a young European man with a bald fade and red hair, clad in a red sweatsuit, driving his red pickup truck through a vibrant turf war. [SUBJECT & ACTION] The advertisement features dynamic gameplay footage of the protagonist engaging in turf battles, showcasing his agility and driving skills, while also highlighting the game packaging and disc prominently in the frame. [ENVIRONMENT] The setting is a colorful urban landscape, filled with graffiti-covered walls, bustling streets, and various turf war zones that reflect the game's energetic atmosphere. [CAMERA & MOVEMENT] Start with a sweeping drone shot over the cityscape, then transition to a handheld follow shot as the character drives the red pickup truck, capturing close-ups of intense gameplay, and finally zoom in on the game packaging displayed on a flat surface. [BEAT FLOW — 10s] • 0–3.3s: Aerial shot of the vibrant cityscape, transitioning to the protagonist speeding through the streets in his red pickup truck. • 3.3–6.6s: Close-up gameplay footage showing the character in action, dodging obstacles and engaging in turf war battles, with quick cuts to highlight exciting moments. • 6.6–10s: The camera zooms in on the game packaging and disc as they are placed on a surface, with a focus on the logo and artwork, followed by a quick fade-out to the game title. [LIGHTING & COLOR] Bright and vivid colors dominate the scene, with well-lit gameplay sections emphasizing the action, while the packaging is illuminated with a subtle spotlight to make it stand out against a slightly darker background. [VFX & CLEANUP] Implement smooth transitions with subtle motion blur during gameplay highlights; ensure stable edges around the game packaging to enhance clarity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a Nintendo video game advertisement for a game called “Commando Red”. The game is about a young man in a red pickup truck going around participating in a turf war. He wears a red sweat suit and he’s light in complexion and has freckles.

[LOGLINE] A vibrant Nintendo advertisement showcases "Commando Red," featuring a young man with freckles in a red sweat suit, racing through urban streets in his red pickup truck, engaging in an intense turf war. [SUBJECT & ACTION] The young man, determined and fearless, grips the steering wheel of his red pickup truck as he speeds through alleyways, navigating obstacles while strategizing his next move in the turf war against rival factions. [ENVIRONMENT] The setting is a dynamic urban landscape filled with colorful graffiti, bustling streets, and hidden corners that serve as battlegrounds for the turf war. [CAMERA & MOVEMENT] Dynamic tracking shots follow the pickup truck as it maneuvers sharply around corners; quick cuts capture the young man’s facial expressions of determination and excitement; aerial shots reveal the scale of the turf war. [BEAT FLOW — 10s] • 0–3.3s: The camera starts with a wide shot of the urban landscape, then quickly zooms in on the red pickup truck speeding through the streets. • 3.3–6.6s: Close-up of the young man's face, showcasing his freckles and fierce determination as he maneuvers the truck; quick cuts show rival gang members preparing for confrontation. • 6.6–10s: The truck drifts around a corner, smoke billowing from the tires; the screen fades to the game logo "Commando Red" with an explosive sound effect, ending with a brief silence for impact. [LIGHTING & COLOR] Bright, saturated colors emphasize the vibrancy of the urban environment; dynamic lighting highlights the truck’s red paint and the young man’s sweat suit, with contrasting shadows creating depth during the action sequences. [VFX & CLEANUP] Add subtle motion blur to enhance the speed of the truck; ensure stable edges around the characters and vehicles for a polished look. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video game trailer for a PS5 video game called Commando featuring Donald. It’s an 8 bit video game kind of like Contra for the Nintendo gaming system.

[LOGLINE] An action-packed video game trailer for a PS5 title called Commando featuring Donald, showcasing his heroic journey through pixelated landscapes, battling enemies in a nostalgic 8-bit style reminiscent of Contra. [SUBJECT & ACTION] Donald, armed with a pixelated gun, navigates through hostile terrains, dodging enemy fire and unleashing powerful attacks against a variety of retro-styled foes. His determination and bravery shine as he overcomes obstacles and rescues captured allies. [ENVIRONMENT] The setting includes vibrant 8-bit jungles, treacherous caves, and futuristic enemy bases, all rendered in a nostalgic pixel art style that evokes classic gaming. [CAMERA & MOVEMENT] Dynamic zoom-ins on Donald during intense moments; sweeping pans across the environment as he runs; quick cuts to highlight enemy encounters and explosive action sequences. [BEAT FLOW — 10s] • 0–3.3s: Close-up of Donald loading his weapon, determination in his eyes. • 3.3–6.6s: Wide shot of Donald sprinting through a jungle, dodging pixelated bullets, with enemies emerging from the foliage. • 6.6–10s: Dramatic slow-motion of Donald leaping into the air to unleash a powerful attack, with explosions in the background, followed by a title reveal. [LIGHTING & COLOR] Bright, saturated colors typical of retro games; flashing pixelated explosions; soft ambient lighting in the cave scenes contrasted with harsher lights during combat. [VFX & CLEANUP] Add retro-style visual effects for explosions and attacks; maintain sharp pixel edges; ensure smooth transitions between scenes. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a trailer for a video game called “Honky Kong” It’s sequel to Donkey Kong but the gorilla is Albino. This game is for the PS5.

[LOGLINE] A thrilling trailer for “Honky Kong,” the sequel to Donkey Kong, featuring an albino gorilla as he embarks on a wild adventure to reclaim his stolen treasure from a gang of mischievous critters. [SUBJECT & ACTION] The albino gorilla swings through vibrant jungle landscapes, dodging obstacles and battling various critters while expressing determination and excitement. He utilizes his strength and agility to overcome challenges and rescue his beloved treasure. [ENVIRONMENT] Lush, colorful jungles filled with towering trees, vibrant foliage, and hidden caves that house the critters and treasure. [CAMERA & MOVEMENT] Dynamic tracking shots follow the gorilla as he swings through the trees, quick cuts to intense close-ups of his expressions during battles, and sweeping panoramic views of the jungle environment. [BEAT FLOW — 10s] • 0–3.3s: The trailer opens with a wide shot of the jungle, the gorilla's silhouette swinging into frame. • 3.3–6.6s: Fast-paced action scenes of the gorilla dodging critters and leaping over obstacles, interspersed with close-ups of his fierce expressions. • 6.6–10s: A dramatic showdown with the critters, ending in a powerful roar from the gorilla, followed by the title “Honky Kong” appearing with a thundering sound. [LIGHTING & COLOR] Bright, saturated colors to enhance the vibrant jungle setting, with contrasting shadows to create depth during action sequences. [VFX & CLEANUP] Subtle motion blur during fast movements; clear outlines for the gorilla and critters to enhance visual impact. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

@markmarvel is a drag queen Named yoko phono , she is spinning records in high heels, he is chain smoking, @snake-tbd is smoking cis and dancing like its a rave he is wearing a leather vest no shirt and loose pants adorned with stuffed animal heads , @yotuki1979 is also in the crowd, smoking cigs and in a "what me worry" Alfred e Newman tank top, feeling the music, and bobbing his head, he screams "I love you guys!!!!"its like a rave but the music is closer to Elliot smith

[LOGLINE] A vibrant drag queen named Yoko Phono spins records in high heels while chain-smoking, surrounded by a rave-like atmosphere enhanced by eclectic dancers including a figure in a leather vest with stuffed animal heads and a bobbing head in a quirky tank top, all to the melancholic tunes reminiscent of Elliott Smith. [SUBJECT & ACTION] Yoko Phono, the drag queen, spins records confidently in her high heels while chain-smoking, exuding charisma. Nearby, a dancer dressed in a leather vest and loose pants adorned with stuffed animal heads smokes and moves energetically, while another character, in an Alfred E. Neuman tank top, bobs his head and shouts, "I love you guys!!!", fully immersed in the music. [ENVIRONMENT] The scene is set in a dimly lit, underground rave venue, pulsating with vibrant colors and an electric atmosphere, reminiscent of a lively nightclub. [CAMERA & MOVEMENT] Smooth tracking shot following Yoko as she spins, then a quick cut to the dancer in the leather vest, panning across the crowd, and finally a close-up of the character in the tank top as he screams. [BEAT FLOW — 10s] • 0–3.3s: Yoko Phono spins records with flair, smoke curling from her cigarette. • 3.3–6.6s: The camera cuts to the dancer in the leather vest, showcasing his moves and the stuffed animal heads. • 6.6–10s: Close-up on the character in the Alfred E. Neuman tank top as he shouts, "I love you guys!!!", with the crowd cheering in the backdrop. [LIGHTING & COLOR] The lighting is low but punctuated with colorful strobe lights and soft neon glows, creating a warm yet energetic atmosphere, with a slightly muted color palette to reflect the melancholic music vibe. [VFX & CLEANUP] Subtle motion blur to enhance the movement of dancing; stable edges for clarity in character features. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Someone riding as a passenger on a helicopter is filming the “Statue of Liberty” as they’re flying past it. The statue is wearing a full black burka but the position of the statue remains the same.

[LOGLINE] A passenger on a helicopter captures footage of the Statue of Liberty, which is unexpectedly adorned in a full black burka, creating a striking visual contrast against the New York skyline. [SUBJECT & ACTION] The passenger, excited and curious, films the iconic statue as the helicopter glides past, their camera focused on the unusual sight of the burka-clad Liberty. [ENVIRONMENT] The scene unfolds high above New York City, showcasing the vibrant skyline and the bustling harbor surrounding the Statue of Liberty. [CAMERA & MOVEMENT] Smooth tracking shot from the helicopter, panning to maintain focus on the statue as it comes into view, with a slight zoom-in to emphasize the burka. [BEAT FLOW — 10s] • 0–3.3s: The helicopter ascends, revealing the skyline, with the passenger adjusting their camera. • 3.3–6.6s: The Statue of Liberty comes into frame, fully visible in its black burka, as the passenger reacts with surprise. • 6.6–10s: The camera captures the statue as they pass by, holding on the burka for a moment before cutting to a distant view of the skyline. [LIGHTING & COLOR] Bright daylight illuminates the scene, creating vivid colors against the stark black of the burka, with soft shadows adding depth to the statue. [VFX & CLEANUP] Subtle stabilization effects to smooth out any helicopter vibrations; clean edges around the statue for clarity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

un cane rivede la sua padrona dopo un lungo viaggio, tutto ripreo dalla security cam, ripresa fissa, il cane le fa le feste, corre da lei felicissimo, tutto dve esere iper realistico, niente effetti cinematografici, telecaera fissa , in ingleese

[LOGLINE] A dog joyfully reunites with its owner after a long journey, captured entirely by a fixed security camera. [SUBJECT & ACTION] The dog excitedly runs towards its owner, wagging its tail and jumping around her, expressing pure happiness at the reunion. [ENVIRONMENT] The scene takes place in a dimly lit parking lot, where the security camera is positioned to capture the entire area. [CAMERA & MOVEMENT] Static shot from the security camera, maintaining a wide view of the parking lot. [BEAT FLOW — 10s] • 0–3.3s: The camera captures the empty parking lot, the anticipation building as the owner approaches. • 3.3–6.6s: The dog appears in frame, running towards the owner with excitement, tail wagging vigorously. • 6.6–10s: The joyful reunion unfolds as the dog jumps around its owner, both filled with emotion, while the camera holds its position. [LIGHTING & COLOR] Realistic lighting with soft shadows, emphasizing the natural colors of the dog and the surroundings without any cinematic effects. [VFX & CLEANUP] No visual effects; ensure clarity and stability of the footage with smooth transitions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

@ouriken2 qui est dans la voiture de starsky et hutch et qui fait la courses avec la voiture de k2000

[LOGLINE] @ouriken2 is in the iconic Starsky and Hutch car, engaging in an exhilarating race against the high-tech KITT from Knight Rider. [SUBJECT & ACTION] @ouriken2 grips the steering wheel tightly, determination etched on their face as they accelerate down a winding road, pushing the Starsky and Hutch car to its limits in a thrilling showdown with KITT. [ENVIRONMENT] The race takes place on a sun-drenched highway, surrounded by vibrant trees and a clear blue sky, with the sound of roaring engines echoing in the air. [CAMERA & MOVEMENT] Handheld tracking shot follows the cars as they speed along the road, with quick cuts to close-ups of @ouriken2's intense expressions and the dashboard of the Starsky and Hutch car. [BEAT FLOW — 10s] • 0–3.3s: The camera zooms in on @ouriken2’s determined face as they shift gears, the sound of the engine roaring. • 3.3–6.6s: A side view shows both cars racing neck and neck, KITT's sleek design contrasting with the classic look of Starsky and Hutch. • 6.6–10s: The camera cuts to a dynamic shot of the road ahead, revealing a sharp turn, as @ouriken2 expertly maneuvers the car, setting up for the final moment of tension. [LIGHTING & COLOR] Bright daylight enhances the vivid colors of the cars, with natural sunlight casting sharp shadows and highlights that accentuate their sleek designs. [VFX & CLEANUP] Subtle motion blur for speed effects; stable edges to maintain clarity on the cars and environment. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

ripresa fissa di una security cam mostra un bimbo e un gatto intenti ad aprire il portone di casa per uscire, non riescini a farlo, ma i due ci provano, tutto iperrealistico, movimenti natyrali, ripresa della securuty cam fisssa, niente effetto cinematografico, in inglese

[LOGLINE] A fixed security camera captures a child and a cat attempting to open the front door to leave the house, showcasing their struggle as they try repeatedly but fail to succeed. [SUBJECT & ACTION] The scene features a young child, full of determination, and a curious cat, both energetically pushing and pawing at the door handle, displaying natural movements and genuine frustration as they work together. [ENVIRONMENT] The setting is a cozy hallway, with a front door prominently featured, illuminated by soft, ambient light, creating a homey atmosphere. [CAMERA & MOVEMENT] Static shot from a fixed security camera, capturing the entire scene without any movement or panning, maintaining a clear view of the child and cat. [BEAT FLOW — 10s] • 0–3.3s: The child reaches up, excitedly tugging at the door handle while the cat jumps and paws at the same spot. • 3.3–6.6s: The child looks back at the cat, encouraging it to help, while they both make another attempt to open the door. • 6.6–10s: They both step back in frustration, the child frowning and the cat meowing softly, before the camera captures their shared moment of defeat without any new speech. [LIGHTING & COLOR] Naturalistic lighting with soft shadows, warm tones to enhance the cozy home environment, focusing on the child's vibrant clothing and the cat's fur. [VFX & CLEANUP] Subtle motion blur during movements; stable edges to maintain a clear view of the action without distractions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

ripresa fissa della security cam della casa, una donna sta facendo giardinaggio accanto a lei il passeggiono con il bambino che dorme, accanto al passeggiono i due gatti che riposano, entra dal cancellino un cane, i due gatti subito reagiscono e attaccano il cane facendolo scappere proteggendo cosi il bambino, la ripresa + fissa delle security cam tutto e iperrealistico, nessuno effetto cinematografico, in inglese

[LOGLINE] A fixed security camera captures a hyper-realistic scene of a woman gardening next to a stroller with a sleeping baby, while two cats rest nearby; the tranquility is disrupted when a dog enters the yard, prompting the cats to fiercely defend the child. [SUBJECT & ACTION] The woman tends to her garden, focused and calm, as the stroller beside her rocks gently with the sleeping baby. The two cats lounge lazily, their eyes half-closed, until the sudden appearance of a dog causes them to leap into action, chasing the intruder away to protect the child. [ENVIRONMENT] The setting is a well-kept backyard, filled with vibrant flowers and greenery, under a clear blue sky, with a wooden gate that opens to the street. [CAMERA & MOVEMENT] Static shot from the security camera, capturing the entire scene without any pans or tilts. [BEAT FLOW — 10s] • 0–3.3s: The woman kneels by the garden, gently placing soil around a plant, the stroller visible in the background. • 3.3–6.6s: The two cats stretch and yawn, positioned near the stroller, as the dog enters the frame through the gate, sniffing around. • 6.6–10s: The cats suddenly spring into action, hissing and running towards the dog, which turns and bolts away; the camera captures the moment of protection as the woman looks up in surprise, then returns to her task. [LIGHTING & COLOR] Natural daylight illuminates the scene, highlighting the vibrant colors of the flowers and the soft fur of the cats; the overall tone is warm and inviting, creating a peaceful atmosphere. [VFX & CLEANUP] Maintain a clean and crisp image with no added effects; ensure the scene appears realistic without any enhancements or artificial features. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A scene from a 90s slice of life anime about an Anglican girl who doesn't fit in because she won't stop talking about theology

[LOGLINE] A scene from a 90s slice of life anime about an Anglican girl who doesn't fit in because she won't stop talking about theology, desperately trying to connect with her peers during lunchtime. [SUBJECT & ACTION] The Anglican girl, with her bright red hair tied in pigtails, passionately explains a theological concept to her uninterested classmates, who are more focused on their own conversations and snacks. Her excitement contrasts sharply with their disinterest, creating an atmosphere of isolation. [ENVIRONMENT] The setting is a bustling high school cafeteria filled with colorful lunch trays, students chatting animatedly, and walls adorned with posters of pop culture icons from the 90s. [CAMERA & MOVEMENT] Handheld tracking shot moving through the cafeteria, then a slow zoom-in on the girl as she talks animatedly, capturing her expressions and gestures. Cut to wide shots of the classmates occasionally glancing at her with bemusement. [BEAT FLOW — 10s] • 0–3.3s: Handheld tracking through the cafeteria, capturing the lively atmosphere and students laughing. • 3.3–6.6s: Zoom-in on the girl as she animatedly gestures, words spilling out in excitement about her topic. • 6.6–10s: Wide shot of classmates looking at her with puzzled expressions, then a close-up of the girl's hopeful face fading to disappointment. [LIGHTING & COLOR] Warm, inviting lighting with a slight golden hue to evoke nostalgia, contrasting with cooler tones around the uninterested peers. The color palette is vibrant, typical of 90s anime aesthetics, enhancing the emotional disparity. [VFX & CLEANUP] Subtle motion blur to emphasize the girl’s energetic movements; stable edges to maintain clarity in facial expressions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

action movie scene in futuristic bangkok

[LOGLINE] In a high-octane action scene set in a futuristic Bangkok, a skilled hacker named Kai races against time to retrieve a stolen data chip while being pursued by ruthless mercenaries. [SUBJECT & ACTION] Kai, equipped with advanced tech gear, expertly navigates the neon-lit streets of Bangkok, utilizing parkour to evade the mercenaries who are firing energy weapons at him. He must reach a hidden data vault before the chip's self-destruct timer expires. [ENVIRONMENT] The bustling streets of futuristic Bangkok are filled with towering skyscrapers, holographic advertisements, and a diverse crowd, creating a vibrant yet dangerous atmosphere. [CAMERA & MOVEMENT] Dynamic tracking shot follows Kai as he leaps from rooftop to rooftop, quick pans capture the mercenaries closing in, and a dramatic slow-motion shot highlights the energy blasts narrowly missing Kai. [BEAT FLOW — 10s] • 0–3.3s: The camera starts with a wide shot of the neon-lit Bangkok skyline, then quickly shifts to a close-up of Kai's determined face as he prepares to jump. • 3.3–6.6s: Fast-paced cuts show Kai vaulting over obstacles, with mercenaries in pursuit, their energy weapons firing, while the camera stays tight on the action. • 6.6–10s: A slow-motion shot captures Kai narrowly dodging an energy blast, then he lands on a rooftop, looking back at the mercenaries with a resolute expression as the scene fades to black. [LIGHTING & COLOR] Bright neon colors dominate the scene, with cool blues and purples contrasting against the warm tones of the bustling market below, illuminated with soft ambient light. [VFX & CLEANUP] Add subtle motion blur during fast movements; maintain stable edges for clarity and focus on the action. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

camera following a bug on body of dog

[LOGLINE] A close-up exploration of a bug crawling on the body of a dog, showcasing the intricate details of both the insect and the furry creature. [SUBJECT & ACTION] A small bug navigates across the soft fur of a playful dog, emphasizing the contrast between the tiny creature and the larger animal. The dog occasionally shifts its body, creating subtle movements that affect the bug's journey. [ENVIRONMENT] The scene takes place in a sunlit backyard filled with vibrant grass and a few scattered flowers, providing a colorful and lively backdrop. [CAMERA & MOVEMENT] Handheld tracking shot following the bug as it moves, with occasional pans to capture the dog's reactions and movements. [BEAT FLOW — 10s] • 0–3.3s: Camera starts focused on the bug as it begins to crawl on the dog's fur, highlighting its textures. • 3.3–6.6s: The camera tilts slightly to reveal the dog's face, showing a playful expression as it shifts its body. • 6.6–10s: The camera returns to the bug, capturing its movement across a patch of softer fur before gradually zooming out to frame the dog in full. [LIGHTING & COLOR] Natural sunlight creates a warm and inviting atmosphere, enhancing the vivid colors of the grass and the dog’s fur, while maintaining clear details of the bug. [VFX & CLEANUP] Subtle depth of field to emphasize the bug and dog, with soft focus on the background; stable edges to avoid distractions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

ripresa dalla security cam dell casa, una dona in giradino fa giardinaggio accanto a lei dorme nel passeggino ilfifglio, accanto al passeggino formo dove dorme i dye gatti, si avvicina una cane randagio, i due gatti scattono in difesa del passeggino e allonranano il cane , yuyyo ripreso dalla security cam della casa, tutto deve essere reale, niente effetti cinematografici, in inglese

[LOGLINE] A security camera captures a woman gardening in her yard while her baby sleeps in a stroller beside her, and two cats guard the stroller from an approaching stray dog. [SUBJECT & ACTION] The woman tends to her plants with care, her focus on her gardening tasks, while the baby sleeps soundly in the stroller. Nearby, the two cats are alert, watching as a stray dog approaches, ready to defend their territory. [ENVIRONMENT] The scene is set in a suburban backyard, complete with flower beds, a neatly trimmed lawn, and a stroller parked on the grass. [CAMERA & MOVEMENT] Static shot from a security camera angle, capturing the entire yard, with slight zoom-ins on significant actions like the woman's gardening and the cats' defensive posturing. [BEAT FLOW — 10s] • 0–3.3s: The woman is seen planting flowers, her hands in the soil, while the baby sleeps peacefully in the stroller. • 3.3–6.6s: The two cats perk up, noticing the stray dog approaching, their bodies tense as they prepare to react. • 6.6–10s: The cats leap into action, hissing and darting towards the dog, successfully scaring it away as the camera captures the moment of their defense. [LIGHTING & COLOR] Natural daylight illuminates the scene, casting soft shadows on the grass, with vibrant colors from the flowers and the green lawn creating a warm, realistic atmosphere. [VFX & CLEANUP] Maintain a clean and realistic look; ensure all movements are smooth and natural without any added effects or enhancements. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

un cane non smette di piangere davanti alla bara del suo padrone, tutto deve essere iper realistico, niente effetti cinematografici in inglese , ripreso da telefono, tutto è realistico.

[LOGLINE] A dog mournfully cries in front of its owner's casket, capturing the raw emotion of loss and loyalty in an intensely realistic scenario. [SUBJECT & ACTION] The dog, with its fur matted and eyes filled with sorrow, stands vigil by the casket, whimpering and occasionally looking up, as if searching for a response from its deceased owner. [ENVIRONMENT] The scene is set in a somber funeral home, with muted colors, soft lighting, and a small gathering of mourners in the background, creating an intimate yet heart-wrenching atmosphere. [CAMERA & MOVEMENT] Handheld camera work simulates a natural, unfiltered perspective, slowly panning down to the dog, then tilting up to capture the casket, followed by close-ups of the dog's expressions. [BEAT FLOW — 10s] • 0–3.3s: Start with a close-up of the dog's face showing its grief, soft whimpers audible. • 3.3–6.6s: The camera moves to reveal the casket, with the dog's head lowered beside it, continuing to whimper. • 6.6–10s: A lingering shot of the dog looking up towards the casket, eyes glistening, as the scene fades to black without new dialogue. [LIGHTING & COLOR] Soft, diffused lighting creates a gentle yet somber mood, with a color palette of muted grays and browns to enhance the realism and emotional weight. [VFX & CLEANUP] Natural look with no added effects; subtle focus pulls to maintain realism, ensuring the edges of the scene remain clear. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

un cane non smette di piangere davanti alla bara del suo padrone, tutto deve essere iper realistico, niente effetti cinematografici in inglese

[LOGLINE] A dog stands mournfully in front of its owner's coffin, crying incessantly, conveying deep sorrow and loss in an ultra-realistic setting. [SUBJECT & ACTION] The dog, a large golden retriever, sits with its head hung low, eyes filled with tears, as it whimpers softly in front of the coffin, refusing to leave its side, showcasing unwavering loyalty and grief. [ENVIRONMENT] The scene takes place in a dimly lit funeral home, surrounded by muted colors and somber decorations, emphasizing the heaviness of the moment. [CAMERA & MOVEMENT] Slow dolly-in towards the dog, then a gentle tilt down to focus on its face, capturing the raw emotion. [BEAT FLOW — 10s] • 0–3.3s: The camera slowly approaches the dog, revealing its sad expression as it looks up at the coffin. • 3.3–6.6s: Close-up on the dog's eyes, glistening with tears, while soft whimpering sounds fill the air. • 6.6–10s: The camera lingers on the dog's lowered head, allowing the visual of its sorrow to resonate without any dialogue, ending with a soft focus on the coffin. [LIGHTING & COLOR] Soft, natural lighting simulates an overcast day, with cool tones predominating to enhance the somber mood; shadows are gentle but present. [VFX & CLEANUP] Natural, fluid movements; ensure stable edges throughout without any post-processing effects that might distract from the realism. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

ripresa da una security cam, un bambino dorme nel suo passeggino nel portico di casa, la mamma sta sistemando dei fiori, quando all immprovviso si avvicna un orso bryno, il cane e il gatto che dormivano viicno al passegguno scattano e lo attaccano e lo cacciano, la ripresa ò della security cam, tutto deve essere reale con movimenti naturali, in inglese

[LOGLINE] A security camera captures a peaceful scene of a sleeping baby in a stroller on the porch while the mother tends to flowers, until a bear unexpectedly approaches, prompting the dog and cat to spring into action and drive it away. [SUBJECT & ACTION] A child peacefully sleeps in a stroller as their mother carefully arranges flowers nearby. Suddenly, a brown bear approaches, triggering the sleeping dog and cat to leap up and fiercely chase the bear away. [ENVIRONMENT] The setting is a cozy home porch adorned with potted flowers and greenery, with the warm light of day illuminating the scene. [CAMERA & MOVEMENT] Static security camera shot with a slight zoom for emphasis on the bear’s approach; pan to follow the dog and cat as they react energetically. [BEAT FLOW — 10s] • 0–3.3s: The screen shows the baby sleeping in the stroller; the mother is seen in the background arranging flowers. • 3.3–6.6s: The bear slowly approaches the porch; a tense atmosphere builds as the dog and cat wake up and notice the intruder. • 6.6–10s: The dog and cat rush toward the bear, barking and hissing, successfully driving it away; the camera captures the mother’s surprised expression as the scene resolves. [LIGHTING & COLOR] Natural daylight with soft shadows; warm tones to highlight the peacefulness of the porch, contrasting with the suddenly tense moment when the bear appears. [VFX & CLEANUP] Subtle motion blur during the dog and cat's movements; ensure stable edges throughout the scene without distractions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A young man in the street of new york

[LOGLINE] A young man navigates the bustling streets of New York, filled with determination and a hint of anxiety as he clutches a crumpled map in his hand. [SUBJECT & ACTION] The young man, wearing a worn backpack and a hoodie, moves purposefully through the crowd, glancing at the map and then back at the towering buildings around him, showcasing his struggle to find his way. [ENVIRONMENT] The vibrant streets of New York are alive with pedestrians, bright billboards, and the distant sound of honking cars, creating an energetic urban backdrop. [CAMERA & MOVEMENT] Handheld tracking shot follows the young man from behind as he weaves through the crowd, then a quick push-in on his face to capture his determination and anxiety. [BEAT FLOW — 10s] • 0–3.3s: The young man enters the frame, pushing through the crowd with the map visible in his hand. • 3.3–6.6s: Close-up on his face as he looks at the map, brows furrowed, then shifts his gaze upward to the skyscrapers. • 6.6–10s: He takes a deep breath, straightens his shoulders, and confidently strides forward, the crowd continuing to bustle around him. [LIGHTING & COLOR] Bright, natural daylight illuminates the scene, with vibrant colors from the billboards and street signs contrasting against the gray tones of the concrete buildings. [VFX & CLEANUP] Subtle motion blur on the background to emphasize the young man's movement; stable edges around the characters and environment. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A man eating a wedge salad. He finshes the salad and is getting ready to shave. He is lathering himself when he has to poop. He takes a poo fully lathered.

[LOGLINE] A man enjoys a wedge salad, then prepares to shave, only to be interrupted by an urgent call of nature that leads to an unexpected situation. [SUBJECT & ACTION] The man finishes his wedge salad, savoring the last bite, and begins lathering his face in preparation for shaving, only to suddenly realize he needs to poop, resulting in a comical and chaotic moment as he takes a poo fully lathered. [ENVIRONMENT] The scene is set in a bright, modern bathroom with clean white tiles and a large mirror, complemented by vibrant green plants peeking in from the window. [CAMERA & MOVEMENT] Start with a medium shot of the man at the dining table, then a smooth transition to a close-up of him lathering his face in the bathroom, followed by a quick pan to capture his surprised expression. [BEAT FLOW — 10s] • 0–3.3s: Man savors the last bite of his wedge salad, enjoying the crunch and flavor, with a satisfied smile on his face. • 3.3–6.6s: He walks to the bathroom, starts lathering his face with shaving cream, and suddenly pauses, looking startled as he realizes he needs to poop. • 6.6–10s: In a frantic rush, he attempts to manage his predicament, humorously struggling with the situation while still fully lathered. [LIGHTING & COLOR] Bright, natural light floods the bathroom, casting soft shadows, with a warm color palette that emphasizes the comedic tone of the scene. [VFX & CLEANUP] Include subtle motion blur during the man's frantic movements; maintain stable edges to keep the focus on his expressions and actions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

ripresa da una secutity cam dela casa à sera una donna esce in giardino e le luci del giardini si spengono e accendono improvvisamente, la porta di casa sbatte la donna si spavemnta, tutto deve essere iper realistico, movimenti naturali, in inglese

[LOGLINE] Captured from a security camera, a woman steps into her garden at night as the garden lights flicker on and off suddenly, and the front door slams shut, startling her. [SUBJECT & ACTION] A woman exits her house into the garden, her expression shifting from calm to alarm as the garden lights turn off and then back on abruptly, followed by the slamming of the front door. [ENVIRONMENT] The scene takes place in a dimly lit suburban garden at night, surrounded by shadows and the faint outline of trees and shrubs. [CAMERA & MOVEMENT] Static camera position simulating a security cam viewpoint; slight zoom-in on the woman as she reacts to the sudden changes in the environment. [BEAT FLOW — 10s] • 0–3.3s: The woman steps out of the house, looking around the garden with a relaxed demeanor. • 3.3–6.6s: The garden lights flicker on and off, her expression transitions to confusion and fear as the lights create an unsettling atmosphere. • 6.6–10s: The front door slams shut, causing her to jump in fright; the final second captures her startled reaction, with no additional dialogue. [LIGHTING & COLOR] Naturalistic lighting with a focus on the stark contrast between the garden's illuminated areas and deep shadows; colors should be muted and realistic, emphasizing the nighttime setting. [VFX & CLEANUP] Use subtle motion blur to enhance realism; ensure stable edges for the security camera effect. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

la security cam della casa riprende un lampadario che si muove da solo, tutto deve essere estremamente realsitico, movimento naturale, nessun effetto cinematografico, in inflese

[LOGLINE] A home security camera captures a chandelier swaying on its own, creating an eerie atmosphere that feels intensely realistic. [SUBJECT & ACTION] The chandelier gently sways back and forth, as if moved by an unseen force, while the camera records the unsettling event without any cinematic enhancement or dramatic flair. [ENVIRONMENT] Inside a dimly lit living room, the chandelier hangs from the ceiling, surrounded by ordinary household items that enhance the realism of the scene. [CAMERA & MOVEMENT] Static shot from a fixed position, capturing the chandelier in the center of the frame. [BEAT FLOW — 10s] • 0–3.3s: Camera focuses on the chandelier, showing it still and undisturbed. • 3.3–6.6s: The chandelier begins to sway gently, with subtle shifts in the shadows. • 6.6–10s: The movement intensifies slightly, then gradually stops, leaving only the lingering sense of eeriness. [LIGHTING & COLOR] Soft, ambient light fills the room, with shadows cast by the chandelier creating an unsettling contrast; colors remain true to the interior setting, enhancing realism. [VFX & CLEANUP] Natural movement without digital enhancements; ensure the chandelier appears to move organically, with no added effects or exaggeration. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

ripresa da una security cam della stanza, una donna è seduta a guardare la tv in soggiorno e il lampadario sopra di lei si muive senza alcun motivo , tutto deve essere naturale fortemente realistico, nessun effetto cinematografico, in inglese

[LOGLINE] A security camera captures a woman sitting in her living room, watching television, while the chandelier above her moves inexplicably, creating an eerie atmosphere. [SUBJECT & ACTION] A woman is seated on a couch, focused on the television screen, seemingly unaware of the chandelier swaying above her without any apparent cause. [ENVIRONMENT] The scene takes place in a dimly lit living room, furnished with a cozy couch, a coffee table, and a flickering television set. [CAMERA & MOVEMENT] Static shot from a high corner angle, mimicking the perspective of a security camera, with a slight zoom-in on the chandelier. [BEAT FLOW — 10s] • 0–3.3s: The woman is seen sitting on the couch, eyes fixed on the television. • 3.3–6.6s: The chandelier begins to sway gently, unnoticed by the woman. • 6.6–10s: The camera lingers on the chandelier's movement, creating a sense of unease, before fading to black. [LIGHTING & COLOR] Natural lighting from the television casts soft shadows; warm tones in the room contrast with the cooler light from the screen. [VFX & CLEANUP] Ensure a smooth, stable shot with no added effects; maintain natural movements of the chandelier without distortion. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Il telecomando scivola lentamente sul bracciolo, poi cade a terra; il cane sobbalza e abbaia guardando il divano tutto ripreso dalla securiti cam della casa, tutto deve essere reaslistico, movimenti naturali, niente effetti cinematografici,in inglese

[LOGLINE] A remote control slowly slides off the armrest and drops to the floor, startling a dog that barks at the couch, all captured from the perspective of the home's security camera. [SUBJECT & ACTION] The remote control begins to slide down the armrest of the couch, eventually falling to the ground, causing the dog to jump in surprise and bark at the couch. [ENVIRONMENT] The scene takes place in a cozy living room, furnished with a couch, a coffee table, and warm, inviting decor. [CAMERA & MOVEMENT] Static shot from a security camera angle, capturing the full view of the living room as the remote control slips off the armrest and the dog reacts. [BEAT FLOW — 10s] • 0–3.3s: The remote control inches toward the edge of the armrest, with the camera focused on its gradual movement. • 3.3–6.6s: The remote falls to the floor with a soft thud; the dog's ears perk up and it jumps, barking at the couch. • 6.6–10s: The dog continues to bark, framing a clear view of the couch and the fallen remote, with no new dialogue or action introduced. [LIGHTING & COLOR] Natural light filters in through a nearby window, creating a warm and inviting atmosphere with soft shadows that enhance the realism of the scene. [VFX & CLEANUP] Ensure clean edges and stable visuals; minimal motion blur to maintain realism with no exaggerated effects. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.